"Backstage"
Passionate
Love was able to throw away Social Barriers, but submitted to the
Hand of Destiny
Screenplay by
Leonid
Sakharov
author's
adaptation of the
novel
Logline:
Blumkin and the head of the
Cheka Dzerzhinsky carried out an operation that resulted in the
liquidation of the former Tsar's family and the destruction of
documents on Lenin's collaboration with the Germans. The love of
Blumkin and Princess Natalia Paley saved her and her poet brother
Vladimir.
781-526-3143
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leonid.g.sakharov@gmail.com
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FADE IN:
1 EXT. WINTER STREET – NIGHT 1
Dark winter snow street at night in Petrograd, Russia Impire.
It is 30 December [O.S. 17 December] 1916. Camera start slow flight
above deserted streets. Pace of move
accelerates. It turns into direction of the big palace building
passing through a closed window into the
room where old style movie and photo cameras shooting sexual
encounter on the bright lighted bed. Periodically magnum flushes for
photo shots.
SMOOTH TRANSITION
2 INT. PALACE ROOM 2
Grigori Rasputin, (h.f. = historical figure), lays naked on bed that
is the center of the movie shooting session. camera sees naked back
of woman in upper position. unnamed woman wears crown. around there
are more naked bodies resting and looking at Grigori Rasputin and
unnamed actress. on of the surrounding couples is Marianne
Pistohlkors (h.f.) and man with her is grand duke Dmitri Pavlovich
(h.f.).
Knyaz Felix Yusupov (hf) exchanges signs with cameramen whose nods
affirmative. Felix Yusupov with small handgun moves toward Grigori
Rasputin and shots him in a chest. Grigori Rasputin looks dead.
There are celebration in the room. Everybody raises glasses of
champagne. In a short moment Felix Yusupov turns to check a state of
Grigori Rasputin but he is gone.
CUT TO
3
EXT.
night
street 3
Naked Grigori Rasputin with blood on him runs
along the street from the palace. Felix Yusupov runs out of palace
gate chasing him. Grigori Rasputin trips and fall down. Felix Yusupov
closes to Grigori Rasputin and shoots him several times in chest and
head.
FELIX YUSUPOV
Die, stallion.
CUT TO
4
INT.
office
in
headquarters train
4
Tzar Nicolas 2
(h.f.)
sits inside office in headquarters train the in simple colonel
uniform. He glares on the wax sealed thick envelope. He opens it and
sees in terror photos of Grigori Rasputin sexual act with woman who
is looking alike his wife Alex. Across every photo in red the word
Abdicate!!!.
CUT TO
5
newspaper’s
headlines
5
On the screen there are newspaper’s headlines:
Thar abdicated!, Freedom, equality, democracy!
CUT TO
6
MAP
ANIMATION 6
We see a map of Europe divided by front lines.
There are cartoon of tree trains labeled first by word “Lenin”
and two as “Bolsheviks” crossing from Swiss via black
colored Germany territory, into red colored Russia to Petrograd.
CUT TO
7
EXT.
front
line
trenches 7
The
crowd
of Russian soldiers behind
front
trench lines
gathers
around Bolshevik speaker who
is wearing
red bow. Officers are
in obvious fear are behind. One private soldier demonstratively
spiting in the direction of officers. soldiers are chanting End
war!
CUT TO
8
EXT.
PALACE
SQUARE 8
The dark city of November Petrograd. Small group, about two dozens
soldiers and armed civilians, are crossing Palace Square.
CUT TO
9
INT.
PALACE
SQUARE 9
soldiers and armed civilians enter without any resistance the Winter
Palace. They come into the room of the meeting of Provisional
Government.
ANTONOV (H.F.)
Into Fortress them.
CUT TO
10
INT.
BIG
HALL 10
Lenin
(h.f.)
stays at the stage in
the front of crowded hall.
LENIN (H.F.)
(with
hailing gesticulation)
Our revolution has happened.
Hurrah, comrades!
CUT TO
11
INT.
WINTER
PALACE 11
Camera moves along Winter Palace . There are bad dressed crowd
drinking from bottle neck and taking everything these looks like
having value.
CUT TO
12 EXT. Peter
and Paul Fortress 12
There are line of well dressed people escorted by
soldiers and armed civilians through the massive gate inside of Peter
and Paul Fortress.
CUT TO MOVIE CREDITS
13 MOVIE
CREDITS 13
END OF MOVIE CREDITS
14 EXT. THE
COURT INSIDE MOSCOW KREMLIN COMPLEX 14
Lenin (h.f.) and Felix Dzerzhinsky (h.f.) walks around Kremlin inner
court Felix Dzerzhinsky having conversation walking around inside
Kremlin huge complex. They are passing Thar gun and Tsar Bell.
LENIN
We cannot afford the revival of the monarchy. Not in any form. Even
in exile. A hereditary monarchy can become a plant from which a
counter-revolutionary spreading tree will grow from. It needs to be
cut down and uprooted. The very thought of it. The very idea. No one
should be left alive as the legitimate heirs to the throne.
DZERZHINSKY
Vladimir Ilyich, the Red Terror is already in development.
LENIN
A watched pot never boils. Delay is a death wish. The death, in the
most literal sense of the word, for me and for you, my good man.”
Lenin took a pause and added. “The Kaiser laughed at the Treaty of
Brest-Litovsk. Whom is the Peace Treaty with!? With Russia? Show me
where it is on the map. In Asia, in China? In Alaska? They sold it
for a half of a gold bar. And he gagged mockingly making fun of us.
He laughed out loud, and couldn’t stop for a long time.
Dzerzhinsky passingly waits for the end of Lenin’s rant.
LENIN
An evil chance seldom comes alone.
The Germans may have documents about their assistance to us in the
revolution. You understand, we just had the same goals. It is the
question of who helped whom more. It’s more likely that we let the
Germans hold out the war to fight for another six months, rather than
they let us overthrow the Provisional Government in Russia. But
that's not critical. They may say that if the Bolsheviks can turn to
the enemies of Russia, then the counter-revolution be allowed to ask
for help from abroad as we did.
LENIN
(commander officer manner)
We need to remove all the Romanov family members from the game.
Everyone, male or female, who has a chance of occupying the throne.
Remove physically. We must make sure that we cannot be directly
accused of this. Let them suspect, so be it, let them be mortally
afraid of us, but there ought to be left no direct connection with me
or with the Cheka, or with anyone from our party of
communist-Bolsheviks.
It’s better if the suspicions directed to the Socialist
Revolutionaries, for example. It's best to go to them. They are
terrorists, they hold the cards in their hands. And we need to
destroy all the spy documents of foreign embassies in Russia; it’s
best to also buy papers in Germany, from their intelligence, if you
can make a deal. This is a dream, but let it be clear that it is
ideal.
(turning toward Dzerzhinsky, looking directly for his eyes).
Any thoughts?
DZERZHINSKY
My deputy, the left-wing Social Revolutionary, Peter Aleksandrovich,
protests against the Red Terror and wants to resign.
LENIN
Get it. And you tell him that there is an important case against
foreign espionage. Suggest that a special department should be
organized. Let him nominate one of his Socialist-Revolutionaries for
leadership. Is there such a person who will do everything for us?
DZERZHINSKY
Looks like there is. Yakov Blumkin. Before rout
of 3rd Army, he and Commander Lazarev took all the funds from the
State Bank in Slavyansk. Four million Tsar's rubles. Then they
brought it into the Socialist-Revolutionary treasury, but half a
million disappeared into thin air. And no clues. The money was there
and it was gone.
LENIN
(with amusement)
Blumkin take it? Oh yeah, real scoundrel. This is the one we need for
this purpose. Accept him into the Cheka and bring him to me. I'll
give him the task myself.
15 INT. LENIN`S OFFICE 15
The door opens to the office of the Chairman Lenin
in his working apartment in Kremlin. Dzerzhinsky and Blumkin (main
h.f. but there is no single reliable photo of him; here he looks
exact young Richard Sorge whom identity he will steal) enter the
door. Lenin is sitting behind manager table-desk, greeting them to
sit. Lenin takes document from executive desk drawer).
LENIN
(reading)
The situation in the country is super-duper complex.
Camera changes view from reading Lenin to his
Dzerzhinsky or Blumkin.
LENIN
(continue reading)
German Kaiser Wilhelm does not respect the Treaty of Brest-Litovsk.
He insists that either the former Tsar Nicholas II personally, or his
successor Mikhail, sign it to guarantee legitimates.
...
We must prepare for the complete and unconditional suppression of the
very idea of a legal, hereditary monarchy. This is just as much in
our interests as it is for Germany.
...
Kaiser Wilhelm sent an ambassador, Count von Mirbach, to supervise
our actions. He may or may not have incriminating materials about
Bolshevik connections with German intelligence and the army. No
documents should not be available for press.
I instruct the Cheka to develop and implement a completely secret
plan to resolve these issues.
Paper documentation is not acceptable. Only oral and strictly
confidential reports to the Head of Soviet Russia upon operation
‘Kaiser Memorandum’ progresses.
Proceed without delay as soon as you are ready.
Lenin signs the paper. He puts the signed order back to the drawer.
LENIN
(cheerfully)
Act, comrades.
Wait a moment!
Lenin stands up, walking around desk to be opposite to Blumkin.
LENIN
Comrade Blumkin, a revolutionary dictatorship and a multi-party
parliamentary cannot coexist for a long time. Take it to the bank, my
good friend. Don’t play with Madame Spiridonova about democracy.
Stick with Iron Felix, he won’t bend or break even by bomb.
Lenin playfully snaps his trousers suspenders. Dzerzhinsky and
Blumkin leave his office. Lenin’s facial expression visibly changed
to self-pity and finally at the end of scene into quit silent cry
with tears. Lenin takes out the signed paper he had just signed. He
slowly tears it in confetti that he gathers confetti into envelope.
He seals envelope and writes on it Top-secret.
Do not open it out by anyone, not even the head of Russia until…
hesitated and writes with grim
02/22/2022.
CUT
TO
16 INT. LENIN`S MAUSOLEUM – FIVE YEARS LATER
16
Premonition of Lenin. He lays in coffin and line of people coming to
his corpse and everybody spitting in his face.
CUT TO
17 EXT.
THE
MOSCOW STREETS
–
DAY
17
Dzerzhinsky and Blumkin leave Kremlin complex, crossing Red Square,
walk along Nikolskaya street. Both of them deep in own thoughts.
DZERZHINSKY
What will you need from me?
BLUMKIN
Forms of mandates with your signatures, real and good fake. Nikolai
Andreev, my old friend, take him to the Cheka, at my direct disposal.
He is a photographer, and will be able to produce the necessary
documents himself without attracting attention. A verbal command to
our representatives in the places of exile of the Romanov's to carry
out all my orders. I will be under name Maxim Astafurov. I have had
such a passport since the elections to the Constituent Assembly.
DZERZHINSKY
Is that all?
BLUMKIN
Of course not. On Monday, I will be able to report my first thoughts.
DZERZHINSKY
Fine. At four in my office. I will order all reports on the Romanov
family to be prepared. Come, read, and we will discuss.
CUT
TO
18 INT. READING HALL OF LIBRARY
OF MOSCOW UNIVERSITY 18
In almost empty hall inside library Blumkin takes one by one big
filings of newspapers. He flips pages paying most attention at
headlines about Romanov’s Royal family. me
19 INT.
OFFICE
OF HEAD CHEKA DZERZHINSKY 19
Blumkin enters the office greeting Dzerzhinsky. He leaves the door
open. Blumkin looks around paying special attention to iron cabinet.
BLUMKIN
(pointing at cabinet)
Is it the very same vault? You can’t fit into it hiding from bomb
between shelves and papers, it for sure.
DZERZHINSKY
Of course, there was no space inside. No way, no how. I opened the
door and hid behind it.
BLUMKIN
(with smile)
And now you are Iron Felix.
DZERZHINSKY
Yes. I am. So. What the plan?
BLUMKIN
General idea is: Murder in a burning whorehouse.
There is intercut of conversation without specific
recognizable content.
Most talks is of Blumkin. Impression that about ten minutes passes.
DZERZHINSKY
Is it impossible to do without an uprising of the Czechoslovak
Legion?
BLUMKIN
Looks like no. The threat of Nikolai's release is needed, but there
is no serious counter-revolution close to Yekaterinburg. We need to
hurry. Only the uprising of the Czechs allows us to start
immediately.
DZERZHINSKY
How to provoke their uprising?
BLUMKIN
Tell Trotsky that according to intelligence reports, the Czechs are
on the verge of rebellion. Let him give the order for immediate
disarmament.
DZERZHINSKY
Why will you attack the German embassy yourself? Isn't it possible to
arrange a search by a squad of Red Army soldiers? The result will be
the same.
BLUMKIN
I need a cover, so that no one thinks that I am on the spot directing
the liquidation of the Romanov's. And only I, with the emergency
powers of the Cheka, can find a pretext to force Mirbach to open the
embassy vault.
DZERZHINSKY
Other embassies. How to motivate arrests and lookup?
BLUMKIN
Response to the assassination attempt on Lenin. Let Lenin rest for a
month and recover from a non-fatal, not-real wound. He looked tired.
It will only benefit him.
DZERZHINSKY
This needs to be agreed upon with Lenin… Okay… I will take over
the staging of the assassination attempt. Although… A failed
attempt raises reasonable suspicions. Almost all the previous
attempts at life were successful. Ferdinand was so lucky in Sarajevo,
but he still couldn’t escape the fate. People are already used to
the fact that terrorists are lucky.
BLUMKIN
Yes. Agree. When the time comes, it will be necessary to clarify.
Lenin himself cannot be killed. He is a symbol of the revolution.
Need to think more.
DZERZHINSKY
Let's decide this. Let’s wait until the counter-revolutionaries
themselves commit a terrorist attack, and then we, as by start
signal, will also imitate an attempt on Lenin’s life. It will be
natural.
BLUMKIN
Exactly. But for now, we need to start with citizens Romanov and
Count von Mirbach.
DZERZHINSKY
In general terms, I approve of the ideas. Pay special attention to
how to force the local government leadership in the places where the
Romanov's were exiled to make autonomous decisions about their
execution. They should feel like it's their problem.
That's it, let's go.
20 INT. THE CHEKA OFFICE OF BLUMKIN 20
Kaleidoscope of faces interviewee by Blumkin.
Most of them are low
intellect ones. But three of them: Pyotr
Voykov (h.f.),
sadist type YUROVSKY (h.f.),
and cunning militia head of
Perm city Ivanchenko (h.f.)
are looked smart enough to be selected for tasks.
21 INT. Headquarters
of Bolsheviks in Petrograd 21
Blumkin walked in
Headquarters of Bolsheviks in Petrograd and see Shorre, very
young blond just after school man,
sits
upfront Bolshevik party functionary officer
trying to join the party.
Blumkin overhears
last desperate
attempt of Shorre to convince in his usefulness.
SHORRE
I speak German fluently. I can help now, after the Brest Peace
Treaty, to be useful in trade with Germany. I graduated from
Petershulle.
Blumkin instantly realizes that Shorre is helpful for works with
German documents.
BLUMKIN
(in
German)
Where is the family from?
SHORRE
(also in German)
From the Baltic States.
BLUMKIN
(toward Bolshevik functionary)
We at the Cheka need people to work in counterintelligence with
knowledge of languages.
We need party members.
Bolshevik
Do you give a recommendation for him?
BLUMKIN
You give to him a mandate to work in the Cheka. Register him as a
party member and send him to Gorokhovaya. Let him come tomorrow.
Write out a mandate to work in counterintelligence. Let him ask
Blumkin. I will wait.
Blumkin turns away and continue his walking around the Bolshevik
headquarters.
CUT TO
22 INT. BOW
LIKE STREET 22
Blumkin in leather jacket with broad holstered belt walking in
visible relaxed manner along dense green trees trimmed bow street. He
is Maxim Gorky’s (h.f.) place. There are line of upper dressed
people, mostly women to the massive front door regulated by the
gigantic doorman. At the very tail of the line there are company of
four persons: Lubov Sakharova, woman of about thirty years old;
Natalie Paley (h.f.) very young woman, she is slim as high jump
junior athlete; Irina Paley (h.f.), sister of Natalie; German,
preteen boy, elder son of Lubov Sakharova. Natalie appears to
Blumkin as extraordinary psycho gifted person with full awareness
control of surrounding. He instantly fall in love with her. She feels
the same about him.
BLUMKIN approaches the group pretending that his interest is not
only in Natalie.
BLUMKIN
(directing to Sakharova)
Documents.
Sakharova gives to BLUMKIN small cartoon identification with her
photo covering whole documents.
BLUMKIN
(reading)
Lubov Sakharova.
BLUMKIN slightly smiles. The name in Russian language literally means
also “Sweet Love”. Natalie also understands the omen for their
relations.
BLUMKIN
Who are you pleading for?
SAKHAROVA
They took my husband for no reason. He didn't sabotage anything. He
was just the head of the freight station on the Tsarskoye Selo
railroad. There were not enough maneuverable steam locomotives, so
there was a traffic jam. Please help to promote a begging for his
release.
BLUMKIN
Paper and pencil.
NATALIE fast takes from her bag bossiness card of her brother and
small pencil in silver holder. He writes down on the upper part of
card Maxim, help this woman. Yakov Blumkin. On the lower part
of card he writes 7435 at 9 that is his phone number where he
will be at 9 am. Blumkin gives upper part to Sakharova and returns
rest of card to Natalie.
BLUMKIN
Take note and give it to Gorky. I'll show you through. Let the boy
stay here.
(directing to girls)
Look after him.
Blumkin takes Sakharova by the elbow and firmly led her through the
crowd to the entrance. The patrician-looking DOORMAN knew him and let
them in.
23 INT.
LARGE
APARTMENTS
OF MAXIM GORKY 23
Blumkin pushes Sakharova into Gorky’s bedroom
exchanging glances with the writer to make sure for him that
Sakharova is his protege. There are bohemian style crowd inside the
apartment including, relatives of the owner of the apartment, girls
of easy virtue, poets and party bonces. Camera follows Blumkin
circulating around. Blumkin notices two poets sitting with bottle of
red wine. They are Sergei Yesenin (h.f.)and Leonid
Kannegiser
(h.f).
Leonid
Kannegiser
waves
hand inviting
Blumkin
to join them. Blumkin
pours a big, ordinary
looking glass and seeps
a vintage
vine.
BLUMKIN
Who is Vladimir Paley?
KANNEGISER
Prodigal Grand Ducal branch.
(here is play on words. “prodigal son” =
“bludny sun” in Russian; blud, in
Russian = whoredom)
The sixth son of Tsar Martyr Alexander the Liberator, Pavel Romanov,
gave birth to a boy Vladimir during sinful cohabitation with the wife
of a subordinate, while she was still legally married. Then,
years later, the couple was forgiven and treated kindly by the Tsar.
They built a stylish palace in Tsarskoye Selo, although not as huge
as Catherine’s one, but it was done with taste; his wife, Olga
Valerianovna, tailored the building in her fine style. Well, she is a
battleaxe lady, I will tell you. She is also a high socialite one.
High society battle-lady.
Statuesque, smart, beautiful in face, energetic and resourceful. She
would be good in everything, but she has no sensitivity to the signs
of fate; otherwise she would have fled back to Paris immediately
after Nikolashka’s abdication. Or even immediately after the end of
Rasputin.
Her eldest daughter, born before Grand Duke affair, Marianne, is a
regular here, she is an actress at the Gorky’s Big Drama Theater.
She is suspected of having helped in the Rasputin murder case, the
revolution legend.
In her son Body (nickname of
the Vladimir), the noble poet of sour cabbage soup, Olga does not
feel her soul, although her husband, Grand Duke Paul, is loved by her
even more so. There are also young
daughters. However, they are already little-witches, like their
entire female race.
(nodded
toward Yesenin)
Well, Sergei knows them well.
Yesenin keeps silence obviously disturbed by the
topic.
CUT TO
23 INT.
BLUMKIN'S APARTMENT – 2
AM 23
Blumkin opens door for pale,
very skinny girl handing her big silver coin.
BLUMKIN
Take a cab.
Blumkin returns to the messy bed and instantly falling asleep.
CUT TO
23 INT.
SMALL OFFICE ROOM
INSIDE
CHEKA – 9 AM 23
Blumkin enters is sitting behind desk. Vladimir Shorre is at the
side. Phone on the table desk rings. Blumkin takes handset.
BLUMKIN
Speaking.
NATALIE
It’s me.
BLUMKIN
In an hour at Katenka.
Blumkin puts
phone back on apparatus. He
asks
Shorre with
ordinary business like expression.
BLUMKIN
Is there anything new about
Ambassador Mirbach?
SHORRE
A bit. Not for himself, really, but for his relative man, probably.
He is an Austrian officer, Count Robert Mirbach, who was arrested by
us.
BLUMKIN
What does he say?
SHORRE
He is ready to voluntarily provide secret information about what and
where is stored in the German embassy. He gave an affidavit with an
obligation to cooperate with us. Obviously, he is lying, he wants to
be released, and then he goes on the run. Just whistle against wind
for him after.
BLUMKIN
Fine. Put the affidavit on my desk. And all the documents about him.
I will be back later.
CUT TO
24 INT.
LONG
HALLS INSIDE
CHEKA – 9:10AM 24
POV of Blumkin walking along halls and stairs of Cheka. There is no
apparent order, but in general pour and leather jacket uniformed
agents handling fates of rich dressed and educated looking people,
mostly man of middle age and up.
CUT TO
25 EXT. STREETS
AND RIVER BANKS OF PETROGRAD 25
WE SEE intercut of POV Blumkin and him walking Gorokhovaya street
towards the Fontanka River. Turning onto Architect Rossy Street, he
walks reaching the theater building, passes through the fence of
Alexander Square and sits down relaxing on a bench closer to the
Alexandrinsky Theater in front of the Monument of Monument to
Catherine the Great. Natalie Paley suddenly, without been noticed
approaching by BLUMKIN, sits near to him. Blumkin try not to show
been almost ambushed that was never happened to him before.
BLUMKIN
Talk.
NATALIE
(fast, articulately, prepared)
Brother Volodya is being transferred from Yekaterinburg to
Alapayevsk. This is a small town. I'm afraid for him. He is a poet,
not well adapted to day by day life. Besides, he is not quite
Romanov. Born out of wedlock. He was offered to abandon his father,
but he considered it is a matter of honor to remain faithful even in
danger. I have bad premonitions.
BLUMKIN
I can, most likely, save you and your sister and mother, although I’m
not sure. As for the brother, Vladimir, I can try. But I can do
nothing for your father. But it will cost dearly.
NATALIE
How much?
BLUMKIN
Life and soul. Someday, in Paris or New York or wherever life takes
you, I or someone else will ask you for a favor. And you will do
whatever asked for.
NATALIE
And the body?
BLUMKIN
I'm not a rapist. If that's what you mean.
NATALIE
Like in Faust? Selling my soul? Sign in blood? Where?
BLUMKIN
Something like that. You don’t need to sign anywhere, neither in
blood nor in ink, and better you shouldn’t tell anyone anything.
Not a word, not a sound, not a hint… There should be no evidence
that we ever met.
NATALIE
Where is Uncle Misha now?
BLUMKIN
He's no more. That's all I can say.
In fact, I couldn’t tell you even that. Consider that you didn't
hear anything.
NATALIE
How do I know that a person is from you?
BLUMKIN
If it’s not me, and this means the situation is exceptional. He
will tell in general terms how we met. And he will definitely mention
the name of the woman whom I took to Maxim Gorky.
NATALIE
Lyubov Sakharova, (Sugar Love)?
BLUMKIN
Yes. Let the words of the password be ‘Sweet Love’, it’s more
natural and one can always figure out how to insert it in a speech.
BLUMKIN
It’s a knotty game, in which I do not fully foresee all the events,
although it’s me who wrote the script. There are too many
unreliable performers, and there are no others to choose from. I
can't control everything. One thing I can say for sure. Don't trust
any words, only your feelings. They never deceive you. That's why
we're both here on this bench. Thus, you can get out of this
mousetrap. Ah, soul, it is an insignificant price to live a life to
the full extent.
You call me ‘Maxim’. Just Maxim, no surname.
Blumkin stands up and walk away. POV of Natalie looking at him moving
from her as mortally fall in love man leaving his dream girl.
CUT TO
26 EXT. STREETS
AND RIVER BANKS OF PETROGRAD 26
WE
SEE intercut
of
POV
Natalie
Paley and herself
walking
along Nevsky Prospect, then bank of Moika river.
CUT TO
27 INT. APARTMENTS
OF MARIANE Pistohlkors 27
Natalie
enters
spacious flat with long hall and numerous personal rooms. She
enters
library, takes
book “Faustus”. She sits reading
with legs into enormous high back chair. Time
passes to night.
WE
SEE Natalie
inside broad bed. Her hands under thick blanket. After almost painful
looking face expression she relaxes
and falling asleep.
CUT TO
28 INT.
SMALL OFFICE ROOM
INSIDE
CHEKA 28
Blumkin enters back the office of Shorre. He sits down to the table,
takes papers, reads.
BLUMKIN
Good job. Really excellent to be honest. I will be in contact. Just
continue with reports about Lenin’s spy works in 1917. Destroy
everything with even slightest relevance. Don’t hesitate overreact.
New Soviet Russia must be clean as...an innocent princess bride.
SHORRE
I will.
BLUMKIN
I will take documents about Mirbach. No more needed. All attention on
Lenin-Germans connections.
CUT TO
29 INT.
BIG
THEATER HALL 29
Lenin on the stage in front of full hall of
delegates of workers, soldiers and pour peasants moves back and forth
giving keynotes speech. He wide gesticulates like hybrid of traveling
salesman and megachurch preacher. Camera catches intercut of
fragments of his performance.
LENIN
...our rightness in concluding the Brest–Litovsk
Treaty has been proven…
...Explosions in other countries should begin.
…in our country, these revolutions were born
with incredible difficulty…
… the sum of all parties in Russia …
scientific attitude towards the revolution...
...in the West, they are experiencing the stab
of hunger…
…we will not live starving, but rather die for
the revolution…
… the Czechoslovak rebellion is a rebellion of
people bought by the Anglo-French imperialists…
Camera looks at Dzerzhinsky in a hall among delegates. On the stage
there is a discussion where with words like “execution”,
“shooting down enemies”, “court”, “revolution justice”
and so on. Dzerzhinsky’s face looks with sort of disgust. He is
moving out of hall into the theater foyer.
CUT TO
30 INT
THEATER
FOYER 30
Dzerzhinsky stands in line to get free food that is almost only water
tea in faceted glass and small, hard small donuts like sushki. He
goes with the food at high table and almost indifferently eats.
Blumkin pretending looking around stands behind Dzerzhinsky.
BLUMKIN
Everything is ready.
Felix, you will have to resign from your position until everything
settles down. The reason for suspension is that you are under
investigation because of your signature on the mandate. The signature
on the warrant is definitely fake, so you are clean and out of the
game. Soon no one will care about Mirbach, and for the rest of the
operation I will have not just an alibi, but it seems like I’m
completely out of business and on the run as a fugitive in Ukraine.
DZERZHINSKY
Beautiful weather… Sunny. A good sign for our revolution.
31 MOSCOW
STREETS – DAY
(JULY
6, 1918) 31
Blumkin in disguise of false thick facial hairs
and Nikolay Andreev (h.f.), are in old style Packard car with driver
in leather chekist uniform. The car rides along Moscow streets. Faces
of Blumkin and Andreev are quiet and determined. Both of them hold
thick briefcases.
The car is stopped close to the main entrance of
the huge building occupied by German embassy with the narrow garden
trimmed with iron fence. Blumkin
and Andreev walk
out from
the car to
the entrance, Andreev
pushes
button of electrical ring. Door
opens. Doorman takes paper from Blumkin. They
waits
patiently.
Door opens again. Dr. Kurt Riezler (h.f.),
counselor of the ambassador Mirbach and
officer of the embassy lieutenant Muller (h.f.)
invite
inside
Blumkin and Andreev.
32 INT. GERMAN
EMBASSY 32
Four
men are
behind
massive marble table in
reception
room with enormous vault inside.
Blumkin and Andreev at one side and Riezler
in
tuxedo and Muller in military uniform at
other one.
Thick briefcases on the table in front of Chekists. Dialog
moves very slow and weird. In spite everybody at the table can
perfectly
speaks German language Blumkin pretending not to. Camera
intercut between
the talking faces
without recognizable words.
Soon
German
counterparts are losing patience.
Riezler
I have assumed that you were from Dzerzhinsky regarding the threats
to the life of Mr. Ambassador. Please get to the point.
Muller translates into Russian (subtitles can be used)
BLUMKIN
That case is under the supervision of Dzerzhinsky himself. We are
here on a personal matter concerning Count Mirbach. His family issue.
Riezler
I can solve all the ambassador’s issues myself. Including personal
ones. Here and now. What exactly do you need?
BLUMKIN
I need nothing. It is Mr. Ambassador who needs to take care of the
fate of his relative. I have Dzerzhinsky's mandate for a personal
conversation with Ambassador Mirbach. I'll be waiting here when the
ambassador is free to talk.
Riezler
You can't stay here. This is the sovereign territory of the German
Empire. I can do it for him. I have full authority to resolve any
issues. Including confidential.
BLUMKIN
And I have an order from Felix to be sure that information about that
relative of the to Count Mirbach has been conveyed.
Riezler
I can provide a written document that the information was
transmitted.
BLUMKIN
Do produce the affidavit. We will wait. Only the paper should be all
over the formalities. On a form of embassy paper with stamps and the
signature of his highness Ambassador. I will need to submit the
report in full form.
Dr. Riezler leave the meeting room and went to see Ambassador
Mirbach. He enters office of ambassador Mirbach. Mirbach (h.f.) is
siting at desk.
MIRBACH
What?
Riezler
Mr. Ambassador. A Russian security officer has come and wants to talk
to you about a certain Robert Mirbach, who is under their arrest.
MIRBACH
What the stupid staff. I don't know any such a relative. Tell them to
leave.
Riezler
He demands a paper that I can solve your personal issues myself.
Required on embassy letterhead and your personal signature.
MIRBACH
To hell with him. I'll talk myself. It will come out faster. Let's
go.
Entering the reception room, Count Wilhelm von Mirbach sits down
grandly, opposing the Russians.
MIRBACH
Well! Speak.
BLUMKIN
(changing voice tone and mannerism into a tough investigator)
We have arrested the spy, Robert Mirbach.
MIRBACH
I don’t know anybody like him. So what?
BLUMKIN
And the fact that he testified that in this very vault there are fake
documents about the cooperation of German intelligence with Lenin.
This is blackmail and provocation!
MIRBACH
There are no counterfeits in the vault. Apologize at once!
BLUMKIN
There is no need to apologize. We know for sure! We even know where
exactly it is in the vault. The specific folder! Open it and we'll
show you. If they are not there, I will immediately beg for pardon
and we will leave. The Soviet government then promises any
compensation. Anything at all. But the documents are there. That's
for sure! Your relative told everything!
Mirbach furiously stands up from table. He moved to the open passage
between connected rooms.
MIRBACH
(to the secretary)
Take Lenin on the phone!
Some time Mirbach walks along room waiting secretary answer. He
ignores everybody else deep in his thoughts.
SECRETARY VOICE
Lenin at congress. He is expected soon.
MIRBACH
Let it be! Show me where these so-called fakes are.
Mirbach opens the vault, covertly as it seemed to him, takes out from
vault his personal pocket gun, a Mauser of 1910.
Andreev
And we’ll show you.
Andreev stands up.
Andreev
You don’t know our methods. How cruel but effective they are.
Everyone sings and bursts into trills.
Last words of Andreev are signal to Blumkin to act.
Andreev pulls out his revolver from briefcase and began shooting at
the walls over the Germans to cover Blumkin’s actions. Three
persons of embassy staff in room rushes in all directions to hide.
Andreev throws a chemical grenade, but not successful with only the
psychological effect. Blumkin jumps up to Mirbach, knocks his pistol
out with briefcase and pushes him away from the open vault. The
ambassador falls to the floor, trying to come to his senses. Blumkin
pulls out a bag of gunpowder from his briefcase, places in the open
vault, pulls the rope tied to a homemade fuse from a box of matches,
closes the door of the vault.
Count Wilhelm von Mirbach crawls on all fours towards the opening
into the large hall, where the pistol gun knocked out by Blumkin flew
off. Andreev, notes the movement of Mirbach towards the pistol,
perceives it as a direct threat to his life. He fires without aiming
in the direction of the ambassador Mirbach. The bullet hit Mirbach to
the right side and slightly but fatally grazed the heart. Five
seconds later, the gunpowder bag in the vault ignited.
About two pounds of gunpowder in the closed vault produces an effect
of old gun. A directed stream of fire from the vault brakes the glass
in the windows, scorched the floor before the vault. Burning
documents garbles across the room. The entire space was fills with
dense white smoke. Blumkin and Andreev take advantage of the curtain
of smoke to jump out of the first floor window.
CAMERA CHANGES VIEW
33 EXT.
OUTSIDE GERMAN EMBASSY 33
Blumkin twists his left ankle. He climbs over a low fence decorated
with lances, tires his pants and receives a scratch on his thigh from
one of a stray bullets from a guards shooting from broken window. The
powerful athlete Andreev picks up the thin Blumkin and drags him to
the waiting car, pushes him in through its high door.
BLUMKIN
To Popov's headquarters!
34 EXT.
CAR ON THE SPEED ON THE STREETS OF MOSCOW 34
Blumkin and Andreev inside car, quiet and determined. The car stopped
in a front of massive building with visible heavy guards outside.
They runs into building Andreev supports Blumkin. Guards know them.
Andreev comes back to car. Car rides out.
35 INT.
SMALL
ROOM 35
Blumkin goes to his safe room in Popov’s detachment headquarters of
left social revolutionaries in Cheka.
Acting fast he treated his bullet wound, no too serious, of the leg.
He pours whole bottle of vodka directly on the pants, bandages the
wound over the pants. He changes civil coat with Chekist leather
jacket and soldier coat above. He takes documents from draper of the
table, puts them into inner pockets of the leather jacket that he
changed with civil coat. He leaves the room fast but limping.
36 EXT.
POPOV’S
headquarters 36
Blumkin stepped out of the massive door. He looks around. The horse
driven cab is approaching. Blumkin stops the cab and sits in. Cab is
moving away.
37 INT. GERMAN
EMBASSY 37
Camera moves around the reception room after bomb
explosion. There is mess of papers. Lenin walks in and around many
busy people including Dr. Riezler. Lenin is chaotic and attentive in
the same time like a fetching dog.
LENIN
(to Dr. Riezler)
Our sincerely condolences to your government... Officially...
(to agents of Cheka around)
Do search carefully for the murderers...
(like speaking to his own thoughts)
...but not to find them…
CUT TO
38 INT. POPOV’S
headquarters 38
Dzerzhinsky and head of Cheka’s squad Popov.
Dzerzhinsky
Where Blumkin?
POPOV
I don’t know? Why?
Dzerzhinsky
He killed Mirbach. Why are you covering him? Is it mutiny?
POPOV
Felix, are you well?
Dzerzhinsky
It is insubordination and counterrevolution. You are arrested,
surrender your gun.
POPOV
Come here! Treason!
(pointing finger on Dzerzhinsky)
Take him.
Dzerzhinsky is holding by two agents from both sides. Dzerzhinsky
smiles dreamily. He understands that he has iron alibi now.
CUT TO
39 INT. train
carriage 39
Blumkin sits around dense crowd soldier
coat.
CUT TO
40 INT. VILLAGE
STYLE HOUSE 40
Blumkin sits at the table with head of Perm militia Ivanchenko
(h.f.).
BLUMKIN
Where the corpse of the Michail?
Ivanchenko
Nobody will find… That is for sure.
(with disgusting smile)
Do help yourself with fresh bacon, do you.
BLUMKIN
Thanks. I prefer potatoes and cabbage. Where the corpse nevertheless?
Ivanchenko
Bacon is special. That the pity.
Michail Romanov… We burred then at the road side. Nobody ever would
find. No need to bother.
Do eat bacon, fresh, like Czar’s food.
CUT TO
41 EXT.
YEKATERINBURG
TRAIN
STATION – DAY 41
Pyotr Voykov stays at some distance from railroad station of
Yekaterinburg city waiting Blumkin, who is known for him as Maxim
Astafurov. The figure of Blumkin in gray soldier long coat appears
from the door of station. Blumkin looks around waiting until Voykov
will recognize him.
Voykov
With Bolshevik’s greetings in Yekaterinburg, Comrade Maxim. What do
we do? Where are you going?
BLUMKIN
I don’t go anywhere here. I'll go to Alapayevsk by myself. By
train. Now let's step aside. Let's talk.
Nowhere near the station, there was nothing that even remotely
resembled a secluded corner.
BLUMKIN
Are you walking over here?
Voykov
On a cart.
BLUMKIN
Then let's go for a ride. We'll pass by the House. Then you will
bring me back here. By the way, I need binoculars.
Voykov
Get it.
TRANSITION TO
42 EXT.
YEKATERINBURG
STREETS 42
Blumkin and Voykov go to the horse driven cart. Voykov untied the
horse. They sit down next to each other. Pyotr took the reins in his
hands and lightly spanked the horse. Blumkin sits upright at first,
but then he leans back on a haystack in the cart and then rids in a
reclining position. The cart slowly rolls along Arsenyevsky avenue,
which soon turned outward and became then under other name as a
Voznesensky avenue.
Camera direct to the right, not far behind the trees, the surface of
the water in the city pond could be seen. A small, lonely figure in a
weathering military uniform near the shore. It is former abdicated
Tsar II of Russian Empire, Nicolas Romanov wearing colonel rank
uniform without any special decorations. At the distance there are
two red guard soldiers discreetly watching for him. Camera returns to
Blumkin and Voykov.
Voykov
What’s wrong with Mikhail? Have you been to Perm?
BLUMKIN
I was. I spoke with Ivanchenko. Everything is fine there, although
contrary to all calculations and plans.
Voykov
Why is Mikhail had been handled in solo, why didn’t the order come
for Nikolai and the others? What was there?
BLUMKIN
The initiative and arbitrariness of bandits in power. Fear for their
asses, fried in self-serving oil. In general, we overdid it in Moscow
with threats that if the supervised Grand Dukes escaped, then the
guards would be held accountable to the fullest extent of
revolutionary justice.
Ivanchenko got scared. If Grand Duke Mikhail is kidnapped, then he
would be shot. Czechs had just captured Samara. Vasya was completely
appalled. Mystery lady arrived, introduced herself as Mikhail’s
wife, and demanded to take a longer walk with him. Our policeman's
mind went blank. He decided that it would be better to be reprimanded
for shooting without permission than to be sentenced to death for
what he missed his prisoner.
Voykov
That's for sure.
BLUMKIN
Exactly it is. Vasily made the right decision. Here we go. The plan
was to stage a kidnapping and robbery. There weren't enough brains to
just throw the corpses left on the street to be cursed.
Voykov
And where did they hide bodies in real?
BLUMKIN
He said, they buried them and covered the corpses with turf for
camouflage. It's at night. Nonsense.
Voykov
And where did they go? After all, nothing was found.
BLUMKIN
Vasily did spinning. But, I figured it out.
Voykov
Spit out! You intrigue me enough.
BLUMKIN
Think for yourself. He has a whole yard of animals. He offered me
fresh homemade bacon with a high-proof liquor moonshine. He kept
trying to put a piece of bacon on my plate. Special pork, he says.
Special. Do you understand?
Voykov
Well, are you saying that he fed them to the pigs?
BLUMKIN
He didn’t articulate it directly. But no other versions for me are
realistic.
Blumkin and Voykov exit the door of Agafurov’s store. Blumkin puts
large binocular into backpack and they sits into carriage. They moves
to the pond where we saw the Tsar. We see horse drinks water from the
pond. Carriage is near of the animal. Blumkin and Voykov stay leaning
to carriage. Blumkin takes out a small square envelope made of
paraffin paper from the inner pocket of his leather jacket.
BLUMKIN
This is Sverdlov’s order to bring the citizen of the former Tsar
Nicholas to the court of soviet justice and immediately carry out the
mortal sentence. It is written in disappearing ink. It is better if
there are no traces of you at the place of execution at all. The fame
here is dubious, but Felix and I will not forget.
Where will you hide the bodies?
Voykov
In abandoned gold mines. I dug into the archives. There are such
ones. The proper place is to the north, near the city.
BLUMKIN
You will take the truck, when you get rid of the bodies, take three
or four reliable guys with underground experience and take them to me
in Alapayevsk. I have a special task there. Where we will meet there?
Voykov
Kokuyskaya Yama. This is a dig up of an already empty iron mine.
Large quiet place. Everyone there knows it.
BLUMKIN
Tell your people that I am a special representative of the center…
from Lenin… Is everything clear?
Voykov
Yes. Just when to start?
BLUMKIN
No delays. Consider it started right now. Tomorrow morning to
Beloborodov. Show him the paper from Sverdlov. There is no time to
drag feet. The Czechoslovak legion is near the gate. The royal
bloodsucker cannot be allowed to escape from the people's judgment,
he ought to be shot away. Let Beloborodov phone the commander
Yurovsky, he will execute. You take the truck to Ipatiev’s House.
Then you drive it to me, to Alapayevsk…
Voykov
It is clear now.
Blumkin walks away slowly slightly limping toward the railroad
station alone. He is in deep thinking with changing emotions on his
almost poker face. Voykov face is in mixed mortal fear and
determination to commit the ultimate act of the revolution.
CUT TO
43 EXT.
IN FRONT OF MASSIVE
BUILDING 43
Voykov heads toward the entrance of the four-story a fortress like
building of Ural Executive Committee of the Council of Soviets. It is
early morning, July 16, 1918. We see chaotic activity like
evacuation, concerned people scramble back and forth.
CUT TO
44 INT.
OFFICE OF THE EXECUTIVE COMMITTEE CHAIRMAN 44
Inside the office of the Chairman of the Executive Committee there
was Lizonka Startseva, a secretary, young attractive girl, she sits
behind executive table. Entering Voykov looks at secretary, not
finding Chairman Beloborodov.
Voykov
When will the chairman return?
Startseva
I don't know. Maybe in a couple of hours. He was gone all day
yesterday. Do come back tomorrow.
Voykov
Who is now his acting deputy?
Startseva
You can't find anyone now. The documents are being taken out to hide.
Voykov is shocked in realization that his mission is on the edge of
failure. He decides to act unceremoniously.
Voykov
As the Supply Commissar, considering the emergency of the situation
and the absence of the Chairman, I assume all responsibility and his
powers.
Voykov stands in theatrical pose of a bronze
monument. He takes out an envelope with a fake order of Sverdlov to
liquidate the former Tsar. He opens a small parcel pretending no know
its content. Voykov
places
the letter in front of Startseva to
be able her to read.
He
and
walks
around
the office.
Voykov
Type. Resolution of the Presidium of the Ural Regional Council of
Workers, Peasants, and Red Army Deputies:
shoot dead the former Tsar Nikolai Romanov, guilty before the people
of countless bloody crimes.
— hide his family in a safe place to prevent kidnapping by the
enemy.
Voykov (continues)
Connect by phone with Ipatiev’s House. Ask the Commander and read
out the verdict.
Startzeva
(to the phone)
Commander Yurovsky.
Commander. It is the call from the Chairman of the Executive
Committee of the Councils.
By the decision of the executive committee, citizen Romanov is
sentenced to death. The document itself will be delivered today by
Commissar Voykov and handed over to you. You have the responsibility
to carry out the sentence immediately.
Startzeva hangs up the phone. She takes out the seal of the Executive
Committee, blots it in the ink pad, pressed it to the papers
(original and copy) of the order. Voykov is impressed by
effectiveness of the girl. Voykov reaches out for the paper to the
secretary. Startzeva flirts out holding paper close to her chest.
Breasts with cone like nipples of the girl are visible for Voykov.
She licks her lips.
Voykov
Lock the door and go to the mirror.
Startzeva quickly and confidently obeys with passion. Pyotr
approaches the girl from behind, she lifts her skirt and taken off
her underpants. He unfastens his belt, lowers his trousers and
connects with her. POV of Voykov in large mirror their indecent
sexual picture. They completed the act fast. Lisa get out a quiet
melodious moan, and Voykov in deep-fast breathes.
CUT TO
45 EXT.
ALAPAEVSK RAIL STATION 45
Blumkin gets of the train carriage. There are several people get out
too and walked out over wasteland near railroad station building.
Train moved out. Only Blumkin is in empty space in front of
rail-station of small city named Alapaevsk. He sees railroad worker
who is checking with large hammer rails conditions.
BLUMKIN
How to get to the Napolnaya school, comrade?
WORKER
To the Grand Dukes, or what?
BLUMKIN
And what is for you? Maybe to them. Who cares?
WORKER
It is forbidden to communicate with them. Contra wants to free them.
So why do you need it, soldier?
BLUMKIN
I was just sent from Yekaterinburg to warn in a case. There is the
plot to free the Dukes by airplane.
WORKER
Then, of course. Look.
Worker gestures explaining to Blumkin the direction toward Napolnaya
school where Grand Dukes are hold.
46 EXT. STREETS OF ALAPAEVSK 46
Interchanged POV of Blumkin and look at him, limping slightly,
walking streets of poor houses of Alapaevsk. He turns left and comes
across bridge over railroad and small river near it. He goes farther
until a brick house that is Napolnaya School where Grand Dukes were
hold.
47 EXT. THE
PARK NEAR NAPOLNAYA
SCHOOL 47
Blumkin finds a convenient place for observation, about two hundred
steps from the brick building. The massive Napolnaya School contrasts
to the poor surroundings of dark wood houses scattered here and
there. Guard of two watchman in German are at the entrance and at
brick fence around small garden belonged to School.
Blumkin sits in gray overcoat merging with the trees. He waits for
the agent nicknamed ‘Weasel’ to come out of the building.
In hours. The school door opens. A tall, well build woman, Alexandra
Krivova (h.f.) (aka agent CHEKA with code name ”Weasel”) comes
out of entrance door. She works as cook for the detainees, Grand
Dukes and for head of household, Fyodor Remez. Blumkin in binocular
recognizes her.
48 EXT.
NAPOLNAYA
STREET
– AFTER
SUNSET 48
Krivova
walks along Napolnaya Street. At
the left side are houses and at right there are waste field.
Blumkin follows
her on the distance to be sure that nobody except him is watching
her. Woman reaches a lonely house and enters inside. Blumkin
after some time comes to the door. He knocks. The door opens.
Alexandra looks at him.
Alexandra Krivova
Who do you want, soldier?
BLUMKIN
I am from Moscow. From the Cheka with a special task. My name is
Maxim Astafurov. You should have been warned that I am in charge of
everything about the Grand Dukes. You are coming under my direct
supervision. There is no time for questions. Your code name:
‘Weasel’. No questions, carry out my orders implicit. There is
the task of exceptional importance under the control of Lenin
himself.
Alexandra Krivova
Come in.
Blumkin enters the house.
TRANSITION IN
49 INT.
TEA
ROOM OF KRIVOVA HOUSE
– CANDLE
LIGHT 49
The candle lighting. Alexandra
Krivova
kindly
invites Blumkin for the table.
Alexandra Krivova
You eat here, drink some tea, and I’ll heat the bathhouse. You need
to wash yourself off the road. I have only one bed but a very large
one, everybody will enough space not to disturb. You’ll be as
family one.
BLUMKIN
Thank you. I will definitely use it with gratitude. Tomorrow morning
I will instruct on what to do. Do you know where is Cheslav, Paley's
servant?
Alexandra Krivova
Yes, he is here. He has been in my hayloft for a month now, and when
someone comes in, he hides. He reads books, I bring them to him from
the school library. When he and another servant, Ivan, were ordered
to vacate the school building, he did not know what to do. He lives
here, waiting for orders.
BLUMKIN
Okay, don't disturb him until the morning. Tomorrow I'll tell what to
do. I need to sleep to recover from travel.
Krivova goes out into the hallway to heat up the water in bathhouse.
Blumkin eats cold boiled potatoes with eggs and sauerkraut. He drinks
homemade from old bread traditional drink, kvass. He becomes better.
Alexandra returns and invites him to the bathhouse.
Alexandra Krivova
The bathhouse is ready. Go out into the courtyard and turn to the
right. The door shows the stove light through.
Blumkin stands up and throws off his overcoat. In his leather jacket,
where important documents and gun is, he goes out to the bathhouse.
BLUMKIN
(to himself)
Don’t fall asleep.
50 INT.
RUSSIAN
STYLE BATHHOUSE 50
Camera is inside small room of Russian style bathhouse with open fire
oven. Blumkin undresses himself completely. He washes himself and
lays down to warm up and relax. Krivova enters in short time. She
also undresses herself and washes up. She acts without any hint of
shame being naked as if natural thing. Blumkin accepts the rule to
act unpretentiously.
Krivova
I’ll whip you with a birch broom.
Almost without hitting, the beautiful naked woman touches with a
birch broom all over Blumkin body. The unconditional male reaction
makes her act easy. With quick, gentle movements of her soft hands,
she brings the man to an almost final state and, climbs on top of him
with a strong body, forces him to release male fluid deep into her
womb with intention to create impression that she will become
pregnant to force him to care about her.
51 INT. THE
KRIVOVA HOUSE, BEDROOM 51
Naked Blumkin takes documents and gun from leather jacked and puts
them behind the pillow of left side enormous bed. He lays down
himself and instantly falls asleep but unconsciously controlling
surroundings. Naked Krivova and agent Cheka, Cheslav code name
“Eagle” enters too. Krivova lays into the bed, Cheslav (who is
agent Cheka, aviator Boris Veacheclavovich Krukovsky) undresses and
join her. They make love in tender style as long time lover. Blumkin
understands the act but consider it safe and harmless and continues
to sleep.
CUT TO
52 INT.
SEMI-BASEMENT
OF IPATIEV’S
HOUSE 52
Camera is empty semi-basement of Ipatiev House. People, all of them
(h.f.), go down via short six steps stairs in following order: former
Empress of Russia Empire Alex, rich dressed mid-aged woman; four
young girls (Princesses ages from 22 to 17 well dressed), they are
staying close behind Alex; former Tsar of Russia Nicolas II holding
his son Aleksei, who is 13 years old; Nicolas stands upfront of
women; there servant men and one woman whose gathered at some decent
distance from royal family. There are three small dogs on hand as
well. After them six red-guard men go down and standing casually near
stair. Commander Yurovsky steps down standing upfront Nicholas II.
Voykov goes down too and stands behind everybody of executioners.
Yurovsky
(looking at paper, but not reading word by word)
Former Tsar is sentenced to death. Family to hide from contras.
Nicolas
What?
Nicolas doesn’t recognize that his family are not supposed to be
shooting down thinking that everybody are sentenced.
Nicolas
(stepping up with command gesture)
I command to be shot the very last. My family don’t see the death
of the very last Tsar of Russia.
Yurovsky
Fire!
Yurovsky shots Nicolas
in the chest and
all others
red-guard soldiers starts shooting as well in
chaotic manner except
Voykov, who is
unarmed. Alex was shot dead
instantly after her husband by direct
bullet into the forehead. Others including servants panic and move
chaotically under continuous fire by Nagan style handguns. After
approximately 50 shots all bullets were out of
guns. Only two of
victims, Nicolas and his wife Alex, are dead. All others are wounded
lying on the cement floor. Shooters reload revolver cartridges. Two
of three small
dogs attack them barking and trying to bite. They were shoot down.
Third dog, spaniel, quietly runs behind and lays down in the corner.
Executioners
walking around victims shooting everybody showing
sign of life. There are again about 50 shots until emptiness of
revolvers. After
last, third reload
of guns. Executioners split into pairs, one
of them with bayonet on the rifle pocks into the body, other one in
case of response shots until dead. They start to search of
victims looking for valuables. Voykov takes a big ring with gem from
the finger of former Empress as a proof of death to show Blumkin.
Others take jewelry too. One girls, Anastasia, wakes up.
Anastasia
Why?
UNNAMED soldier
(pointing gun and then shooting)
This is necessary for the revolution and the people, Nastenka.
A spaniel (surviving dog) waving tail approach one
soldiers who pets it.
UNNAMED soldier
(to dog)
Good boy. Joy.
CUT TO
53 EXT.
OUTSIDE OF IPATIEV’S
HOUSE 53
Two soldiers take one corpse by an another for legs and shoulder
swing back and forth and throw over the side of a truck. There are
two canisters of sulfuric acid and one of gasoline in the truck. Four
people climbed into the truck, sitting on the corpses. Yurovsky sits
in the auto-car truck in the cabin near Pyotr Voykov who drives the
truck. The truck
slowly runs north through the dark city of Yekaterinburg.
54 EXT. FOREST LIKE PLACE 54
In some time truck riches forest place near not to abandoned mine
named Ganina Yama that looks like not too deep hollow. WE SEE chaotic
efforts to hide corpses. soldiers try to dissolve bodies with acid
but it pores into ground without any effect except some hazard
smoke. Peasants from neighboring
farms join soldiers mostly to search valuables on corpses. Yurovsky
warning shoots ahead heads.
Yurovsky
Stop marauding! Go home!
Peasants obey.
Voykov
I go to Alapaevsk. They will come with me.
Tell them that they are in my complete disposal.
Yurovsky nods. He makes order to two soldiers.
They climbs into body of truck that runs away. The truck runs into
darkness toward Alapaevsk.
CUT TO
56 INT.
KRIVOVA HOUSE 56
WE SEE three naked people in the bed. Krivova wakes up the first of
all. She crawls over Cheslav and dresses up. She is completely
confident without any hint of embarrassment. Two men awake too and
dressing trying not to look at each other.
SMOOTH TRANSITION TO
Blumkin and Cheslav are
sitting at table in tearoom.
Krivova serving them with coffee and white bread, butter
and jam. She
tries her best to please both men, especially Blumkin who as she
feels can affect her fate in any direction by will.
BLUMKIN
(to Cheslav)
You was servant of Vladimir Paley. How you managed to come into his
trust?
CHESLAV
It was the condition of Cheka to be allowed abroad. Sort of exit
task. To watch for Dukes. I was as wounded aviator treated in
Tsarskoye Selo Hospital by patronage of Royal Family. Before sending
in exile Grand Dukes and Vladimir I ambushed his Mother Olga
Valerianovna when she returned after shopping. She exit car and I run
to her to help with bags. She invites for tea. I told her that
Princesses cares about me in hospital. It works as magic. She hires
me as friend to Vladimir.
BLUMKIN
Firstly. Soon, I think this is going on right now, maybe it has
already happened, the former Tsar will be executed. Upon
confirmation, the task is to rid off all remaining possible
challengers for the vacated throne here in Alapayevsk. There is an
abandoned mine in the north of the city, in the forest, near the
Sinyachikha station. Their bodies will be hidden there. This is not
our business. Just for your orientation.
Blumkin continues with hesitation.
BLUMKIN
I must try to recruit Duke Vladimir. Paley ended up here due to a
misunderstanding. Moisei Uritsky is an honored revolutionary. But
extremely ill-mannered and rude. I'm downplaying this. Just a brute.
He and Vladimir did not find a common language. The boy probably
didn’t even realize that he himself had climbed onto a platform
erected for somebody else. He simply made a noble gesture, without
responding to the offer to leave out healthy and soundly. To teach
manure some manners? Is it the purpose in life? Moisei will remain a
dirty monster until his death.
What is his condition now? Will he make contact? For a deal?
CHESLAV
I can speak with Vladimir. He misses his family. Fears for his
father, mother, and sisters. You can play on this. True, I haven’t
met him for almost a month, Alexandra says that he, and everyone else
at school, is in a depressed mood. And that's to put it mildly.
There's a catch. I can't get to school anymore. Security won't let me
in. Only Alexandra can talk. She works there.
BLUMKIN
You are an aviator. Is there an airplane on which three people will
fly to Petrograd from here?
CHESLAV
‘Farman’ is for two people. If you remove the weapons, then it
will pull to fly one more person. All you need is a serious mandate
to make them give it out. They will atone the ‘Farman’ and will
resist to the last.
BLUMKIN
Okay… Alexandra should talk to Vladimir as a first thing. Let her
say that a man arrived and asked to convey greetings to Bodya from
Tasha. He will understand this and will listen as seriously as his
reasoning left.
(to Krivova who is out at kitchen)
Sasha, do you hear what I'm saying? Everyone in their family has a
diminutive name. Volodya - ‘Bodya’, Natasha - ‘Tasha’
Krivova approaches the table from the kitchen.
BLUMKIN
Tell him that all of them will be shot to death in the forest
tonight. That the person from Tasha just wants to talk, that there is
no need to promise anything now. Just talk. That person will ask him
to step aside, so Vladimir should do it without questions. If he is
not an enemy for himself.
KRIVOVA
To ‘Bodya from Tasha’, this is not enough to make him to trust.
Here, Grand Duke Sergei usually calls him ‘Bodya’. And he
mentioned Ira and Tasha. I could hear it out. He knows it. I am an
empty space for him. He will doubt that it is true. He can tell
others that they are going to shoot them, and panic will begin. Is
this the plan?
BLUMKIN
Yes, you're right. There must be no warning. Can you get out Paley’s
clothes? To be be immediately recognizable if put on another person?
KRIVOVA
I have clothes. And among the Austrians, one is similar to Paley:
thin and long. When everything was searched and
confiscated from them, I hid something. Paley's suit too.
BLUMKIN
Do you know Austrians barracks located where?
KRIVOVA
Yes. Can show. It's close to the school.
Blumkin finally gets a plan. He changes attitude to definitive.
BLUMKIN
Now you will come with me. Half an hour to get ready. You won't come
back here. I will give you a mandate order to requisition the
‘Farman’ airplane, to refueling it up, and to take an additional
kerosene reserve at your request. Don’t give them the mandate,
don’t write a receipt. Threaten with immediate death, execution in
case of disobedience. Do you have a document? On Boris
Korvin-Krukovsky, right?
CHESLAV
Yes.
BLUMKIN
You will go to Yekaterinburg. Take the airplane. You'll fly here.
Wait for me and Vladimir Paley on the tarmac. Where is it?
CHESLAV
Here Napolnaya Street goes from the school to the west. One or two
miles after the cemetery, next to the river, called Neiva, there is a
large flat field.
BLUMKIN
Understood. Alexandra. You will behave as if nothing happened. Come
here after work. You will bring home that Austrian who you said
looked like Paley. I'll come with my friends later. You will take the
Austrian and then free.
When… if the Czechs or the White Guards or someone else will
come... You know nothing. Tell the truth that can be verified. It's
clear?
KRIVOVA
What is there not to understand? Everything is as clear as in an
underground situation with the police.
BLUMKIN
Nothing about me. About Cheslav, he was in School and floated away
months ago. Try to go to America. Settle in there. If everything goes
well, send a postcard to any of our representative offices, to Maxim.
On the postcard is to be the return address where you can be found.
The number in the text means the time for meeting after a noon. Wait
there every fifth day of the month. Password: ‘Oh, you are a
weasel…’ Get it?
KRIVOVA
Yes.
Blumkin goes out alone to near room. He takes out a writing set from
his leather jacket and filled out a blank form signed by Dzerzhinsky.
Then he return to tearoom.
BLUMKIN
You will go to Yekaterinburg city, confiscate a ‘Farman’ airplane
and fly here. Land where you said. Waiting for us. Light a camp fire.
We'll arrive in the middle of the night. Be prepared for anything.
Get some sleep if you can. We are leaving, I think, at the dawn.
Blumkin and Cheslav hurriedly say goodbye to Alexandra and moves out
of her house.
CUT TO
57 EXT.
THE WATERFRONT OF BIG EXCAVATED
POND 57
Maxim and Cheslav approaches the edge of the Kokuy Yama, a pond like
pit by quarter filled with water. There is the truck near a group of
trees. In the truck body three people are sleeping on a pile of
thrown there tree branches.
BLUMKIN
Good morning comrades!
Voykov
It is done. We finally calmed them all down. Who's
with you?
BLUMKIN
This is Cheslav. Our agent. Listen to your task.
Get ready, wash up, have a snack, here’s food.
Then we’ll go all together to the local headquarters of the Cheka.
You will order the horse-carriages to be assembled. Six of them, one
for each Grand Duke, to be delivered to the Napolnaya School at
midnight. Cheslav and I will wait for you in the truck body; we don’t
need to show ourselves to the Cheka here. I will show Dzerzhinsky's
mandate if needed. It's better not to...
The locals must load the Dukes onto horse-carriages and send them to
Sinyachikha. Together with Cheslav, you will return by this auto-car
truck to Yekaterinburg. He has a mandate to confiscate the airplane.
Help him in case anyone objects. Cheslav must fly to land here before
dark today.
Voykov pushed out two Red Army soldiers awaking
them.
Voykov
Here is Maxim Astafurov. You obey him implicitly. Don't ask
questions. There is Lenin's special assignment. The fate of the
revolution is in your hands.
58 EXT. NEAR
BIG WOOD BUILDING OF ALAPAEVSK
CHEKA 58
Voykov steps out of truck and enters the building of Cheka for about
half an hour. Voykov exits the building. He climbs into the truck
cabin. Voykov and Blumkin exchange with affirmative nods. Truck moves
out. In chaotic manner soldiers, workers, agents Cheka exiting and
moving out with task to organize execution on Grand Dukes.
59 EXT.
IN
FRONT
KRIVOVA
OF
HOUSE 59
The truck stops at Krivova house. Blumkin steps out of cabin. Two
soldiers jumps out from the trucks body. Cheslav jumps from body and
sits down in the cabin to Voykov.
BLUMKIN
You need to get cartridge just now. Before sunset. Big bottle of
moonshine will be needed too. Do confiscate under gunpoint. About me
nothing, no one sound. Clear?
soldiers nodes. They move out casually starting to smoke
understanding that there is enough time for this simple task. Truck
runs away. Blumkin enters into house door.
60 INT.
KRIVOVA
HOUSE
60
Blumkin enters the empty
tearoom. He looks
around and notices small pack
of books from Napolnaya School. He takes
books one by one and takes one of them to
read: Albert Robide's ‘Electric Life’.
He sits down to the
table with the book turning the pages and
looking at the images of fantastic future with powered
by electricity in any aspects of the life.
He starts to read the book but being tired falls asleep.
FADE OUT TO HOURS AHEAD
Krivova enters the room. Blumkin wakes up.
BLUMKIN
Where is Paley’s suit?
KRIVOVA
I will bring it now.
Krivova exits to bedroom and returns with the man’s suit.
BLUMKIN
Bring here that young Austrian.
61 EXT.
STREET
NEAR BARRACKS OF AUSTRIANS – NIGHT
61
Krivova stays near group of former Austrians prisoners of war, now
they are serving as guards of Grand Dukes at Napolnaya School. Among
them there is one very young and tall soldier. Krivova stares at him
and he noticed her interest. Krivova makes an inviting gesture
beckoned with her finger. The
soldier approaches her. Krivova takes the hand of the soldier and
leads him along to her house.
62 INT.
KRIVOVA HOUSE
62
In tearoom Krivova
invites Austrian
soldier to sit at the table and serves
the food for him. She pretends to flirt
with him. She is
nervous but trying
not to show her emotions to be kind women
against cold blood killing. Door
opens. Blumkin and two soldiers enter the room.
KRIVOVA
Don't kill him.
BLUMKIN
We will not.
soldiers sit down to the table. One of them puts a large
bottle of moonshine alcohol on the table. He pours down glass of
moonshine to the Austrian and insists him
to drink out.
BLUMKIN
Alexandra, leave the house and go to the tavern. Be in public so that
you can be seen and remembered. Don't come back here until midnight,
or better much later. Tomorrow you will go to School. Act natural.
You have nothing to do with anything. Then try to survive. And
thanks… Toward America.
CUT IN FUTURE
62
EXT.
GOLDEN BRIDGE AT BACKGROUND 62
It is the wedding ceremony with golden bridge at background at sunny
afternoon twenty five years in a future. The young groom who is
extremely similar to Blumkin (he is his biological son). He holds
hand of redhead girl. Krivova (who is still attractive woman)
approaches the girl. She hugs her and puts
the fabulous ring on her finger.
KRIVOVA
Be happy daughter. I am eager to nurse your kids.
BACK to PRESENT
63
EXT.
IN
FRONT OF NAPOLNAYA
SCHOOL 63
It is about midnight. Eight horse
carriages with two or three men per each (red army soldiers, Cheka
agents, peasants, labor workers) are
approaching the building of the Napolnaya
School. Blumkin, two soldiers and the
Austrian who is deadly drunk to the point of complete blackout are
in one of them. Grand Duke Vladimir
Paley (h.f.) exits the door the school the first. The Red Army
soldiers who arrived with Maxim approaches him and orders to sit on
the cart where the drunken Austrian was. Grand Duke Sergei (h.f.)
comes out immediately after Vladimir. He is under impression that
Vladimir is lead to the execution. Sergey spontaneously runs to save
Vladimir.
UNNAMED soldier
Stand!
Sergei doesn’t obey. soldier shot to the direction of the Sergey.
The bullet hits the hand of Sergei near shoulder. He drop down and
cries sobbing.
Vladimir Paley
(crying from Blumkin Carriage)
I am fine.
Sergei drop down and cries sobbing in other carriage. Horse carriages
one by one are filling with prisoners and move toward the road
enlightened by kerosene lanterns at the front and back of the each of
them. The carriage with Blumkin, two soldiers, Vladimir Paley and
drunk Austrian delays to move until all others are left the school. A
lights of the last cartridge are quite far now.
BLUMKIN
(to Vladimir Paley)
Listen carefully and follow exactly if you want to live. Take out
everything from your pockets; a cross, and everything gold. I will
shoot you on the spot otherwise. Listen to me and shut up. We will
take a walk.
Vladimir complies. He takes out the paper letters and the golden
cross hidden near his heart and took off the ring. Blumkin passes
these evidence of the person objects to his accomplices. He put out
his lantern and jumped off the cart.
BLUMKIN
Let's get off now.
Vladimir jumps off too. They move away from the road into the field
and stood in the shadows without moving. The cart with the Austrian
rolls faster to catch up with the entire procession. No one notices
this one-minute lag. The Red Army soldiers disobeys letters of
Blumkin’s order. They put Vladimir’s Paley personal letters into
the Austrian’s suit bosom, and divide the gold equally among
themselves.
CUT TO
64
EXT.
ROAD
FROM THE CITY 64
Blumkin instructs Vladimir Paley.
BLUMKIN
Go forward where I tell you. We need to get to the airplane. It will
take about an hour walk. It could be probably a little longer in the
dark now. Take a lamp and watch your steps. Go!
Paley and Blumkin walk in almost complete darkness along the road
leading from the city. Paley moves slowly ahead of Blumkin, lighting
up the road with a kerosene lamp. His back is tense, waiting for a
bullet to catch up with him at any moment. Camera
makes intercut view making impression of long walk. They reach
campfire near the river bank. Cheslav sits near
campfire. Nearby,
hidden by a group of trees growing near the river there
is the ‘Farman’
that is small biplane airplane.
CHESLAV
The Tsar ordered him to be the last to be shot. Pyotr told me.
Paley and Blumkin are to tired to respond.
Blumkin
(to Vladimir Paley)
Sit down, Bodya.
Blumkin sits down to the campfire. Paley sits across to him.
Blumkin
You know Cheslav. I'm a special agent, my name is Maxim. I know your
sisters. Mariana, the ‘poop-bird’, as you described her in your
poem, ‘did not see the kingdom’,She is fine in the new government
of the workers. All the other conspirators against Rasputin are also
alive. And you are in purgatory now. You are lucky to have a sister,
Tasha, I met her, she asked me to save you. There will be a
conversation tomorrow. It will depend on you who lives and who dies.
Now lie down to rest and sleep.
Paley obeys instantly falling asleep as if shot dead.
CUT TO
64
EXT.
NEAR
SINYACHIKHA MINE 64
Camera looks at road near forest and narrow road path into dense
trees toward abandon gold mine. The horse carriages with prisoners of
the Napolnaya School turn off the road into a forest cleared path
towards the mine hole. Each of them stops about a hundred steps to
the mine. One by one victims pulls out each per two executioners.
They are moved to the edge of an abandoned mine. The edge is not
visible for victims. In almost complete silence victims are pushed to
free fall one by one. There were only hints of
muffled thud of a fall. Two soldiers, comrades of Blumkin,
take from carriage completely drunk Austrian in Paley suit. They hand
over fake Paley to deal with toward two
other soldiers returning from mine.
UNNAMED soldier
Take this one too. You know better what to do.
The Austrian is taken by other soldiers and pushed into abyss of the
mine. soldiers, Blumkin associates, sit down at carriage and ride
back to Napolnaya School.
65
EXT.
FRONT OF NAPOLNAYA
SCHOOL 65
It is night. Austrian guards looking for missing comrade inside and
out of Napolnaya School.
Unnamed Austrian guards
Kurt! Where are you?
The cart with Blumkin associates approaches
the School building to stage a performance
of the alleged kidnapping of the Dukes. They fire
shots from Nagan handguns without
specifically aiming. One of the Austrian
guards are hit dead. Others run away. The
Blumkin’s soldiers
trews out bomb
grenade into the open door of the School.
The grenade doesn’t
blow up.
Unnamed soldier
That’s it. Our job is
done. Returning to Yekaterinburg. Let’s go to the station.
CUT TO
66 EXT. NEAR
THE RIVER BANK
– 66
EXT. NEAR THE RIVER BANK
– DAWN BEFORE
SUNRISE
It is dawn before
sunrise. Cheslav, Blumkin and Paley are sleeping near lately
extinguished campfire. Cheslav wakes up the first. He goes down to
the river with a pot to draw up the water. He scoops from the Neiva
river, put down the pot, washes himself, come back with the filled
pot to the place of the group to stay, hangs the pot on a thick stick
over the campfire to boil up for the morning tea. He works out to
restart the fire. Blumkin and Paley wake up as well. There were
routines to prepare meal and to eat sort of breakfast utilizing buns
prepared by Krivova. Blumkin takes out the handgun and point it out
to the Paley trying to kook casual but determent.
Blumkin
My name, Maxim, is not my real name, but it’s better for you not to
know the true one. That's why I won't say it. And there is no need to
ask. If I lie, you won’t trust me but this is not the time to tell
the truth.
Blumkin makes sign by look to Cheslav not to interfere.
Blumkin
You are lucky that it was me who was entrusted with the liquidation
of all the Romanov's. I accidentally met your sister on the street,
fell in love at first sight, and she asked me to save you. It
happened. A series of coincidences, they are. Absent these accidents,
you would now be lying a corpse at the bottom of the mine shaft, and
it would be so if you were lucky enough to die immediately, instead
of suffering in agony for another day or two. But now the odds favor
you to choose your destiny by yourself.
CUT TO
67 INT.
THE
DEEP OF THE MINE 67
In deemed light from upper hole we see several
people including Austrian guard in Paley’s closing are lying at the
bottom of abandon shaft. Some of them are already dead others are in
mortal pain.
OLD WOMAN
Water. Water.
OLD MAN
Shut up. I’ll kill you.
CUT BACK
68 EXT.
NEAR
THE RIVER BANK 68
Paley is terrified as if previous scene was his
vivid imagination.
Blumkin
There are two options. First. Now all three of us will fly to
Petrograd. You will meet Natalia, your sister Tasha, there. Will see
only her from the whole family. You will enter the service of the
current government. You will change your name, appearance, manners, I
will rescue your sisters and mother. They will flee abroad. It’s
impossible to save your father, I won’t lie about. If anyone finds
out that you are Grand Duke Paley, you will deny it, and if arrest is
inevitable, you will put a bullet in the forehead. You will have to
give me your word of nobility.
I’m breaking all the rules and Lenin’s direct order for you. If
you say no, don’t agree, or just remain silent, I will have to
shoot you right here. Five minutes to think. Cheslav, get the engine
ready.
PALEY
(in five seconds indifferently
as if to nowhere)
I give you my honest, noble word.
Blumkin
When we can fly to Gatchina?
Cheslav
At first we need to remove a machine gun.
Then to arrange place for third traveler. All at all at least an hour
hard work. Correction. Hour and half. Vladimir is no help in his
condition.
Blumkin
Good enough. Let’s start.
Cheslav
and Blumkin prepare airplane “Farman” for flight of three people.
Paley is here but looks lost. They
demontage
machine gun and threw it in the river; cut and pluck branches from
trees and put them with some clothes on the bottom of the airplane
cabin to organize the place for third passenger. They make holes to
give this lying person a view to the earth. Cheslav
hands
out helmets to protect their ears from the unbearable noise of the
airplane engine to
his
travel
companions. A
small
biplane takes off the
field.
69 EXT. THE BACKYARD OF remote
farm NEAR ALAPAEVSK 69
We see old peasant woman looks up to airplane flying above her.
70 EXT. IN
FRONT OF NAPOLNAYA SCHOOL 70
There
is crowd gathered near Napolnaya School. One soldier with rifle aims
inside school building. He shots several times until hit and ignites
a bomb in its hall. The man in leather suit, commissar
Smolmikov (h.f.), comes in front of the crowd and rises hand
demanding attention.
Smolmikov
Band of Contra kidnapped dukes. They killed guard
and bomb the school. All of them escaped on
the airplane. No more danger now. Disperse
home, comrades.
Crowd slowly vanishes all around. Group of three women. One of them
is the same one who saw airplane.
Woman
It is holly true. I saw the plane with my own eyes. It’s enormous
and scary like devil fly above me. Save us God.
71 EXT. CABIN
FARMAN AIRPLANE 71
POV of Cheslav who is piloting the plane at the second seat as is for
this plane. POV is changing from one traveler to other: Blumkin at
front seat, Paley lying at the bottom looking down in made watching
holes.. Behind them is thick forest (taiga). It is a long flight with
almost nothing to catch an eyes. In about three hour of real time
(much shorter in screen time). There is a river and flat field with
cows. The plane is landing.
71 EXT. NEAR FARMAN
AIRPLANE 71
Cheslav
We need to get kerosene. And rest.
Blumkin
Wait us here. Take a rest.
CUT TO
72 INT.
SMALL
VILLAGE STORE 72
Blumkin and Cheslav enter the store where one
counterman presents.
CHESLAV
We need two barrels of kerosene. And food.
Counterman
We sell per one gallon. One gallon to person.
CHESLAV
We need two barrels.
Counterman
We have only one shipment of supply before winter. If you take two
barrels we won't survive the winter.
BLUMKIN
I am Lenin’s envoy. We have to be in Moscow in time. I will direct
worker’s government to send you kerosene replacement. Put canisters
on the cart.
Counterman
I know only Tsar. Go away at once.
Blumkin pulls out Nagan gun and points to the forehead of counterman.
BLUMKIN
I have right to shot you at the spot for counterrevolution. Do what I
say. One more word and you are dead.
Counterman obeys.
73 EXT.
NEAR
AIRPLANE 73
Blumkin and Cheslav drive on the horse cart to the airplane. They sit
down with Paley to start eating when Blumkin notes villagers
approaching them.
BLUMKIN
We have company. Cheslav prepare to take off. Vladimir, help to put
everything inside. I will hold them. Hurry up!
Blumkin points gun standing at the road before small crowd of armed
with pitchforks, scythes, and other agricultural tools.
BLUMKIN
The first who will be closer than five steps will have the bullet
into the chest.
Crowd stops approaching toward the road but villagers slowly
spreading around the field surrounding the airplane.
CHESLAV
Ready!
Blumkin moves backwards
to the airplane continuing to aim gun on the crowd. Airplane starts
and takes off.
CUT
TO
74 EXT.
CABIN
FARMAN AIRPLANE IN
AIR 74
POV of pilot, Cheslav. Не realized
that fuel in airplane will end very soon. He is looking for any spot
to land and put kerosene from canisters into airplane. In some tense
time there is the spot around the forest. The air plane lands.
75 EXT.
NEAR
AIRPLANE 75
BLUMKIN
Good job Cheslav. I owes you a favor.
CHESLAV
Just let me immigrate to America as it was planned.
BLUMKIN
Deal. As soon as situation permits. Today and now on we will visit
store just before fly away. No more gambling. Let’s rest for now.
CUT TO
76 EXT.
BANK
OF VOLGA RIVER NEAR YAROSLAVL 76
All tree travelers Blumkin, Cheslav, Paley are near campfire.
Airplane are not too far. It takes five nights to get here. Paley
already is custom to his new situation and relax somehow. They catch
some fish in the enormous river and relaxing with big bottle of
moonshine. At the significant distance there is the city of Yaroslavl
where rebellious activity takes place exact this moment. There are
sounds of artillery shots and clouds of fire smokes above the town.
PALEY
Why are you with them?
BLUMKIN
It happened so. Who else do you want me to be with? With the party of
the Grand Dukes or the merchants of the First Guild? Not born with a
silver spoon in mouth. My place with plebeian. By origin.
PALEY
What for to kill Tsar? He did abdicated. By himself.
BLUMKIN
How do you call an officer at the front who will cry upon an enemy
attack – ‘my dear mother, what the hell!’ will he say. ‘I’m
tired of this horror, I can’t stand it anymore’ he will throw
away his sword belt with weapons and, in front of all the soldiers,
will leave the trench and go to the rear, howling from fear of
getting shot in the back?
PALEY
A coward and a traitor.
BLUMKIN
Yes, of course.
The question then is this. How do you call the Supreme Commander,
crowned ‘in great service’ to the people, who abandoned his
duties during the war? A stupid war without a serious reason, which
has already destroyed millions of Christian souls. And he abandoned
it rushing, he simply threw away his duties, like a wrapper of a
candy that he had already eaten, then he didn’t need the wrapper.
He didn’t even bother to get into agreement that his successor
accepted the burden of responsibility for the entire Empire of
Russian people. He didn’t even warn brother Mikhail that he was
passing over him a load, from which he himself fled like a cowardly
hare. How will you call him?
Paley doesn’t answer but was seriously
impressed.
BLUMKIN
He was married to the people, but during a marital scandal, he didn’t
even get a divorce, he just left, abandoned his soul mate, his
people. How does an abandoned wife feel about her husband?
PALEY
Okay, that’s right, Nikolai had been pusillanimous. But why are the
Bolsheviks in power now? The Constituent Assembly did not choose
them. The people didn't choose either. The Soviets are only a handful
of workers, they are not the whole people of Russia. The peasantry as
a mass did not choose anything. Why you?
BLUMKIN
Because we did not disdain to raise power from the mud where Nikolai
threw it, and where the Provisional Government led, which could not
understand that only a dictatorship could stop the turmoil after the
horrors of the war. Because we are ready to serve the people. And we
are ready to destroy anyone and everyone who stands in our way of
serving the people. That's why.
PALEY
(as he means that)
I give you my honest, noble word.
CUT TO
77 EXT.
CABIN
FARMAN AIRPLANE 77
POV of Cheslav as is aerial view of the suburbs of Petrograd starting
from Pavlovsk Palace, then Tsarskoye Selo Palace complex and then
flying to the Gatchina Palace when airplane land on the field of
abandon flight school.
CUT TO
78 EXT.
NEAR
HANGAR OF ABANDON FLIGHT SCHOOL 78
Engine Farman airplane stops near the repair hangar. The gate of
hangar is padlocked. Blumkin finds nearby steel wire and unlocks gate
of hangar. There is American ”White” truck in working condition
but without fuel. The travelers Blumkin, Cheslav and Paley work out
the situation as an already well-coordinated team. They pushed
airplane into hangar and drive out the airfield on the truck.
CUT TO
79 EXT. NEAR
TWO STORY BUILDING 79
The truck stops near home building, home of Cheslav. Travelers step
down and enter the street door.
CUT TO
80 INT. HALL
IN FRONT OF CHESLAV’S APARTMENTS 80
Cheslav push button of the door ring. Blumkin and Paley stay behind
him. The door of the apartment opens. Young woman, Eugene Krukovsky?
wife of Cheslav opens the door. She is very pale and slenderness
unmistakably indicated constant malnutrition. Woman at first sees the
leather uniform of Blumkin. She scared almost to the point of
unconscious thinking that it is a search by Chekists.
CHESLAV
Zhenya. It's me.
Eugene
(screaming)
Borya!
She jump up to hug her husband.
CHESLAV
Calm down, Zhenechka. Everything is fine. Here are my friends. Maxim
and Vladimir. We must shelter them, they helped me a lot.
Eugene
Hello. Very nice to meet you. Make yourself comfortable. Now I’ll
figure out what to feed you with.
She invites everybody in.
BLUMKIN
We have food. You just make the bed for us, and we’ll sort out
dinner ourselves.
Eugene
Of course, of course. I'll do everything right now. We have a lot of
space. Boris parents are in Vladivostok. Each of you will have a
separate room.
CUT TO
81 INT.
DINING
ROOM OF
CHESLAV’S APARTMENT 81
There are Blumkin and Cheslav in the dining room for the breakfast.
Two other inhabitants of the apartment are still in sleep. Eugene is
too weak. Paley is the first time in months is able to feel safety.
CHESLAV
Zhenya needs a chicken soup. She is almost mortally ill. What next?
What about my travel to America? When?
Blumkin
At first I have to figure about about my status in Cheka after all
these events. You know that I am wanted after so named uprising of
left social revolutionaries.
I will try to do it now if the phone here is on service.
CHESLAV
I think it is. My father usually subscribed for whole year. He should
do it before exiting to Far East.
Blumkin
Good. Let’s try. German (aka Vladimir Shorre) must be already in.
Blumkin takes phone handler. He rotates dynamo engine to make a call.
Blumkin
Girl, connect me with Cheka at Gorochovaya. External 02.
82 INTERCUT
OF
PHONE CONVERSATION BLUMKIN AND SHORRE 82
SHORRE
(here is in office room)
Shorre is on the phone device.
Blumkin
I'm about Eagle case.
It is necessary to review it from the beginning to the very end.
Unforeseen circumstances arose.
SHORRE
I'll come by today.
Shorre hangs phone handler.
Blumkin
(to himself)
Clever boy.
CUT TO
83 INT. ARCHIVE OF CHEKA 83
Shorre is in the basement of Cheka building where is the archive of
agent cases. He is looking among others cartoon covered folders.
Shorre finds the case with nickname “Eagle”. He is browsing
papers inside and takes almost all of them from the folder except
front page with photo and personal data. Shorre learns last address
in Gatchina of Boris Krukovsky (aka Cheslav, aka “Eagle”). He
puts paper inside pocket of his leather jacket and the case back into
shelf.
84 EXT. STREETS OF
PETROGRAD 84
Shore exits the building. He walks the street toward Baltic Railway
Station.
CUT TO
85 EXT. Baltic
Railway
station 85
Shorre
in the Baltic Railway
station enters the passenger
carriage
powered
with stream
locomotive.
CUT TO
86 EXT. GATCHINA
NEAR RAILWAY STATION 86
WE SEE Blumkin is watching passengers exiting from railway building.
POV of Blumkin who is watching Shorre looking for Cheslav house.
Blumkin follows Shorre to convince himself that there no chekists
team following his associate. Shorre enters Cheslav’s house.
Blumkin waits some time. Nobody is insight. Blumkin enters Cheslav’s
house too.
CUT TO
87 INT.
CHESLAV’S
APARTMENT 87
In the dining room there are Cheslav and Shorre having conversation.
Blumkin enters.
BLUMKIN
Hello. What's the news from the Cheka Commission? Are they looking
for me?
SHORRE
They are searching, but without enthusiasm, it doesn’t involve
search dogs, the trail has gone cold. No one has been given a special
task of looking for you. At the end of last week, Felix stopped by
Petrograd. He came allegedly to check on the employees and find out
how things were going. Informally. He also removed himself from the
leadership position during the investigation into the Mirbach case.
He stepped by to see me too. He said you acted for the revolution and
with the best intentions. That you needed a well–deserved rest,
that he wanted to contact you later. If this happened, it would be
with my assistance. I guessed that you carried out a successful
operation with him, is that correct?
BLUMKIN
Let’s not talk about this fantastic operations. Highest secret of
the proletarian state...
I will introduce you someone.
Blumkin
and Shorre go to the room of Paley. Vladimir
Paley
sits on the sofa leafed through the binder of the ‘Niva’ popular
magazine.
BLUMKIN
(to Shorre)
I can’t tell you directly who he is. He promised me that he would
shoot himself if his identity was revealed. I really don't want him
to. So, don't ask, please. If you guess about, keep it to yourself.
Let's be friends, all three of us. Maybe great things are waiting.
(continues)
Vladimir must be legalized in that manner that nobody can get to the
bottom of his past, no questions arise.
SHORRE
Plastic surgery? It's quite a long matter. Three months, I heard.
BLUMKIN
How do you know?
SHORRE
Mom has a surgeon friend, Wilhelm Shaak. He is also from the Baltic
Germans. They have a home club. They like to socially gather and talk
around over a tea party. They play Pick-up sticks and Russian lotto
with excitement. Nice people they are. He said that the
revolutionaries also asked him to get rid of police surveillance for
sure.
BLUMKIN
So we’ll ask doctor Shaak to make Vladimir an entirely different,
dissimilar person. Let him live with you for three months while the
scars heal. Is there enough space?
SHORRE
Plenty. My mother has a considerable apartment on the Second Line of
Vasilyevsky Island. There are several rooms unattended. My uncles
live with her, but they are planning to leave. Jean, in any case, he
was seriously planning to go to America.
PALEY
When will I see Tasha? You promised.
BLUMKIN
I think it will be tomorrow evening. Very soon. We need to organize
the departure of our pilot. To set a date for an appointment for your
plastic surgery. There is still a lot to be done. Need money for.
Vladimir, there is a need for a letter to your mother. Write a
pitiful note that you are no longer interested in anything, neither
balls nor decadent painting. Say that Cheslav looked after you like a
nanny, and ask her to give him money to go to Poland. Tell her that
he left you his last savings when he was sent away. I won’t
dictate, she will immediately guess if the style is not yours.
Paley nods and begins to write. He writes one version and tires it in
pieces. Then another one also tires it into scraps. Blumkin takes the
third one, reads it with apparent disgust.
BLUMKIN
Good enough.
(Reading aloud with some irony)
I am looking for the truth, only the truth.
Ingeniously. In style of complete desperation. And your signature and
handwriting definitely yours.
Blumkin and Shorre move back to dining room
joining Cheslav. Shorre
gives
to
Cheslav
his documents taken
from
his Cheka case.
SHORRE
Here is everything for accommodation in America for you and your
wife. Letter to embassy of Provisional Government. They are the only
legitimate in Unites States for now. It can work. Good luck.
Shorre leaves
apartment.
NEXT MORNING
All
four inhabitants
are
at the table for
morning tea.
CHESLAV
We need to call Olga Valerianovna. You can't pull it any longer. Need
money. Zhenya needs a borscht soup.
BLUMKIN
Go ahead.
Cheslav makes phone call.
CHESLAV
Mademoiselle. The Paley Palace.
(continues after some waiting time)
Ale. Ask Olga Valerianovna to the phone, please.
The Intercut of phone conversation.
OLGA PALEY
Citizen Princess Paley is on the line.
CHESLAV
This is Cheslav. I brought a note from Vladimir. Can I come in?
OLGA PALEY
Cheslav! Right now. Come. How is he?
CHESLAV
I'll tell you everything. I'll be there after eight. It's
comfortable?
OLGA PALEY
Certainly! Look forward to.
CUT TO
88 EXT.
NEAR KOLONISTSKY POND AT TSARSKOYE SELO 88
The evening. The truck with three men, Cheslav, Blumkin and Vladimir
Paley is
parking in a garden near in the southeastern part of Tsarskoe
Selo. Cheslav headed towards the majestic, massive building of the
Paley’s Palace, Blumkin and Vladimir Paley remain waiting under the
trees near the shore of the pond. Camera follows Cheslav approaching
entrance door of Paley’s Palace and rings the bell.
CUT TO
89 INT.
BIG
DINING ROOM INSIDE PALEY’S PALACE 89
Inside museum like palace we see Olga Paley (h.f.), mid-age
impressive woman, and Cheslav sit behind enormous table served by
tea in fancy china porcelain set. Behind
the door to the dining room are Irina and Natalia eavesdropping on
the conversation. Olga
Paley reads the letter given her by
Cheslav. She is confused and touched, very sad.
OLGA PALEY
How it was? Is he alive?
Cheslav
I was ordered to leave after tightening conditions of arrest. That is
all what I know. I gave to Vladimir all my money. It was really
difficult to get in Petrograd empty handed.
OLGA PALEY
Of course. I will give you money. Body asked in letter to help you.
What the plan now?
Cheslav
I think about Poland. There are some relatives of mine. Maybe they
can help for first time. I don’t know what to do here any more.
OLGA PALEY
Yes. I have slightest idea myself. You see all this art. What to do
with it? And where Vladimir find me if not here.
Olga Paley stands up and goes out for money. Irina and Natalia slip
into the room. Each of them approaches Cheslav with polite greeting.
Cheslav instantly recognized Natalie and unnoticeable for Irina put a
small peace of paper with the words Will wait at Kolonistsky pond.
Bodia in the hand of Natalia. Hearing steps of their mother both
sisters run from the room. Olga Valerianovna returns the room.
OLGA PALEY
Here is the money. I think it will be enough for the trip ti Poland.
What I can.
Cheslav
Thanks a lot. Safe you God. Good bye.
Cheslav leaves the room after kissing the hand of Olga Paley.
CUT TO
90 EXT.
NEAR KOLONISTSKY POND AT TSARSKOYE SELO 90
Cheslav, Blumkin and Vladimir Paley are
parking standing near the pond looking in direction of Paley’s
Palace. The figure of Natalia Paley appears out from the dark. She
runs toward them. Upon approaching them closer Natalie recognized her
brother Vladimir. She runs directly into him almost jumping on his
neck. Reaction of brother is scared her. He acts formally correct for
the occasion but without any real joy. Natalia realizes that her
brother is mentally mortally handicapped now. Natalia breaks away off
from brother and turns toward Blumkin. She stands close to Blumkin.
NATALIA PALEY
Thank you for the brother.
She
impulsively kisses
Blumkin to his lips. The
effect of
short kiss
on both of them is concussive like thunderbolt of sexual explosion.
Both Blumkin and Natalia is surprised of their feelings. They have
long stare
to each other like first time meeting. Natalia
gathers
herself the first. She turns toward Cheslav. She pours into hand of
Cheslav handful amount of gold rings with with gems.
NATALIA PALEY
Take it. It will be useful to you. Don't argue.
(turning to Blumkin)
Give me the phone. Need to talk.
BLUMKIN
87531
NATALIA PALEY
I'll memorize. I must run. They will miss me for now.
Natalia shakes Blumkin’s hand. She gives the hand to Cheslav for a
kiss; gives brother Vladimir one long hug and runs
in the direction of the palace without looking back. Three man sit
into truck.
CUT TO
91 EXT.
NEAR
THE TRAIN WAGON OF TRANS-SIBERIAN EXPRESS 91
Cheslav and Eugenia come to
the first class carriage of the Trans-Siberian Express
ready to departure. They approach to the
conductor.
Cheslav
Is there free seats? We need to go. We will pay well.
Conductor
All tickets are sold out. Two seat are empty for now and train must
go as soon I will show green. I can’t let you enter wagon without
tickets.
(writing out at a piece
of cardboard)
Here is the message to the ticket office. I will
hold train until you get tickets. Run.
Cheslav
Be here. I will be back soon.
CUT TO
92 INT. HALL
OF THE APARTMENT 92
Dressed up in expensive suit man, minister type, enters the hall of
apartments. He walks glowing along the hall to the door of one room.
Door to the opposite room opens and blue color-dressed person
eavesdrops conversation of the man and his wife.
UNNAMED FORMER RICH MAN
(cheerfully)
I got
the tickets! We leave this country of louts at power tomorrow! Let’s
celebrate! What we have? Tea!
Eavesdropping man goes to the phone.
IN HOUR
Team of chekists enters the hall. Chekists escort the former rich man
outside.
CUT TO
92 INT. room
for interrogation in Cheka 92
Inside the room for interrogation in Cheka the former rich man is
sitting at stool. He is all in blood.
UNNAMED CHEKIST
(aiming gun in the head of man)
Want to run away from us? You can't run away from us, contra.
Chekist shots
man into forehead.
CUT TO
93 INT. HALL
OF THE APARTMENT 93
Eavesdropping man pushes the woman, wife of executed former rich man
outside the apartment.
Eavesdropping man
(to his wife)
We have now extra space. Hurry up. Take a look are there any goods
for our household.
CUT TO
94 INT. TRANS-SIBERIAN
EXPRESS 94
Cheslav and Eugenia sit in
wagon-restaurant of the train. They happily and loving looking at
each other. Eugenia eats soup with great appetite but observing all
the rules of etiquette.
CUT TO
95 INT. jewelry
store in
HARBIN (FREE CITY) CHINA 95
Eugenia is in China town of
Harbin inside jewelry store. She sells out couple of the gold rings
given to Cheslav by Natalia Paley. She is surprised by how big sum of
money paid for the rings.
CUT TO
96 EXT. UPPER
DECK of SHIP 96
Eugenia and Cheslav are at
deck the ship entering the San Francisco Bay under the Golden Gate
Bridge. They are exited looking forward for long happy life.
CUT TO
97 EXT. MAIN
ENTRANCE OF MIT, CAMBRIDGE USA 97
Cheslav steps up to the stair
of the entrance of MIT (Massachusetts Technology Institute).
CUT TO
98 INT.
design bureau 96
In twenty years Cheslav with
spy camera makes the photos of blueprint of
seaplane floats.
CUT TO
99 INT.
USSR
spy agency 99
Inside meeting room in Russia
spy agency two persons are looking at the projection at the screen
with these blueprints made by Cheslav.
CUT BACK
FROM FUTURE
100 INT. INT.
DINING
ROOM OF
CHESLAV’S APARTMENT 100
Two days pass after meeting
with Natalia Paley. Blumkin is alone in whole apartment. Blumkin
calls by phone to Pyotr Durnovo (h.f.), who is former husband of
Marianne Pistohlkors and half–sister of Vladimir Paley. Durnovo is
under the surveillance of the Cheka being under
suspicious in counterrevolutionary organization and connection with
Danish Embassy.
Intercut of phone
conversation.
DURNOVO
Durnovo is at apparatus.
BLUMKIN
I have an important proposal for you. You are being followed. All
contacts are traced. But we need to meet. It is in your interests,
foremost.
DURNOVO
I’m listening.
BLUMKIN
Go to the Piccadilly Cinema for the first show after two in the
afternoon. There, in the middle of the show, you will go to the
lavatory. For camouflage, wear blue glasses and a false beard. Try
Marianne’s theatrical props. Go out to Karavannaya and to the
fountain on Manezhnaya. If you break away from surveillance, I'll
come over. If I notice that the surveillance has not been drooped
out, I will call tomorrow at the same time.
DURNOVO
Understood.
Durnovo hangs phone.
CUT TO
101 EXT.
FOUNTAIN ON MANEZHNAYA SQUARE, PETROGRAD 101
Durnovo sits at the bench
looking at dry fountain and relaxing at the sun. A young man in a
checkered suit approached Pyotr Durnovo, it is Blumkin disguised
as a rich foreigner, dandy.
BLUMKIN
It was me who called you.
DURNOVO
What!?
BLUMKIN
Listen carefully. Postpone questions to the very end. And keep in
mind, I won't answer almost any of them. I can not.
The Red Terror is being prepared. There will be provocations. All
Latvians are agents of the Cheka. All their promises are provocations
just to set up diplomats. In all organizations of
counter-revolutionaries, there are agents of the Cheka. You can only
trust those you know personally well in your career. Only to those
whom you knew as associate. All newcomers, well, not all of them,
probably, but almost all of them, these are embedded agents. Now the
former masters are not engaged in fighting, they figured out in
result to be simply killed. It doesn’t matter whether one fought or
wanted to serve the Reds. They will kill everyone they find and doubt
about, let even if it will not give any monetary benefits for them.
People with brains tend to escape. If a devoted monarchist, whom you
do not know from your previous life, comes and expresses readiness to
fight the Reds, then this is a provocateur. We sent.
You need to hide and prepare an escape. Best is to Finland.
DURNOVO
I will think.
BLUMKIN
Think about this. The decision was made. The entire royal family, all
the Romanov's, have been decided to be exterminated. No exceptions.
Whoever did not hide is to blame the own stupidity.
I promised to save the Paley women.
They haven’t touched them yet. Olga Valerianovna knows how to pay
off with good wine and treatment, but after the start of terror, no
bribes will help for a long enough time. Grand Duke Pavel
Alexandrovich is on the to-do list, they will come for him, and soon.
From you, I need an Austrian prisoner's uniform for a young man above
average height and documents for the Hungarian Vladimir Mesarosh. If
you guess who he is, you will destroy him, yourself and everyone else
around. Marianne will go to her mother and leave a package with
clothes and documents at the bench of the Tsarskoye Selo train
station. Place identification papers, whatever proper ones, in the
inner pocket of that uniform. Tell them that the entire Tsar’s
family was killed in one basement, there are no more Grand Dukes in
Alapayevsk either. Give her a good panic attack.
I just save your life. If we meet someday, even years from now, repay
me in kind if you can.
Durnovo
Promise.
BLUMKIN
Without delay, change your place of residence. Right today. If there
is a need to contact, this is my direct phone number in Gatchina.
While I'm there.
Number is 87531.
CUT TO
102 EXT.
TRAIN STATION, TSARSKOE SELO 102
Train arrives the platform of the station. Mariane with bag of
uniform exits the wagon door. She sees a young Blumkin sitting at the
bench nearby recognizing him by Durnovo description. She approaches
the bench and casually puts the bag close to Blumkin.
BLUMKIN
Thanks. Tell them everything. It is even more scared then you can
guess. Good luck.
Marianne glances shortly at Blumkin as if trying to convince herself
that he is for real. She walk out with confident
step.
CUT TO
103 INT. CHESLAV’S
APARTMENT 103
The
morning of next day. The
phone rings.
Blumkin
takes
phone hanger. Intercut
of phone conversation Blumkin and Natalia Paley.
NATALIA PALEY
It's me.
BLUMKIN
Hello.
NATALIA PALEY
I need to talk. Is it true what Marianne said? Can you pick me up?
BLUMKIN
In two hours, in the same place as the last time. Will this work?
NATALIA
Yes. I am waiting.
Blumkin puts phone-hang down, takes gun, looking at gun with doubt,
but pull it into pocket nevertheless. He is in mixed feelings. He
exits the apartment.
CUT TO
104 INT. CHESLAV’S
APARTMENT 104
In about two hours the door
into apartment opens and Natalia Paley followed by Blumkin enters in.
She walks along the hall with fast, determined pace making quick look
into each room all along the hall. She pays practically no attention
to Blumkin but keeping awareness of his presence.
NATALIA
Are you sleeping here?
BLUMKIN
Yes.
NATALIA
Boil for the tea.
Natalia enters the bathroom. Blumkin walks into the kitchen, ignites
the kerosene stove with match, pours water into kettle and
puts it on the stove. He looks around to find
cookies to offer with tea. In short minutes
there is voice of Natalie.
NATALIA
I don’t want tea. Come in.
Blumkin turns off the kerosene
stove and goes into the room stopping at the door. POV of Blumkin.
Dress and underwear of Natalie are neatly folded on a chair. Natalie
lies on the bed, leaning against the pillow and bending her knees
slightly. With an easy smile, completely without embarrassment she
looks into Maxim’s eyes.
NATALIA
Wash yourself and come to me. And don’t worry, ‘not a rapist’.
This is what I want. Myself.
In few minutes. Blumkin
returns from bathroom.
NATALIA
Be tender, please. Be a good boy.
WE
SEE love affairs between Natalie and Blumkin with
intercut of illustrations of the positions of lovers in french
edition of Kama Sutra book with
the
level of naturalization intended for a targeted
audience.
CUT
IN
105 INT. BEDROOM
OF BLUMKIN 105
Natalie and Blumkin exhausted
after long love act. Natalie’s head on the shoulder of Blumkin.
BLUMKIN
You were obviously a virgin, how did you know about such things? I've
never done anything like. Great, of course, but where did you learn?
NATALIA PALEY
At Marianne's home, of course. She has postcards about men and women,
what they do together in love. Ira and I also found a French book
called the Kama Sutra. She has pictures of Hindu sculptures as well.
Everything is described there, in detail. I learned about the
positions from there and tried out with you. There are a lot more for
later.
BLUMKIN
Mariana…
NATALIA PALEY
It was she who ended Rasputin. Without her, this depraved devil would
not have been lured out without bodyguards.
BLUMKIN
And how was it?
NATALIA PALEY
Elementary simple. Duke Yusupov showed to the so named ‘Elder’
photographs of Mariana, where she and her brother-in-law Dmitri
practice Kama Sutra positions. The ‘Elder’ caught fire, and when
he was told that he could be invited to the movie set of such sort,
he forgot about all caution. They convinced him that Mariana was shy
in front of strangers, that he should come alone to Yusupov, where in
his photographic studio would shoot the movie. While he was staring
at, they shot him in the side. But not mortally. He played dead and
tried to escape. They caught up him and finished off finally. Nothing
special.
BLUMKIN
Wow, incredible! So, is this poem with words ‘Dear Maryanochka’
are, exactly about this? About the erotic path of her? Did Vladimir
know all the details?
NATALIA PALEY
No. He only knew that Mariana and Dmitri were close. He heard rumors
about the photographs. The entire investigation was closed down
almost immediately because Mariane threatened to tell all and to
publish all the details with photos. That's why...
Is it true what Mariana said that you decided to kill all the
Romanov's? Me too?
BLUMKIN
Absent of you. I'll get you out, don't be afraid. And, in general,
it’s true. Mariana found out from her ex-husband, from Pyotr, and
it was me who told him about when I asked for the uniform of a
captured Austrian for Bodya. Lenin himself ordered me, upon Kaiser
Wilhelm's demand. So, it was not us who decided, but your relative
Wilya. It's creepy, indeed.
NATALIA PALEY
I finally get it. Mariana asked our Daddy to dodge a captured by
pretending to be an Austrian soldier and escape away. But Daddy stood
up in such a proud pose.
(imitating dad)
To me! In the uniform of the enemy! Never!
BLUMKIN
I can feel for him. He was at home. Loved people are around. And,
Vladimir looked into the eyes of death after months of humiliation
and fear that everything would end at any minute, without any
external reason, without warning.
NATALIA PALEY
But why does Uncle Wilya need all this?...
I didn't do anything bad to him.
I didn’t break any china jar in his palace... As I recall…
BLUMKIN
Nothing personal to you, of course. It's all about the Brest Peace
Treaty. In order that Germany can hold out for an extra six months.
So that a couple of a more million would be killed. Politics. He
wanted the former Tsar's signature on the Treaty or his head on a
plate.
Natalie loses interest in the conversation after the word politics.
NATALIA PALEY
I need to go home.
Take me and figure out where we can meet. It’s easiest for me to
run away from Maryanne's apartment. They don't follow me much there.
Through the back door, there and back. Sniff like a mouse. Or in
Pavlovsk. There is such a gigantic park there, like a forest.
BLUMKIN
I need to check the my apartment on Moika River Embankment. To see is
there any surveillance. Phone there in a couple of days. 73541
Natalie nods without writing down. She has absolute memory.
CUT TO
106 SHORT CLIPS OF HONEYMOON
like AFFAIR 106
Camera
sees as Blumkin
and Natalie walk along alleys
of royal palace parks of Tharskoe Selo and Pavlovsk these are located
close to each other.
They
do
picnic
at the edge of Slavyanka River in the Pavlovsk
park
along
blooming high grasses.
Natalie get the key to Peel Tower at
the shore of small narrow Slavinka River. Peel Tower is special
designed royal place for dates with one round bedroom at the second
floor. Natalie and Blumkin make love there. The couple occasionally
ride to the historical Petrograd center to walk around and then hide
in Blumkin apartments.
CUT TO
107 INT.
THE BLUMKIN APARTMENT AT PETROGRAD 107
In about
three weeks of pure happiness.
Natalie and Blumkin are lying at the
bed. Natalia leaning on his elbow looking
at the face of Blumkin.
NATALIA PALEY
Tell me.
BLUMKIN
I don’t know anything about the events of the last days. You know I
was with you. All the time, I did nothing else. I didn't even read
newspapers. Could not.
NATALIA PALEY
Dad was arrested. What will happen to him?
BLUMKIN
I have no right to say. Your father will be shot by Cheka decision,
nothing can be changed. I can and will do everything to save you and
your sisters. Mom too, if she herself accepts assistance. They will
kill all the Romanov's in reach. At first, the Kaiser demanded this
to ensure the Brest Peace, but now as the matter has been started,
this wheel is rolling down the slope, no one can stop it.
NATALIA PALEY
Why is the wheel still running? Isn’t the matter over with the
murder of the Tsar and others?
BLUMKIN
Almost, but not quite. Not all contenders for the throne are killed.
But this is not the most important thing. The plan is broader. The
very idea of aristocracy must be destroyed entirely. No one should
rule just because they were born into a family with a title. But we
can’t just go ahead and execute everyone alike during the French
Revolution. Then all the nobles were guillotined. Heads shook away.
It ended with a new Emperor coming. We don't need this. It is
important that every event happen in a seemingly natural way. Not
because we will shoot everyone, embodying an abstract idea, but
because they attacked us themselves. Get it? It is not we who want to
destroy them all, as in reality is, but as if we are who defend
ourselves from their attacks.
NATALIA PALEY
My God! What then?
BLUMKIN
We will arrest all the Grand Dukes and put them into prison. Then we
will arrange an assassination attempt on Lenin. Almost successful. A
performer must be already selected, this is the mistress of his
brother Dmitri. I don’t know the details, but she will be framed.
An operation has been launched to present diplomats from England as
conspirators to overthrow the government and drag Russia back into
the war. And then we'll start terror. They will respond in kind, and
the massacre will begin. There are more humans on our side, so we
will win. Full democracy will come with one communist party of the
proletariat at the top. There will be no other classes left, so it’s
definitely democracy. There, the world revolution can soon be
ignited.
NATALIA PALEY
Uritsky?
BLUMKIN
What about Uritsky?
NATALIA PALEY
Will he live and shoot dead everybody? He's an anti–Semite.
BLUMKIN
He’s a Jew…
Yes, you are right. I understand, my wise princess.
Blumkin kisses Natalia. She kisses him back.
CUT TO
108 INT.
CHESLAV’S
APARTMENT
– LATE AUGUST 108
Blumkin is alone in Cheslav’s apartment in
Gatchina. The phone rings. Blumkin hangs
up the
phone.
BLUMKIN
I’m listening.
Intercut of phone conversation.
Shorre
It’s me, Vladimir Shorre.
BLUMKIN
What's happening?
Shorre
You need to come to the train immediately. It
now stands near Gatchina. Felix is there, he will tell you
everything. He returned to the Cheka.
BLUMKIN
Are there any problems with our patient?
Shorre
Learning to live again. He is staring at the new face in the mirror
for a long time. Trying to understand how his feelings are expressed
by a new face. He makes all sorts of facial expression. It turns out
to be no better than a C grade, but doesn’t give up in despair.
Reads books. Mom has a lot of them in German.
BLUMKIN
Fine. I'll contact you later.
CUT TO
109 EXT.
GATCHINA STREETS 109
Blumkin walks along the small town streets passing
the Palace complex via the park. Camera interchanges view from face
of Blumkin to surrounding and back. Blumkin approaches the freight
railroad hub. He is stopped for checking his identity for couple of
times with guards in leather jacket uniform that has in more fancy
style comparing to Cheka’s one. There are railroad train cars all
around. Blumkin comes to the armed train. He stops at luxury looking
wagon.
110 EXT. NEAR
MINISTER
WAGON
OF TROTSKY 110
Here are officer looking man and the woman (she is
Sakharova who met Blumkin at Gorky’s apartment) having conversation
near the entrance of the wagon that is mobile headquarters of Trotsky
who is commander of red army.
BLUMKIN
Dzerzhinsky is waiting for me.
SAKHAROVA
It is you!
Sakharova fall on her knees
before Blumkin kissing his hands. Blumkin is completely confused.
SAKHAROVA
Nikolai, it’s him. It was him who took me to Gorky. It was because
of him that Sergei was released!
BLUMKIN
Don’t… I didn’t do anything like that… I'm really rushing,
sorry.
(to the officer)
Tell Dzerzhinsky that he knows me well in face. Let him look out the
window. Do you?
NIKOLAI SAKHAROV
Wait here.
Nikolai Sakharov enters the wagon.
BLUMKIN
How is your husband?
SAKHAROVA
Thank you. Thank you very much.
You are our guardian angel. Sergei was released immediately, two days
later. I had nursed him back. He works again on the railroad, as an
acquisition worker. So, I came to ask his brother, maybe there is a
place for him on the train.
BLUMKIN
Get it. It's nice. Happy for you.
SAKHAROVA
And you visit us. We live on: 13 Moskovsko–Yamskaya, third floor
apartment.
BLUMKIN
I’ll come in. Maybe. I'll contact you through Nikolai. Is his last
name the same as yours?
SAKHAROVA
Yes. Nikolai is a big man here. From the old, former ones, from the
specialists.
Nikolai Sakharov goes off the
train and invites Blumkin to enter the car. Blumkin leans forward to
gallant kiss the hand of Lubov Sakharova.
111 INT.
MINISTER WAGON
OF TROTSKY HEADQUARTERS 111
Blumkin follows Nikolai
Sakharov through the train car corridor, a small cabinet where behind
a typewriter machine sits the secretary in military uniform. Blumkin
enters the meetings room, which stretched across the entire width of
the headquarters wagon. Trotsky (h.f.), the commander of Red Army, is
sitting at the chairman's table. There are two leather sofas opposite
to each other at opposite room sides. Dzerzhinsky is sitting on one
of them. There is also another man, Karl Radek (h.f.), one of the
political leaders of Bolsheviks. He has a strange beard, sort of a
shovel, like sideburns collided at the chin.
Trotsky
Ahh! Lover of the Revolution!
Dzerzhinsky
Hello, my boy.
RADEK
Karl. Don't introduce yourself, they told me.
Trotsky
Help yourself, but don’t eat out everything on the table. Old-pro
suppliers can do a lot, but they can only find pre-revolutionary
products in limited quantities, but I need to show off dust in the
eyes of too many visitors. That everything is in perfect order with
us, purportedly.
Blumkin swallows his saliva,
take one grape, take a bite, chews it, puts the second part into his
mouth, and eats it under under scrutiny of everybody present.
BLUMKIN
Thank you, it’s delicious.
Trotsky nods approvingly.
Trotsky
Our expert has no need to report about the results of his work. Let's
call him, Expert. From Felix, we already knew everything we needed.
What we don’t need to know, you should not to tell. We, old satyrs,
have no business embarrassing the young man.
Just one question for my curiosity, which may be useful, however. Who
knows...? Is flying an airplane difficult? Can a person like me do
it?
BLUMKIN
You can. But I wouldn't recommend it unless absolutely necessary. The
noise is terrible. The view is interesting only for the first hours.
The speed of travel per day is no more than by train. We had to
confiscate a kerosene only in the morning, right before takeoff.
Otherwise the peasants were going to beat, even to kill us. It turned
out to be one flight over a day. Trip by airplane is making sense
only to avoid document verification.
Trotsky
It's clear. For example, to escape to Finland.
BLUMKIN
Yes. Then you also need to have where to live, where to go. They will
soon find the airplane and start asking everyone around. The
language, Finnish, cannot be learned. And, you can’t get as far as
to America.
Trotsky
Thank you for the comprehensive report. You should have been awarded,
but our Expert had already got the most desirable award that a young
man can only dream of, we envy him badly but asking him to return to
the affairs of the revolution, he is needed.
Trotsky starts the meeting.
Trotsky
There are two issues on the agenda: ‘Red Terror’ and ‘World
Revolution’.
Blumkin is almost shocked
taking the statement as a joke at first but is able to keep himself
composed.
Trotsky
The point one. To proclaim the ‘Red Terror’, we need a cause. The
assassination attempt on Lenin had already been prepared. The
question is when exactly. And also, is only an assassination attempt
enough? Maybe it is too small act for ‘casus belli’, to declare
war? Comrade Expert, any thoughts?
BLUMKIN
Firstly. It is necessary to combine the beginning of ‘Red Terror’
with searches in embassies. There may also be documents about our
cooperation with the Germans. If searches are carried out, then no
one will be able to claim that there were originals. Everything will
be compromised. And further. ‘Red Terror’ requires real death, a
real Bolshevik, but not instead of the assassination attempt on
Lenin, but simultaneously with it. We must put an end to Uritsky, he
is a disgrace to the Jews.
Long pause. Everybody
consuming the meanings of proposition.
RADEK
Why Uritsky?
Trotsky
Whom then? Me, perhaps?! Or maybe you instead?
Accepted. When?
BLUMKIN
We'll see how it goes. The other day. Soon. Lenin's assassination
attempt should be played immediately after the news about Uritsky`s
one. It will serve a signal that it is time. It's better on the same
day to create the impression that there is a wide conspiracy.
Trotsky
Reasonable.
(to Dzerzhinsky)
Any comments?
Dzerzhinsky
No. We will entrust Moisei to the Expert, and I will control the
details of the assassination attempt on Lenin.
Trotsky
(with dark, dry humor)
Great. I ask you not to tell Uritsky about in advance; there is no
need to make our comrade nervous until the time comes.
(seriously)
Second question. The Germans lost the war. We helped them, our
Russian army was destroyed, Russia was taken out of the war. But the
Americans replaced us completely and with a vengeance. The Germans,
with all their order and gloomy German genius, will not be able to
withstand the whole world. After defeat in the war, the dynasty will
fall, followed by the revolution. Everything is like in our case. And
there is only one step to the world revolution. Okay, there are
plenty of steps, but this is the second one, involved Germans, we
can’t leave things to a chance. Speak up.
Dzerzhinsky
We have no one in Germany.
It was us who they owned. Not the other way around. We'll have to
start from scratch. Or rather, to be precise, from a negative point.
Their intelligence knows everything about us.
Trotsky
We still have to. No matter how difficult it may be. We need to
create a group. Of all those who are present here. And to attract
comrades and Companion. I myself. An ‘our boy’, that is, an
‘Expert’; ‘German’ - Shorre. Karl, as a representative of the
Communist Party for relations with German Communists when they
rename themselves in that way. He knows them.
Dzerzhinsky
Shall we also bring in an Expert's travel companion too?
(to Blumkin)
Isn't it risky?
BLUMKIN
Risky. He gave his word of honor, but then there were special
circumstances. He may decide that, under threat of execution, this
word is not particularly noble. Another thing is that now he won’t
be able to do any damage. His appearance is different, he doesn’t
look like himself. I would take the risk. The risk is less than the
reward. He doesn’t like Germans. He fought with them.
Trotsky
So. Let's summarize. The group has been determined. Everyone speaks
German. Here is an opportunity for Felix to combine the personal
interest and the revolutionary one. Your family is in Switzerland,
isn't it?
Dzerzhinsky
Exactly. My wife now works at our representative office.
Trotsky
So you’ll go and see her, and at the same time you’ll sell small
things, something from the Diamond Fund that is in Kremlin now, and
create accounts to support operation ‘World Revolution’.
Dzerzhinsky
Maybe it’s better not so openly, directly. ‘Resignation’,
maybe, for example.
Trotsky
So be it. Experts know better. Get to work, comrades. I won't delay
anybody.
Dzerzhinsky and Blumkin get up
and head to the exit from the ministerial carriage.
112 EXT. NEAR MINISTER WAGON OF TROTSKY 112
Lyubov Sakharova is still
standing at the door. Dzerzhinsky is intrigued watching interaction
Blumkin and Sakharova.
SAKHAROVA
So, will you come in? Do come in, please, I’ll introduce you to my
husband and boys. Let me write down the address, do you have any
paper?
BLUMKIN
No need to write. I remembered. Moskovsko-Yamskaya building 13, third
floor.
SAKHAROVA
You remember indeed. What a wonderful young man you are. Come for
lunch on Sunday. I’ll be back from church and have everything
sorted out by two o’clock, will you?
BLUMKIN
I'll come. Goodbye.
Blumkin joins Dzerzhinsky.
They walk toward the railway station.
Dzerzhinsky
She is definitely not Natalie. Looks a little more… mature…
BLUMKIN
This is a strange coincidence. It was she who I helped get to Gorky
when I met Natalie, and you, on Lenin’s orders, released her
husband. Her husband’s brother is the boss here, the one who
checked me near the carriage and told you to look at me through the
window. Such are the coincidences.
Dzerzhinsky
Are you sure it’s just a coincidence?
BLUMKIN
I’m not sure of anything ever, but it’s more dangerous to reject
any possibility of coincidence. They happen. The family seems nice.
Who knows, Marx forbid, I will be in trouble instead, maybe that time
they help me for a change.
Dzerzhinsky
Tell me… Shorre and this one, what is his name now?
BLUMKIN
Vladimir Mesarosh, Austrian prisoner.
Dzerzhinsky
Let there be Mesarosh. Tell them, Shorre and other one to be ready to
infiltrate Germany under the guise of returning prisoners. You
probably do too. Think about what is more convenient for you...
You seem to have a legal passport. Maxim Astafurov. Is it so?
BLUMKIN
Exactly. I don't like this last name. I I didn’t tell Paley's.
Especially to Natalia. Just Maxim and that's it.
Dzerzhinsky
I think that you will need to go to Switzerland with me. To hedge
things for me a little. Shorre and Mesarosh will lifeguard Radek. He
is responsible for setting politics. You are responsible for
practical execution. Both of you must agree before active motion. I
will tell Radek to start an infiltration operation when I return from
Switzerland. Think about how to provide yourself with an alibi that
you have not been in Germany. Spread rumors that you are fighting in
Ukraine for the restoration of proletarian’ power.
BLUMKIN
What can be done for the Paley family?
Dzerzhinsky
We will use their escape to cover our agent during the transition to
Finland. You have contact with Pyotr Durnovo. When there is time, I
will inform you that the border is open. We will cover our eyes. We
won't let her dad out. He is too prominent figure in the dynasty.
BLUMKIN
Got it.
They approach Dzerzhinsky’s
car.
Dzerzhinsky
I don’t offer a ride. I know you live nearby.
CUT TO
113 EXT. AREA
WITH NUMEROUS REAL Road
TRACKS 113
Blumkin walks along toward
three story bricks building situated between two tracks. He enters
the outer door.
CUT TO
114 INT.
INSIDE
THE BUILDING 114
Blumkin rings the massive door. It opens. Sergey Sakharov, average
build man with accurate mustache and unhealthy blush.
Sergey Sakharov
Is it you? Maxim?
BLUMKIN
Yes, I am. Hello, I'm glad you are in good health. Here are the
flowers for Lyubov, sorry, I don’t know her middle name.
Sergey Sakharov
Grigorievna. Thank you. Lyuba! We have a guest.
Come here.
Lubov Sakharova comes to the entrance hall.
SAKHAROVA
Come in, make yourself home.
Blumkin
passes the large kitchen with a massive brick stove heated with wood.
It
is
almost a full-size home heater but lower the
just oven.
He
goes into the living room where
five boys, children of Sakharovs are sitting at the big table served
by cooked by Sakharova mushroom pie. There
is also big silver like samovar, boiling water appliance, in the
center of the of the table. All of them are sitting
behind large table helping themselves with
pie. There is sort of uncomfortable silence without between them,
de-facto strangers.
BLUMKIN
(to break frost)
What is the story of your marriage?
Sergey Sakharov
I was just promoted to the a telegraph operator at a Maslovo Rail
Station. It is near the Uglich, the town where son of Ivan Groznuy,
Dmitrii, was killed by Godunov, by the way. It is Yaroslavl province.
Luba passes the station by train visiting relatives after graduation
from the Yaroslavl Diocesan School, it is church school. In
fact she thought to go into monastery. But
God decides otherwise. We occasionally
collides at the platform when she stretchering
her legs. I caught her from falling then
and holding now for
life.
Sakharov
Sergei is great worker. He did careers. At first he was head of
Lubniza railroad station then moved to manage the goods department of
the Tsarskoye Selo road.
Sergey Sakharov
And Luba is great mother.
CUT OVER COUPLE HOURS
SAKHAROVA
You may know. We have two bonds. One of them are my wedding gift. Is
the plan to continue payments for coupons?
BLUMKIN
I am in different area of expertise. The situation is difficult. I
would not count on it for near future. But who know what life brings.
Just keep them in case. They ask to eat?
SAKHAROVA
No, of cause.
German Sakharov, pre-teenager elder son, approached Blumkin to
impress him with a Swiss made gold pocket watch that could chime the
time when the button on the side is pressed.
German Sakharov
Dad gifted me for my birthday.
I love Yesenin’s poems.
BLUMKIN
And I know him. I was sitting next to him, like I am with you now.
AN HOUR MORE PASSED
BLUMKIN
I need to go. Thanks for everything.
Blumkin stands up from the table where they play card for interest to
kill time and whole family goes to the door to say goodbye.
BLUMKIN
Do not be afraid of a sitting guest, but be afraid of a standing
guest.
Everybody laugh to the joke. Blumkin comes out. Door closed. Every
left adult make a deep relaxing breath of the debt job well done.
CUT TO
115 EXT. STREET
With
CHURCH NEARBY 115
Blumkin walks along the street deep in thoughts for some time. He
shakes his head as if want to awake and changes his demeanor to
normal for him. In total concentration on the important issues at
hands to provoke a Red Terror.
CUT TO
116 INT. BLUMKIN’S
APARTMENT IN PETROGRAD 116
Blumkin and Natalia Paley are
lying in bed after a week separation and leading each other with love
acts to complete exhaustion.
BLUMKIN
Does Mariana have artists and bohemians in general in gathering?
NATALIA
Well, yes. After the performances, they meet and celebrate. As usual.
BLUMKIN
You wanted to kill Uritsky. There is such a poet, Leonid Kannegiser.
A friend of his from artillery school, also a Jew, it seems by name
Pereltsweig, was recently executed by shot. Leonid may think, like
you, that Uritsky is an anti–Semite and disgraces the Jews. He can
be provided, as if by chance, a phone number of Uritsky, offering
himself for recruitment, and then kill Uritsky at the meeting.
NATALIA
Leonid is afraid of me.
BLUMKIN
He’s doing the right thing. You cannot be offended only be loved.
Ahh, he has Olechka Arbenina. Clearly, he's afraid of falling in love
with you. It was me who got into it through negligence, like got into
ambush, but he had the opportunity to see you while you were growing
up. He understood the danger, the poet, even though he was a
militant.
NATALIA
So I need to talk to Olechka? Am I?
BLUMKIN
Tell Olechka that you saw a piece of paper with Uritsky’s number.
That Moisei himself gave it to your mother when she went to him for a
pass to visit your father, citizen Pavel Alexandrovich Romanov. You
saw the leaflet and remembered the phone number. Tell her what you
overheard, where you don’t remember that the Socialist
Revolutionaries sentenced Uritsky. Leonid may want to spill
everything to Uritsky’s face.
NATALIA
I’ll tell her this evening. Olya used to see Maryana on Wednesdays.
Almost every week.
Natalie gets out of bed and
goes dressing up without a shade of shame moving with grace of
ballerina.
NATALIA
Bye.
Natalia goes out the door.
CUT TO
117 INT. THE
APARTMENT OF ARBENINA 117
Olga Arbenina (h.f), lovely
gorgeous young women, leading lady actress, enters the apartment. She
is very exited and slightly drunk. She walks to bedroom. On the bed
the is sleeping poet Leonid Kannegiser, who was with Yesenin in Gorky
flat. Olechka (nickname) looks at Kannegiser with long stare and
decided not to wake him up. She undresses and goes to the bed huddled
close to her lover. Soon she falls asleep.
CUT TO EARLY MORNING
Leonid and Olga sit at the
ritual morning coffee breakfast.
ARBENINA
I found out Uritsky’s number.
Olga Valerianovna visited him and received a pass to see her husband.
He's a terrible person. Disgraces the Jews. A terrible freak, a
bloody dwarf, a vampire. Like from a fairy tale. Rumpelstiltskin.
Creepy.
KANNEGISER
Yes? And which?
ARBENINA
22133
KANNEGISER
So simple. Easy to remember.
I'll go and take a ride.
CUT TO
118 EXT. STREETS OF PETROGRAD 118
Kannegiser rides the bicycle
along bank of Moika river. He turns left and approaching the building
with arc that is the Main Post Office.
CUT TO
119 INT. LARGE
HALL OF MAIN POST OFFICE 119
Kannegiser uses public phone
apparatus inside the building of large hall of main post office.
There is intercut of phone conversation between him and Uritsky
(h.f.).
URITSKY
(sitting behind executive desk)
Chairman of the Petrograd Cheka at the apparatus.
KANNEGISER
Uritsky?
URITSKY
Yes. On what issue?
KANNEGISER
Conspiracy at the Mikhailovsky Artillery School.
URITSKY
We’ve already shot everyone.
KANNEGISER
Not all of them. I can show who wasn't arrested.
URITSKY
Come early tomorrow morning to the General Staff headquarters on
Palace Square. At nine. I'll tell the doorman to let you wait. Ask
Boretsky.
Uritsky hangs off the phone
handler. Takes out his glasses, cleans them up. Put glasses back,
snorts contemptuously.
CUT TO
120 EXT.
PALACE SQUARE 120
We see Kannegiser rides in on bicycle toward
doorman who is responsible for the entrance of General Headquarters
at Palace Square.
KANNEGISER
Boretsky waits me.
DOORMAN
He will be soon. Wait inside. I will watch bicycle.
Kannegiser
enters the door.
121 INT.
ENTRANCE
HALL 121
Kannegiser is inside of dark small entrance hall to the general
headquarters. He waits for Uritsky already long hours periodically
watching wall clock. Kannegiser emotionally on the edge of fury.
IN TWO HOURS
The door to the hall opens. Uritsky enters the hall. He notices
Kannegiser.
URITSKY
Ahh… A snitch on the cadets? I remember.
Kannegiser takes out gun and shot strait in the left eye of Uritsky.
Kannegiser runs out.
CUT TO
122 EXT. PALACE
SQUARE AND
Millionnaya
Street 122
Kannegiser is out of the door into Palace square. He jumps on the
bicycle and rides shakily on the paving stones of the Palace Square
toward Millionnaya Street. Behind him sound of doorman whistle and
shortly after the motor engine of the car checklists chasing him.
Kannegiser rides along Millionnaya Street.
At the middle of the street he notes that car of pursuers is closing
fast. He throws the bike and runs into door of the building on the
left side. Running through the building happens to be on the bank of
the Neva river and runs into routine checklist patrol. He runs back
and hits into the team of his pursuers.
CUT TO
123 INT.
PASSING
HALL INSIDE BUILDING
123
Chekists beat
Kannegiser and take him away. Inside the building is the club where
dozens of former aristocrats are gathering. All of them are in brutal
manner arrested as well.
CUT TO
124 EXT.
STREET NEAR MIKHELSON’S PLANT – MOSCOW
124
There is black car on the
empty street. Driver is waiting near it. Lenin walking toward the car
after meeting. Upon Lenin approaching he car driver shot in direction
of Lenin not to hit him with the bullet but aims into the car.
DRIVER
She is there! She shots Lenin.
Lenin climbs into back sit of the car and he lies down on the seat
pretending that he is wounded into the arm. The group
of chekist and workers are run to the car.
DRIVER
Lenin is shot. He needs hospital help. It was woman contra. Caught
her.
Driver jump into the car and it rides away.
CUT TO
125 INT. OFFICE
INSIDE MIKHELSON’S PLANT 125
In the room the is Chekist
behind executive desk and Fanny Kaplan (h.f.) at the stool in front
of him. Kaplan is the slim woman with black-eye at the left side of
her face. Chekist looking at small peace of paper with message.
Chekist
(reading)
I will be at Lenin meeting at Michelson. Come
there. Dmitri.
(to Kaplan)
Who is Dmitri?
KAPLAN
Brother of Lenin.
Chekist
What?! Dirt on leader of worker want to pour. I
will not allow!
Chekist takes out Nagan
style gun and shots Kaplan to the
forehead. He tears
the paper with message in pieces, throws them on the dead body of
Kaplan and spits on her corpse.
CUT TO
126 INT.
THE HALL OF HOSPITAL 126
Two chekists are standing on
the guard in long hospital hall in front of the closed door to room
where Lenin was brought by his driver. There are flock of doctors
most of them elder age in white coats in front of the door.
Dzerzhinsky with escort of two other chekists approaches the door.
Dzerzhinsky
Wait here. Nobody in.
Dzerzhinsky enters the door. Dzerzhinsky sees Lenin on bed. Lenin’s
driver sits at the nearby stool.
Dzerzhinsky
(to driver)
Wait outside.
Lenin
It didn’t turn out too believable.
Dzerzhinsky
Doesn't matter.
But about Moisey there is no doubt. No kidding. On the spot. You will
have a month off, good for you. We will instill fear and horror in
the doctors. Everyone of them is already trembling.
Lenin
What's next?
Dzerzhinsky
Everything is fine. You can rest. We will turn everything over in the
embassies. We will destroy any reports about our connections with
German intelligence. This will complete operation ‘Kaiser
Memorandum’ in the main part. There are still be Grand Dukes who
have not yet been killed, those who have already been arrested, and
those who are hiding in the south and not sticking out. The White
Guards now have no time for restoring the monarchy. They have no
agreement upon a political program. The ‘Red Terror’ begins here.
We will find and destroy everyone who is hiding and can interfere.
Only in this way can the proletariat truly take power. It will not
win the career competition against old specialists or people with
education. The path for the new bosses needs to be cleared. It is a
necessity. Logic demands.
Lenin
What’s the deal with Blumkin?
Dzerzhinsky
He always acts independently. And he leaves no traces. The main thing
is that Uritsky was killed on time. This is his idea and his
implementation. Look’s like completely by someone else hands. The
plan worked. He is now in reserve. Germans may also have a
revolution. And I must prepare the ground, going to Switzerland to
visit my family. I'll take him with me.
Lenin
Act. Just make sure that everything goes smoothly with the embassies.
And one more thing. Once you are in Switzerland, try to find a
contact with German intelligence regarding the destruction of
incriminating evidences on us. Offer money. Make an offer that no one
can refuse. Prepare a mandate for the seizure of valuables from the
Diamond Chamber. I'll sign. Make bank accounts in our names and put
money in. Who knows how everything will turn out.
(singing with terrible voice in bad pitch area of German from ‘The
Queen of Spades’ of Chaikovsky)
Today is you, tomorrow me.
Dzerzhinsky comes out to the
hall.
Dzerzhinsky
(to doctors)
Leader of proletarian revolution was attempted to be assassinated by
counterrevolution element. The vile woman shot
Lenin with poison bullet in the hand. The poison was fired out upon
shot. Lenin will recover in a month.
Dzerzhinsky silently takes a look to the eyes of every doctor staring
at each of them until intimidating
enough.
Dzerzhinsky
Publish medical conclusion. You know now what to write. Free out. For
now.
CUT TO
127 EXT.
THE
VIEW OF TRAIN AMONG 127
POV above fast moving steam driven train contained a locomotive and
one wagon behind. It is night. There are variety landscapes runs into
from dense forest to waste fields.
CUT TO
128 INT.
THE LARGE COMPARTMENT OF THE TRAIN 128
Dzerzhinsky sits at the sofa looking in dark windows with blank
expression on his face. In some time he is going to sleep.
128 EXT.
NIKOLAEVSKII RAILROAD
STATION 128
Dzerzhinsky exits the wagon. There are flock of chekists greeting
him.
Dzerzhinsky
There will be meeting at Gorochovaya. Noon sharp. Gather everybody.
No excuses.
CUT TO
129 INT. MEETING
HALL
INSIDE CHEKA 129
There are about two dozen men most of them
in leather uniform. Dzerzhinsky walks to the podium.
Dzerzhinsky
Our dear friend Uritsky is murdered by counterrevolution. We will
remember him forever. The Palace Square will be named in his honor.
The assassin tried to escape into British embassy. There are nest of
counterrevolution. Your task today is to destroy at once this den of
proletarian enemies. Every papers there must be
burned. Make sure that no
contra escapes
alive.
Do your work Comrades.
Long live Proletarian Revolution!
Everybody except Dzerzhinsky and two his two bodyguards moves out.
CUT TO
130 INT. INT.
BRITISH EMBASSY 130
We see empty hall in before entrance door. There is loud knocks into
the door. British Royal Navy Commander Francis Cromie (h.f.) runs
out inner rooms of the Embassy with the gun ready to battle. The
grenade explosion wide opens door from outside. Cromie is hiding
behind massive marble railing of the stair shooting aiming at group
of dozen chekists storming the embassy. In short time after killing
two of them by direct hit into heads and wounding three more into
chests Englishmen left out of ammunition. After short time realizing
that defender is helpless chekists approaches him and without any
hesitation five of them shot in the body Cromie at least ten times.
He stays alive during all the execution.
IN COUPLE HOURS
There is a fire of documents papers chekists are bringing into lobby
hall in front of the entrance door. Dzerzhinsky enters the door and
looking at the fire makes deep breath.
Dzerzhinsky
Good proletarian job, Comrades.
Long live the revolution!
Hooray!
CUT TO
131 EXT. gates
of Peter Paul Fortress 131
Well dressed people are entering under guard by one or two chekists
into gates of Peter Paul Fortress. There are irregular sounds of
shoots.
CUT TO
132 Animating. newspaper
headlines 132
WE SEE Collage of newspaper headlines: “Long live to Red
Terror”, “Enemies of revolution are executed” (with
long list of names).
CUT TO
133 INT. OFFICE
OF DZERZHINSKY, MOSCOW 133
Dzerzhinsky reads and signing papers from the pile of them on his
desk with death senescence of accused in counterrevolutionary.
CUT TO SOME TIME AHEAD
British spy under diplomatic cover Robert Lockhart (h.f.)
enters the office of Dzerzhinsky where
behind the executive desk is Dzerzhinsky and on the stool nearby is
the head of operation “Conspiracy of
Ambassadors” Latvian Chekist Peters (h.f.).
Dzerzhinsky
Please sit down.
Good news. Your Government is barbarians. Out
representative Litvinov is taken as hostage and threaten to be
murdered if anybody from arrested conspirators should be harmed. All
of you will be departed as soon as possible.
LOCHART
Mura Budberg will be free too? She did nothing against your
Revolution.
PETERS
We are not fighting with innocent women. If she is not involved,
citizen Budberg will work for new happy Proletarian World.
Dzerzhinsky
We are humane power. You will permitted to say goodbye to your lover
before returning to your family, to your legal wife.
(pushing communication button)
Take him away.
Lockahart walks outside office.
PETERS
(laughing)
“To your legal wife”. I never suspect that you have such a sense
of humor. I will tell Mura.
(he leaks his lips)
But this cat doesn’t care at all. Wife or not wife. This male or
that male. Great woman. I know for sure.
CUT TO
134 INT.
THE COMPARTMENT
OF
PASSENGER TRAIN 134
WE SEE Dzerzhinsky, perfectly clean shaved, inside first class
compartment and Germany border guards in uniform returning him
passport.
UNNAMED GUARD
Welcome to German Empire.
Dzerzhinsky
Thank you.
Dzerzhinsky looks sincerely happy and relaxed.
CUT TO THE NEIGHBOR COMPARTMENT
In similar compartment there are Blumkin and diplomat Varlaam
Avanesov (h.f.). Avaneson nervously holds close to chest a black
diplomatic briefcase where there are gems confiscated from former
aristocrats and industrialists. Blumkin sits with a detached
expression on his face.
CUT TO
135 BLURS
INTO MEMORY OF BLUMKIN 135
There is intercut of phone conversation of Blumkin
and Natalie Paley.
BLUMKIN
I must travel abroad. I must. You will be cared. I love you.
Natalie
(desperate)
What!? You promise! Why!
BLUMKIN
I must. I love you.
CUT TO
136 EXT.
STREET OF BERLIN 136
Dzerzhinsky, Blumkin and Avanesov are walking toward Railroad Station
at morning after overnight stay in Berlin. Dzerzhinsky notices toy
store.
Dzerzhinsky
Wait here.
Dzerzhinsky enters the store and in some time out with bag.
CUT TO
137 EXT. THE
BANK OF LUGANO LAKE 137
Dzerzhinsky with his wife
Sofya (h.f.)
and son Yan (h.f.),
boy of seven years old, om the promenade along bank of Lugano Lake in
Lugano, resort town in Switzerland on the border with Italy. They
are happy. Reunited family makes a photo. They eats ice-cream behind
umbrella in the open cafe at the bank. The
boy is confused and detached from his father. Adult
part of family openly expresses all signs of love to each other.
CUT TO
138 INT.
THE
ROOM IN LUGANO HOTEL 138
The same characters inside the hotel room. Yan trying to build
something from constructor set toy presented to him by father.
Dzerzhinsky
Do you like engineers from this constructor set? Is this good gift?
YAN
Yes. Thanks.
Dzerzhinsky
I need to return to Bern. Without me nobody has enough authority. You
can stay here longer. Maybe it is even better for safety sake.
SOFIA
Too bad. I miss you so much.
Dzerzhinsky
Me too. I know. We have a night more. It is not nothing.
CUT TO
139 INT.
THE
HOTEL “GLOCKE”,
BERN 139
Dzerzhinsky enters hotel
“Gloke” and approaches reception desk.
reception clerk
There is message for you.
Dzerzhinsky takes paper and
unfolds it. He sees “There is a subject for negotiation. I'll
come at eight. Walter”. Camera together with Dzerzhinsky
moves to the room of Blumkin and Avanesov. There is only Avanesov.
Dzerzhinsky
Found a buyer?
Avanesov
Nobody gives the real price. Even half of the estimate that our
jewelers made. They say now is a bad time.
Dzerzhinsky
Did you sell anything? Do you have any currency?
Avanesov
Nothing yet. I can’t do it without your blessing. I would rather
not be accused of misappropriating.
Dzerzhinsky
Select for me about four stones, especially large and shiny ones.
Most likely, I will have to bargain.
Avanesov opens his briefcase,
pulls out a bundle of soft bedding. He reveals thirty huge, larger
than finger–sized, faceted stones of various colors, from black
with a diamond shine to bright green, emerald. Dzerzhinsky picks up
the most impressive ones.
Dzerzhinsky
It could be a major negotiation. A couple of pieces should be enough,
but it's better to be prepared in a case.
Avanesov nods
and puts away the remaining gems.
Dzerzhinsky
If I need your help, I will knock on the wall twice, and then after a
pause once more. It may turn out that it is not you who will be
needed, but Maxim. He speaks German well. If I knock three times let
him come. Be ready, both of you.
Avanesov
Understood.
Dzerzhinsky
Wait a little with selling rest. We'll talk again tomorrow. Most
likely, we will need to take any price. Soon there may be no other
opportunity to raise currency.
Dzerzhinsky moves out to his room
CUT TO 8PM
Dzerzhinsky rests on the bed. There is knock. He opens the door.
There are two strong men in civil suits but with obvious military
bearing. One of them is Bruce Lockhart, whom Dzerzhinsky recognized
at once. Other one is the head of German Intelligence Colonel Walter
Nicolai, introduces himself.
Nicolai
Colonel Walter Nicolai. You should know my position. You know Sir
Lockhart by sight. Let us in.
Dzerzhinsky
Please, make yourself comfortable.
After some movement when
everybody sits behind small round hotel’s table. Dzerzhinsky and
Lockhart are on the bed and Nicolai sits on the only chair in the
room.
Lockhart
Let’s do without a preface. I am interested in a document about the
cooperation of the Bolshevik Party with the German army. Walter is in
possession of the original of an important paper. This is a letter
from Lenin to First Quartermaster–General Ludendorff, in which he
asks for assistance in transferring revolutionaries from Switzerland
to Petrograd to collapse the government and army, and in return
offers the withdrawal of Russia from the war and peace on the most
favorable terms for Germany. I am willing to pay fifty thousand pound
sterling for this paper. Colonel Nikolai agrees, but prefers to ask
you, maybe you will give more. He needs money. Just don't ask why.
This obligatory Russian question, why do you need money, which is
asked before a robbery, blows up my mind.
Dzerzhinsky
Mura is fine.
We left her free for now. You can send her the message through me.
Pretty soon I will return to my duties in Moscow. Do you have this
letter with you? Otherwise we can agree, but it turns out that the
paper is in a vault to which there is no key to find around. There is
no way to check whether it exists as an original or is just a forgery
copy of a mythical document.
Nicolai
The letter is with me. I can present it, but promise me that there
will be no sudden movements. Keep your hands behind your back. This
is my guarantee to receive a reward for my work in the name of
Germany.
Dzerzhinsky
Fine.
Dzerzhinsky stands up, puts
his hands behind back in a Russian prisoner manner. He looks the
letter on the table. It is in German that he isn’t understand its
content. But Lenin’s name at the bottom is recognizable.
Dzerzhinsky
I need my fellow to read and appreciate the value. It does not take
much time. Five minutes.
Lockhart and Nicolai look at
each other.
Nicolai
Okay, but we'll draw out our weapons. Meet your person at the door
and explain the situation. Close the door yourself and remain
standing near it.
Dzerzhinsky
Fair. I'm calling.
Dzerzhinsky knocks on the wall
three times for Blumkin. Very soon the door opens and Blumkin appears
inter the threshold.
Dzerzhinsky
Take a look at the letter. It is on the table. Do not touch. Keep
hands behind.
BLUMKIN
Don't even know. It looks like the real thing. Can I touch it with my
finger? I would like to check the paper.
Nicolai
Touch, but slowly. The sudden movement will be the last.
Blumkin touches and stroke
paper slowly mostly paying attention on the faces of opponents.
BLUMKIN
The letter does not contain new information, but I would bargain.
Dzerzhinsky
Get it. I will take from here.
Blumkin leaves the room.
Dzerzhinsky
Walter. Do you really think you'll get the amount Lockhart mentioned
for a piece of paper? Does he have that kind of money? Have you
checked?
Nicolai
He shows a bank check.
Dzerzhinsky
Also
a piece of paper. Paper for paper. Logical. I can offer
something material.
(continue after putting four gems on the table)
For the letter, Walter, you can choose any two. You are the first.
And as compensation for the inconvenience in Moscow, Robert will take
one of the remaining stones. Then, we'll say goodbye. Deal?
Nicolai takes both diamonds black and transparent.
Lochart takes the opal.
Lockhart
That's the deal, Felix.
You deserve a fair handshake. I want to warn you. Just in a friendly
way as a gentleman to a comrade. Any day now, Germany will
capitulate. It's only a matter of days, maybe weeks. More like days.
Doesn't matter. It is important that conditions have already been
worked out by Entente experts. The Treaty of Brest-Litovsk will be
annulled. All movement across the border with Russia will be closed.
Just be aware.
Dzerzhinsky
Point taken.
Nicolai
Here is my business card. Just in case.
Lockhart
I don’t need to worry about Mura. isn't that right, Felix?
Dzerzhinsky puts remaining
ruby gem into the pocket and knocks the wall twice and then three
more. Blumkin and Avanesov enter the room.
Dzerzhinsky
I bought Lenin’s letter. I had to give away all the stones.
I'm going to burn this letter.
(to Blumkin)
Any objections, my boy?
BLUMKIN
None.
Avanesov is trying to be invisible.
Dzerzhinsky
So…
Dzerzhinsky invites everybody into bathroom and burns the paper on
the eyes of his associates. They returns to the room.
Dzerzhinsky
Take a seat.
We need to understand that the situation has changed and develop a
plan. It turns out we have literally days left before the border is
closed. I have to go back soon. I am here illegally, the path back to
the Soviet Russia will soon be very difficult. The Germans will
surrender any day ahead and the Treaty of Brest–Litovsk will be
over. So it goes.
Currency for operations under the ‘World Revolution’ or
‘Resignation’, as I proposed to Trotsky. Let’s return to the
‘World Revolution’ not to confuse ourselves more than absolutely
necessary. Dollars will be desperately needed. Everything that was
taken out must be sold urgently. Whatever you can’t sell right
away, put it in a private bank box. My wife is aware of currency
transactions. I will involve her in opening accounts. I suggest that
you sell one stone after another to different jewelers without delay.
It's a lot of work, but it's also the only way out. Not a single
jeweler can raise real money to buy all the treasure in a bulk.
It will be necessary to open three more personal accounts. Lenin,
Sverdlov, Trotsky. Yes, another one on me too.
All clear. Get started tomorrow, Let's think about it. All?
BLUMKIN
Felix, I read some letters, or rather to say, articles of Rosa
Luxemburg. There are interesting passages there. Although she is in
prison, it is in a German prison, she can read and write, including
about our situation in the Soviet Russia. I'd like to discuss it with
you.
Dzerzhinsky
It can’t wait?
BLUMKIN
Maybe, probably, yes. But who knows, when you leave now, it would be
better to discuss it before and not rush.
Dzerzhinsky
Okay, let's walk to Theater Square. Let's go to the café. Varlaam, I
don’t invite you. I won’t distract you from compiling a list of
jewelers. Tomorrow you should start calling.
CUT TO
140 EXT.
STREETS OF BERN, BERN 140
Dzerzhinsky and Blumkin walk
along illuminated by stores and cafes windows in the center of the
Bern making conversation.
Dzerzhinsky
What is the urgency? You don't look like yourself. What's happened?
What's wrong with Rose? Or is this just an excuse?
BLUMKIN
Exactly about Rose. I know how much you respect her. But her article
contains only criticism of our policies. Very polite. With apologies
that our deeds are a necessity, but a devastating criticism of
everything we have accomplished in a pile. The national question and
the slogan land for the peasants and our dictatorship of the
proletariat; everything is incorrect. Everything is bad with us. The
land ought to be nationalized, not give the right of secession to
nations, and to use the dictatorship of the proletariat specifically
to establish a fair electoral democracy to get a proper Constituent
Assembly. We have the tyranny of the party, not even the whole party,
but only the leading group. She contrasts the theory of Lenin–Trotsky
with the teachings of Marx. If there is a world revolution, we will
not be able to cope with her. The world revolution will be led by the
Germans, with Rosa Luxemburg at its head. Or at least she will be the
most serious opponent.
Dzerzhinsky
And what is she wrong about?
BLUMKIN
The fact of the matter that she is right. This is the worst thing.
Felix, save Natalia Paley.
For heaven's sake.
Dzerzhinsky
I promise I will do everything possible to save her. It will be part
of a cover for another operation. Nobody makes a rustle. And she
herself will not know that she did not escape on her own, but was
used to pretend that our agent also escaped for real. I won't tell
you: don't worry. Of course, you will. But firmly count on me to try,
as if for myself. As for my wife.
I know I’m overloading you. Try getting a paper copy of this
article by Rosa Luxemburg. I need to inform Trotsky. It seems that in
his dreams of a world revolution he did not consider the most
important thing. Instead of a place on the top, we can end up in a
cesspool or, worse, on a scaffold, like murderers and tyrants. When
we are alone in power, there is no one to judge us. And after the
world revolution, the class of workers of the whole world will be
above us. The world proletariat will not have mercy on apostates of
Marx's doctrine if authoritative comrades tell it is so.
CUT TO
141 EXT. STREETS
of PETROGRAD
– FALL 1918 141
A patrol of red army soldiers
and chekists on the deserted dark streets of Petrograd. Rare
pedestrians move away of them as soon as can see them.
CUT TO
142 EXT. OUTSIDE of PETROGRAD 142
WE SEE dense group of naked
men and woman sit in
the frost. There is group of Red Army soldiers at nearby
campfire who are looking with amusement on attempts of the former
upper class citizens to comfort ourselves sexually before death. One
soldier approaches the group and commands to one man to stand up. POV
of the man standing at the edge of the hole. Darkness for a seconds.
CUT TO
143 INT. MURA
BUDBERG’S APARTMENTS 143
There is ring to the door.
Mura Budberg (h.f.), extraordinary beauty young woman in silk
dressing gown on the naked body opens the door.
Peters, high rank chekist, enters the
apartment.
PETERS
There is task for you.
BUDBERG
(hugging and kissing)
It will wait. I miss you, man.
She drops the gown down, takes hand of Peters and leads him to the
bedroom. They make love in quit manner (not even hint of fight).
IN PROPER TIME
The couple at the bed after mutual satisfactory sex.
PETERS
Felix orders you to reunite Lockhart. We need eyes in British
Intelligence.
BUDBERG
Good. Bob is my favorite lover. How? The border is closed and sealed.
PETERS
All details are on you but Felix demands that women of Paley family,
all Princesses will be used as a cover for your escape. I don’t
know why he obsessed on them specifically but Dzerzhinsky is not one
to argue.
We have agents inside the family to inform. Now they are living in
Petrograd in the apartment of Mariana, who is daughter of Olga Paley.
You are insider of Gorky and Swedish Embassy. So act and soon.
BUDBERG
I will. Now more important. Are you ready to continue? Yes… Good
man.
CUT TO
144 INT.
MARIANE
PISTOHLKORS
APARTMENT 144
At the big dinner table at
evening tea there are gathering for the
ritual evening tea: Princesses Olga, Natalia and Irina Paley; Mariane
Pistohlkors and her former husband, Peotr Durnovo, with whom she
keeps friendship. In apartment there is also wardrobe maid Petrova
who is the unnoticeable as any servants, she is undercover informant
of Cheka.
DURNOVO
Olga Valerianovna, aren’t you afraid for the daughters?
OLGA PALEY
Oh, even don't ask. They are the clever ones, they do everything
right are aware, they listen. But my heart hurts, of course.
DURNOVO
Maybe they should be sent to a safer place?
OLGA PALEY
It would be nice, but where?
DURNOVO
To Finland.
OLGA PALEY
The Finns are not letting us in now, nor anyone from Red Russia.
DURNOVO
I can arrange it, but only immediately. A window has opened and will
close tomorrow. Make up your mind. You need to decide right now.
There may be no other opportunity. Most likely it won't ever again.
Or the Red Army soldiers could abuse them later.
OLGA PALEY
Yes, where will they live without me? I can't go, you know.
DURNOVO
I know. That's why I offer it only to your daughters. And it will be
easier for you to save your husband without them. Fear for them will
not distract you. In Finland I rented a sanatorium. They will be fine
there. A nice Russian woman will take care of them. Kharina is her
name.
MARIANE
Mom, you need to decide. You should only think about saving Uncle
Pali.
OLGA PALEY
Don't know. My favorite, dear love, what do you say?
NATALIA PALEY
We are ready. We need to help dad. Without us here, it will be easier
for you to save daddy.
DURNOVO
I have already ordered passports for them. They will be presented as
daughters of the wardrobe maid Petrova. She will go with them.
Tomorrow they will meet with Gershelman, he is an artillery officer,
now in an illegal position, in the uniform of a Red Army soldier for
secrecy. You haven't seen me yet!
Durnovo puts on a false beard and blue glasses, becoming completely
unrecognizable.
OLGA PALEY
Thank you, Pyotr.
Natalia and Ira rushes to mother’s hands to cry.
CUT TO
145 INT. Kazanskiy
Kafedralniy Sobor 145
Inside Kazanskiy Kafedralniy
Sobor Mariana, Ira and Natalia pray in the front of icon of Kazan
Mother of God. All of them cry.
CUT TO
146 EXT. IN FRONT OF Kazanskiy Kafedralniy Sobor
146
Captain Sergei Gershelman,
young man disguised as Red Army soldier, approaches them plus
Petrova. Mariane sits into the car, others enter streetcar.
CUT TO
147 EXT. IN FRONT OF Okhtinsky
Train Station 147
Streetcar approaches Okhtinsky
Train Station (not exist at present). Travelers stop down and go to
the station.
CUT TO
148 INT. inside
a freight train 148
Camera is looking inside a
freight train Petrova, Gershelman; Irina and Natalia Paley among
Finish peasant women. Women sing a mournful song. Irina and Natalia
shed a tear.
CUT TO
149 EXT. NEAR
post
station 149
Travelers reached by foot over
snow road a post station. There are two person waiting them: Mura
Budberg and unnamed blond enormous athlete who is escorting Budberg,
guard of Swedish Embassy. Gershelman is approached by Mura.
BUDBURG
I am from Durnovo. He permitted me to join you. I am going to
England. With Swedish passport there will be no problems with Finns.
Gershelman
Welcome aboard. Do you have money? I counts only on four of us.
BUDBERG
No problems. Here is thousand rubles.
150 EXT. NEAR
OTHER
post
station AFTER TWO HOURS 150
We see the company on three horse driven sleds arrives on is arriving
at the transfer post station to exchange
sleds. The Post Master, beard old man, spreads his arms.
Post Master
Sleds can’t go further. Snow-break. I show you the way.
CUT TO
151 EXT. SNOW FORREST ROAD 151
Everybody are at the snow road approaches a narrow, about three feet,
but streaming spring over the way. There is confusion what to do
because of woman cannot wet their
felt boots. The Swedish athlete makes a human body bridge for
woman who walks over him.
CUT TO
152 EXT. TOWN HALL BUILDING 152
The company approaches Finnish border city of Terijoki. Budberg with
Sweden guard moves away without saying goodbye. Other four travelers
enters the Town Hall.
CUT TO
153 INT. RECEPTION hall of THE SANATORIUM 153
Natalia and Irina Paley with Gershelman
enters inside. Nice kind strong woman Charina welcomed them in.
Charina
Pour things you are. Come in. Your rooms are
ready. But at first sauna. And sleep then. I see how you are tired.
Follow me at once.
Girls are instinctively smiling understanding that the treat of
inevitable death is over.
CUT TO
154 INT.
PASSENGER WAGON FROM ZURICH TO BERLIN 154
Blumkin sits in the train carriage that is full of people, including
some of them are coughing. Blumkin is obviously sick with the Spanish
flu. He has very valuable briefcase with him and understands that he
is in big trouble. Blumkin takes out from
his pockets all documents and items and puts everything into
briefcase. He sits trying to save strength.
CUT TO
155 INT.
BERLIN
ALEXANDERPLATZ TRAIN STATION 155
Blumkin walks out from train. He approaches the paid storage room.
Blumkin deposits his thin light-brown crocodile leather briefcase
there. Upon receiving the cartoon check he
buys a piece of waterproof tablecloths at the store inside station.
He wraps up the check and walks out to the park nearby. Using last
energy before virus of fly would overcome his conscious Blumkin hides
the receipt inside bush on the edge of the park. Then he moves to the
big Neptune fountain complex. He sits down and soon passed out soon.
CUT TO
156 INT. HOSPITAL
WARD,
BERLIN 156
POV of awaken at the morning Blumkin. He sees other empty bed with
nightstand close to it. The nurse with mask on her face gives him to
drink half-rising his face mask. She cleans his forehead with wet
towel. Blumkin passed out to nightmarish sleep again.
CUT TO NEXT MORNING
POV
of awaken in a day
Blumkin. He sees other
bed is occupied with young man. The man on other bed is very sick.
After nurse gives them to drink
Blumkin
goes to sleep again. But
now
Blumkin is obviously feels much better.
CUT
TO
MIDDLE OF THE NIGHT
Blumkin awakes practically recovered from the illness. He sees his
neighbor by the ward is dead. Blumkin exams all documents and items
of the dead man. Blumkin inspects all documents including passport on
the name Richard Sorge. The picture on the passport is reminiscent to
Blumkin’s face but not simulate enough. There are business cards of
the student Berlin at Friedrich Wilhelm University and key from the
room. Blumkin transfers body of dead man on his bed and lays down on
freed from corpse bed. He is exhausted from too hard efforts for
lately sick person. He lays down and falls in sleep.
CUT TO
157 EXT. PARK
NEAR TRAIN STATION 157
Blumkin digs out the cartoon check to storage room.
CUT TO
158 INT. storage
room 158
Blumkin in storage room of Railroad station. He presented the check
and receives his briefcase.
CUT TO
159 INT. the
room of
UNIVERSITY dormitory 159
Blumkin enters the room of late Richard Sorge and examines his photos
and all in documents in possession including the passport with
personal photo picture. He looks also on several memorabilia
pictures.
CUT TO
160 INT. the SMALL
room of
UNIVERSITY dormitory 160
Blumkin walks along Berlin streets looking around to be intimate
familiar with the place. He notes a pale yellow sign of photo studio
at Friedrichstrasse.
CUT TO
161 INT. PHOTO
STUDIO 161
Blumkin enter the photo studio just before closing before weekend.
There is sound of door bell. The photo-master Kurt, very young blond
man, appears from the backrooms of the studio.
BLUMKIN
Good evening.
KURT
Good evening. We're already closing. Come on Monday at eleven if you
have a time-critical matter.
BLUMKIN
Critical indeed. I have a business proposal. I will pay three hundred
dollars in cash, or the equivalent in marks, if you make copies of
photographs in which instead of another person’s face, there will
be mine. One photo on the passport. The other three are memorabilia.
Just copies. I will shield name on passport for you not afraid to be
witness. Here's the money.
If necessary, and I think so, we’ll spend the night here and work
on Sunday. I’ll pay another two hundred for a perfect result.
Kurt hesitates. He understands that it is the crime and could be
provocation. But amount of money is more than luring. He decides to
take a sort of the test.
KURT
(whispering and looking aside)
Four hundred.
BLUMKIN
Let's get started. Here's another hundred.
Let's get started, will we?
Kurt nods. He closed the entrance door and takes passport and
personal photos.
CUT TO some time ahead
Kurt makes pictures of Blumkin looking at given photos of Richard
Sorge with the same angle
and shades.
CUT TO some time ahead
Kurt makes large copies of given photos.
CUT TO some time ahead
Kurt combines large photos of Blumkin face and background from
Sorge’s pictures. He makes photo of the combination, then
retouching large version and finally print out the same size as
original Sorge's.
CUT TO some time ahead
Kurt reproduces of the ink of the stamp on the
passport photo.
Blumkin is positively impressed by result.
BLUMKIN
Good job. Here is the bonus. Have fun.
Blumkin pays to Kurt and exits the studio.
KURT
(with relived breath to himself)
Not restaurant… Cabaret.
CUT TO
161 INT.
OFFICE OF THE UNIVERSITY 161
Blumkin enters the University office. He sees clerk, woman of about
50th years old.
CLERK
Good morning. What your question?
Blumkin
I need leave University. What I have to do?
CLERK
Do you need a graduation diploma?
Blumkin
Of course. Why did I study, then, if not for the sake of a diploma?
My name is Richard Sorge.
Clerk takes from archive the case of Richard Sorge
and fast reads into it.
CLERK
I cannot issue a doctor’s diploma. For graduating as a doctor,
there is need to get recommendations from professors. It's a big
deal. But you have passed two exams on the structure of government
and community relations. This is enough to receive a diploma stating
that you have taken a course in politics and economics. You just need
to pay the office expenses. A thousand marks.
Blumkin
Yes. I will pay. Do you need a deposit?
CLERK
For sure. One hundred marks.
Blumkin
When can I get my diploma?
CLERK
It will be ready in a couple of days. If you need to collect all the
money, then you will have a month to find means and get a diploma.
CUT TO
161 EXT. STREETS OF BERLIN 161
Blumkin walks along streets of Berlin. He sees exited crowd reading
Newspapers with sensation headlines about sailors uprising in Kiel.
Blumkin buys several newspapers.
CUT TO
162 EXT. REVOLUTIONARY
KIEL, GERMANY 162
There are groups of navy sailors and soldiers with few civilians are
spontaneously moving around. Here and there he sees improvising
meetings with variety of random speakers. Blumkin walks from one
meeting to another.
CUT TO
163 INT. BIG
FLOOR HALL KIEL, GERMANY 163
There is exited crowd inside the hall big hall inside brick building.
People from crowd shouts of propositions to the resolution of
revolutionary council. On the scene some random people are write
down proposals.
Blumkin
I am Richard Sorge. Nothing is valid without approval of the Council!
There is favorable noise from the crowd.
UNKNOWN SAILOR
Elect Sorge to council!
CROWD
Yes!
Blumkin is confused. All around actions has no signs of serious
revolution. He decides to cut off his participation in Kiel.
CUT TO
163 INT. ENDLESS
HALL OF THE HOBBREUHAUS BREWERY 163
Blumkin sits alone at border table observing entrance in the rest
room inside enormous hall with a noisy motley crowd drinking mugs of
beer in Munich. It is the eve of Christmas. He awaits other members
of “World
Revolution” group. One person in senior soldier uniform approaches
his table and joins him without asking permission. The soldier named
Adolf (he is historical figure, but here is better let to guess who)
has a lush hanging mustache and a knife-like gaze of a brawler asking
for a quarrel.
ADOLF
Jew?
Blumkin
No. Not a Jew. German.
ADOLF
Wrong. You are a Jew. I'm an artist, I can see.
Blumkin
(he is Jew by origin but
occasionally uncircumcised)
If you’re so sure, then let’s go to the restroom, I’ll take off
my pants and pee on your artistic face, and you’ll stare at my
non–Jewishness.
ADOLF
To Greater Germany without Jews and bankers!
Blumkin
(standing up)
To Greater Germany!
Radek, Shorre and Vladimir Paley approaching the table. Blumkin is
relived to see that his team is finally come. He introduces Adolf.
Blumkin
Here is a new friend.
ADOLF
Adolf.
RADEK
Karl.
Blumkin
Karl, Adolf, hates Jews and bankers.
RADEK
Why Jews not Gipsies?
ADOLF
Bankers are Jews. They betray Germany.
RADEK
Bankers parasites on workers. Workers of all countries must
internationally fight against all parasites. Aren’t they?
ADOLF
German workers. They are superior civilized.
RADEK
Important is nor superiority but that workers have nothing to lose.
They are on the bottom of society all together.
ADOLF
Important that Germany is humiliated.
JUMP IN TIME HOURS AHEAD
After couple hours of discussions Karl Radek is completely drunk. His
face falls down into plate with a half-eaten sausage. Adolf is
absolute resolute. He stands up and looking piercingly says instead
goodbye.
ADOLF
German skilled labor. United.
Three other not too drunk members of team stare at Adolf with horror.
Adolf walks out as if nothing happens.
CUT TO
164 INT. THE
GIGANTIC HALL OF THE PRUSSIAN PARLIAMENT 164
Camera is flying around gigantic hall of
the Prussian Parliament in Berlin. There is the founding congress of
the German Communist Party. At the first row of the hall there are
leaders of reestablishing Spartacus Party: who are Rosa Luxemburg
(h.f.), intelligent appearance suffragist type mid-age woman, and
Karl Liebknecht (h.f.), mid-age school teacher type man. Behind them
we see Blumkin who observing negative expression of Rosa who is
watching at Karl Radek who is speaking on the podium as a communists
representative of Soviet Russia.
RADEK
Communists in Soviet Russia have taken power. We
are fighting with old class. They attacking us from any dark side
they are still hidden
to enslave working people again. We need help to keep first State of
the winner proletariat standing against World Counterrevolution.
Rise up, Comrades! Now is our moment. We in Russia was able to
overcome bourgeois order. You here in Germany, in the birthplace of
Karl Marx, will be victorious too.
Long live the World Revolution!!!
Standing ovation of everybody in the hall. Rosa Luxembourg stands up
as well.
LUXEMBOURG
(whispering to herself)
God save us all.
CUT TO
165 EXT. STREETS OF BERLIN, JAN.
1919 165
There are groups of people on the bottom of social pyramid are
walking around with red flags. There and here there are improvised
meetings with revolutionary slogans.
CUT TO
166 EXT. STREETS
OF
SMALL TOWN 166
Army units are gathering in the suburb of Berlin.
CUT TO
167 EXT. STREETS OF BERLIN 167
Riot groups from Spartacus (communists now) party are building
improvised barricades on the major streets.
CUT TO DAYS LATER
168 EXT. STREETS OF BERLIN, JAN.
1919 168
Army soldiers in shocking organized manner are destroying one
barricade by another shooting by direct aiming of artillery.
CUT TO WEEK LATER
169 EXT. STREETS OF BERLIN, JAN.
1919 169
Camera shows tens of corpses behind barricades.
CUT TO DAYS AHEAD
170 EXT. STREETS OF BERLIN, JAN.
1919 170
...Groups of free-corp are are stopping and arresting Spartacus
fighters. Here and there are shots.
CUT TO
171 THE
PETER AND PAUL FORTRESS – PETROGRAD 171
Four shirtless in underwear pants men, Grand Dukes, including further
of Natalia Paley, Pavel Romanov, exit the massive wall into inner
court of Peter and Paul Fortress. It is sunrise. They are directed by
two soldiers toward the fresh dig common grave filled with about
dozen corpses.
Some of Dukes wet themselves. soldiers are tired and indifferent
doing routine deadly dull job. Duke Pavel Romanov makes long gaze at
the Peter and Paul Cathedral, that is Romanov’s Royal Burial Vault.
Pavel Romanov
(crying out nowhere)
Farewell my love. How stupid I was.
CUT TO DARKNESS for seconds
172 INT.
THE APARTMENT IN BERLIN 172
Whole “World Revolution” team gathers behind well served
celebration table (it is orthodox calendar New Year eve Jan.13,
1919), there is good champagne bottles and fresh meet with boiled
potato on the table. The mood is as dark as could be after
devastation defeat of revolution uprise.
RADEK
(performing improvised anecdote)
A French and a German come into the tavern. French – we have
wonderful food! German, and we have so many philosophers, you can eat
them with ass! French – we had a Great Revolution, we tore off
three Royal Lilies! German, we have extraordinary flower, Rose, it
pierced the entire World Revolution with her thorn.
Joke falls flat. Only Shorre grins a little.
RADEK
Everything is over here.
Expert, I think that Rosa Luxemburg and Karl Liebknecht are no longer
useful for the World Revolution. It's all over with the workers'
uprising in Germany. They might still make some noise, here and
there. Never mind. We need to make the best we can out of this
disaster. What do you offer?
BLUMKIN
Uritsky’s variant?
RADEK
That would be ideal. Can you?
BLUMKIN
I can try. There is one idea.
RADEK
Great. Take an action. I do not know anything. There was no
conversation. As soon as possible. If necessary, tell me what to do.
CUT TO NEXT MORNING
Blumkin takes out and puts on the table near the phone apparatus a
card of Nikolai that he is given by Dzerzhinsky. Blumkin routs the
number on the phone.
BLUMKIN
(to the phone hang)
Colonel Nikolai. Please.
UNNAMED VOICE IN THE PHONE
Colonel out off business. IF you give your phone number the person in
responsibility will contact.
BLUMKIN
(after a seconds of hesitation)
27543
UNNAMED VOICE IN THE PHONE
Expect phone call in fifteen minutes.
Blumkin hands the phone.
CUT TO FIFTEEN MINUTES ahead
Phone rings.
Intercat of phone conversation between Blumkin and
Captain Canaris (h.f.), naval officer.
Captain Canaris
You asked Nikolai, he handed over all the cases. I am deputy of
military commander Gustav Noske, my name is Captain Canaris. I am
authorized to resolve issues.
BLUMKIN
It is about individuals with reward for capture. Is this interesting?
Captain Canaris
Undoubtedly. Continue.
BLUMKIN
If I find out where they are, how can I inform you promptly? They
constantly move from apartment to apartment.
Captain Canaris
Understood. I will solve this problem. I'll call you in an hour.
Don't worry, we appreciate your cooperation and anonymity. Do you
need a reward to collect?
BLUMKIN
No. I would rather not shine anyhow. I would prefer that no one knew
about the conversation. Waiting for a call.
Blumkin hangs the phone handle. He walks to the Radek’s room. Radek
reads newspapers.
BLUMKIN
Karl, regarding yesterday's conversation. We must promise Comrades
Luxemburg and Liebknecht that we will help with the documents. That
we have diplomatic passports of the Soviet Russia. That we will hand
over blank forms. Comrades are hunted for.
RADEK
Do we have blank forms?
BLUMKIN
Not yet…
I’ll go to the photographers and make photocopies of your passport
with your name shielded, and we’ll write their names in the spaces.
This is a matter of several hours. In the dark, the documents will
look similar and will pass a sloppy check.
RADEK
Fine. I will contact Wilhelm Pieck and make an offer. I’ll ask him
to come in tomorrow and bring documents to the apartment, where Rosa
and Karl will be by then.
CUT TO IN TWO HOURS AHEAD
Phone rings. Blumkin takes phone.
UNNAMED VOICE IN THE PHONE
Everything will be ready by tomorrow morning. Call 37442.
The group will arrive faster than in an hour, just let them know
where to.
BLUMKIN
Understood.
Blumkin hangs up the phone. He moves around the room in thinking
process. He takes newspapers, cardboard pieces and scissors. He
masters some pack by size remaining two passports, puts it in the
envelope, seals it and writes down “Rose, Karl”. In some Radek
looks into the room.
RADEK
Do you have passports already?
BLUMKIN
I do. Call Pieck. Ask him to come here tomorrow. Just in case, let he
give a contact address. They must say what names will be on the
passports so that we can notify border officers in advance.
CUT TO
173 EXT.
STREETS
OF BERLIN 173
Camera looks at Blumkin staying,
obviously already
long time,
observing the entrance door to the building where apartment of
his team is located. There is in half darkness a figure of Pieck
(h.f.), young German seasoned revolutionary, approaching the and
enters the door. In short time he exits back to street. Pieck goes at
first back, then stops to check shoes laces, then walks back to door
and waits a little. Then he walks in opposite direction. Blumkin
follows Pieck at the long distance with all possible precautions of
professional conspirators understanding that Pieck is good as best
professional could be. After long walk Blumkin
sees
as Pieck
enters the door of
apartment building and
soon the window at second floor, left of the entrance
door, lights
up. Blumkin with fast pace
goes back.
CUT TO
174 INT.
FEHRBELLINER PLATZ METRO STATION 174
Blumkin calls the public phone.
UNNAMED VOICE IN THE PHONE
At the phone. Who is this?
BLUMKIN
From the adjutant of the Minister of War. Address is Mannheimer
Strasse 43, second floor on the left. Both must be there.
UNNAMED VOICE
Whom should I give the reward to?
BLUMKIN
Orphans.
Blumkin hangs up the phone.
CUT TO
175 EXT.
STREETS
OF BERLIN 175
WE SEE Blumkin stays, obviously
far from the building where
Piek enters observing three people: one
woman, Rosa Luxembourg, and two men Vilgelm Pieck and Karl Libknecht
are escorted by the militants
from Freikorps tactical group into three cars. Blumkin turns and
walks away by the
street.
CUT TO
176 INT.
THE
ROOM IN HOTEL ‘EDEM’
176
Camera inside usual hotel room improvisational transformed into
interrogation office. Behind small table there is naval officer. In
front of him Wilhelm Pieck.
UNNAMED HIGH officer
(open the envelope addressed to Rosa, Karl)
Is it yours?
Pieck
(prepared to suffer for revolution)
Yes.
UNNAMED HIGH officer
What in it?
Pieck
Blanks of Russia diplomatic passports for our leaders.
UNNAMED HIGH officer
(looking at newspaper clippings)
Of course… Revolution is the matter of mental delusion.
(to guards)
This pour thing is free to go. We have more serious matters on hands
to care than to cure insane revolutionist.
Pieck walk from Hotel. He is completely confused but happy to be
alive.
CUT TO
176 INT.
LOBBY
OF ‘EDEM’
HOTEL 176
WE SEE crowd of the military officers belonged to different branches.
Unnamed high officer enters the lobby from inside of hotel and
command to officers.
UNNAMED HIGH officer
I need volunteers to deliver leaders of rebellions to Moabit prison.
I know that you are not policemen. So do what your honor would tell
you. No orders. Act.
CUT TO
177 EXT.
ZOO
ALLEY near the ENTRANCE 177
The car enters ZOO gate. It stops. Naval uniformed officers get out.
Karl Libknecht is taken
out off the car.
UNNAMED NAVAL officer
You free to go.
Liebknecht
I want to stand a court trail.
UNNAMED NAVAL officer
Really? What part of you? Right leg or maybe left? Your choice.
Liebknecht
A-aaa-a!
Liebknecht turns around and runs to the gate crying. The naval
officers take out handguns and as if in shooting range hits him
several times at back. Libknecht falls as a cut tree.
CUT TO
178 EXT.
BRIDGE OVER A CANAL SOUTH OF THE SPREE RIVER 178
A car stops near the bridge over canal in Berlin. The pilot, Captain
Kurt Vogel steps out holding a riffle. He hits with the butt of the
rifle woman, Rosa Lucksemburg, over the open window of the car. He
and the driver drag unconscious woman from the car. Vogel makes a
control shot to her head. The body of the Rosa is thrown into the
canal.
CUT TO
179 EXT. THE
ICE DESERT OF GULF OF FINLAND 179
WE SEE horse driven sleigh on the ice and snow covered Gulf Of
Finland near Petrograd. The horse and sleigh are covered by white
bed-sheets to camouflage against searchlights of Kronstadt.
CUT TO INSIDE SLEIGH
Two woman, Olga Paley and Mura Budberg are sitting close to each
other and shivering in the bitter cold.
CUT TO
180 INT.
SANATORIUM
ROOM – FINLAND 180
Olga Paley enters the spacious room where her daughters are sitting
at tea table. Daughters rush to hug mother.
IRA
What is with papa?
Olga Paley
Papa is no more.
At first both girls and in short period of time their mother joins
them to cry sobering.
CUT TO
181 INT.
THE APARTMENT IN BERLIN 181
A whole “World Revolution” team meets at morning coffee trying to
compose themselves after apparent win of the counterrevolution in
Germany.
RADEK
The revolution won, the Kaiser’s monarchy fell, and there is
democracy in Germany. It will take care of itself. It’s a pity that
the world revolution can now be driven only by us, with our
International organization. We will lead it. This is my
responsibility. Now, let's briefly say who does what? Everyone must
find something to do for themselves.
BLUMKIN
I am the only one who has legal German documents. I have nothing to
do here myself. My place is in Moscow. After everything, I can easily
become Yakov Blumkin again. Relations with Germany have been cut off;
no one cares about Count Mirbach anymore. Even in Germany, all the
aristocratic things have been canceled.
On the other hand, the fact that we have Richard Sorge with a clean
biography is a big plus for our intelligence work here in Germany. I
propose to transfer this name to Vladimir Mesarosh. Let him make
legal documents with his photo. He will start writing to newspapers
so that his name will be visible. Maybe he'll get a science degree.
Then we will recall him to Moscow. Will see. In any case, it’s
better for him to stay away from Civil War for now.
VLADIMIR PALEY
Fine.
BLUMKIN
Shorre, do you have any thoughts on what to do?
SHORRE
I think my place is in Moscow too.
BLUMKIN
So we’ll decide. Shorre and I are going to Moscow. Mesarosh becomes
Sorge. Karl decides what to do himself. Is it so, Comrade Radek?
RADEK
Great! Porridge praises itself, a revolutionary cooks up his
ideology. They both puff up. Porridge with bubbles, and a Marxist
with a pipe.
I will stay here for a while… Interesting to learn what could be if
our revolution falls.
Common feeling of relief having the task after uncertain situation.
CUT TO
182 EXT.
‘TERASSA’ RESTAURANT 182
Camera looks at the outside hall of ‘Terassa’ restaurant on the
embankment of the Aara river in Bern, Switzerland. It is Mar. 1919.
Blumkin, Sofya Dzerzhinsky and Vladimir Shorre are sitting at the
table.
Sofya Dzerzhinsky
Felix sent a letter… no, not like that. Correspondence. In sum,
there are messages from him.
I am summarizing from several letters. About the results of work in
Germany, there are no special complaints. What happened is not the
worst outcome. Both of you are needed in Soviet Russia for the fight.
I don’t know anything about the others. Felix didn’t mention
them. Most likely, depending on the circumstances.
He writes that he managed to keep the promise to ‘his boy’.
Almost complete.
Blumkin takes a deep breath. He understand that his love Natalia
Paley is alive and well.
Sofya Dzerzhinsky
There is one more strange thing. I don't know how to interpret it.
Inside the Felix's last letter there is also a letter out of Kiev,
from the mother of somebody by the name a Count Ignatiev. She writes
that Kiev was occupied by the Bolsheviks, and they are taking care of
her. She thinks that the Bolsheviks will help her to come to Paris.
Felix writes that it would be good if “his boy” handed this
letter to the count from hand to hand. I have no idea what this
means. Here is the letter, decide what to do with it for yourself.
Nothing special in it. Mother writes to son, that she is fine.
BLUmkin
Thank you.
Felix doesn’t say anything in vain. If he thinks that this letter
needs to be delivered; thus, that means I’ll make a detour through
Paris. Not the most remote town.
Maybe I'll get entertained.
CUT TO
183 EXT.
EMBANKMENT
OF SEINE RIVER – PARIS 183
Blumkin walks amid along Seine river in Paris, France. His pass
starts from Notre Dame Cathedral, passing the Louvre, Arc de Triumph
du Carrousel, Place de la Concorde with Fountain des Mers. The face
expression of Blumkin during the walk is changing from concentrated
tense into almost dreamily relaxed. He sees an Eiffel Tower and moves
toward it.
184 EXT.
EIFFEL
TOWER, OBSERVATION
BALCONY – PARIS 184
Blumkin is looking down at the Paris with amusement. There is voice
of Natalie Paley who appears without any warning taking Blumkin with
total surprise.
NATALIE PALEY
’Sweet love’ is to the right. Now you are looking towards my
place.
Blumkin is shocked and speechless. He is looking at Natalie with
completely disbelieve.
NATALIE PALEY
Have you seen enough? I am hungry. Do you have money?
CUT TO RESTAURANT AT EIFFEL TOWER
Blumkin and Natalie Paley are sitting at the table. He is confused,
she takes initiative in her hands.
NATALIE PALEY
Don’t you know French? I will order. How much money? Are there any
Franks?
Blumkin
Dollars.
NATALIE PALEY
It'll do the trick.
Natalie Paley makes the order to garson who brings the food and
glasses of red wine.
NATALIE PALEY
(pointing with her eyes on his small suitcase)
You are here on business. You haven’t found yet a place to live.
Will stay with me. We have not yet lived as spouses. I have the keys
to a massive mansion. I've been here for several days now, but I'm
afraid to go there alone. Help me put my house and my other affairs
in order. I will help you with your problem. We are in Paris. Let's
celebrate. No matter what...
Life.
NATALIE PALEY
I have financial difficulties here. There is money, but it’s
unreachable. How not to bite my elbow.
What is your business in Paris? Not a secret?
Blumkin
The most innocent thing. I must give a letter to Count Ignatiev from
his mother, whom I don’t know, I don’t know who he is, I don’t
know where to look, I don’t know why. In general, a trifle task it
is, but an unsolvable one.
NATALIE PALEY
It'll wait. First, let's make a cozy nest, tomorrow we'll go to the
cancan at the Moulin Rouge. Then, I will arrange everything. Trust
me, there is no other way. It is possible that things will turn out
so well with Count Ignatiev that we will both benefit. I heard
something about him. Fragmentary references, but I know where to
look. You can't do it faster yourself. I’m taking you hostage for a
week.
(choking
on the word “hostage” and tearing up
again for few moments)
You won’t get rid of me faster than a week. I waited a long time.
Be patient.
BLUMKIN
(nodding happily)
I will. How in a world you are here alone?
NATALIE PALEY
Simple story. Ordinary. I and Ira and I escaped in December to
Finland. Mother stayed to care for Papa. He was executed as hostage.
She escaped after. Everything was as you promise. Mom got pneumonia.
Money has
been running out.
Ira must sit with mom. I volunteers to go Paris.
BLUMKIN
Yes. Ordinary for these days indeed. You are special nevertheless.
CUT TO
185 EXT.
NEAR EIFFEL TOWER, PARIS 185
Blumkin and Natalia Paley are exiting stair if Eiffel tower and catch
the taxi.
CUT TO
186 INT.
MANUFACTURE
STORE, PARIS 186
Inside the store. Natalie is shopping bed sheets. She is actively
communicate with clerks. Blumkin is shy standing behind and giving
her money.
CUT TO
187 INT. FOOD STORE, PARIS
187
The Natalie and Blumkin behaving like a newly married ones are in
food store. Natalie is choosing salads, wine, tea and cakes. They
exiting the store with big bags these taking out by taxi driver.
CUT TO
188 EXT. PARIS STREETS 188
Taxi with happy Natalie and Blumkin is driving in Paris passing the
big Arc of Triumph. Blumkin looks at the second Arc with realization
that Paris is too big for newcomer as him to accommodate instantly.
He looks at Natalie with relieve and gratitude.
CUT TO
189 EXT. IN FRONT OF TWO stories
mansion 189
Taxi enters the big abandon garden in front of big two high stories
mansion, former Yusopov’s gifted by him to now farther
of Natalie. The building is several years without eyes. Natalie
followed Blumkin approaching enormous door of mansion. She takes out
keys and opens door. Natalie and Blumkin enter the mansion.
CUT TO
190 INT. HUGE mansion 190
Blumkin looks inside is as if it is haunting castle. For Natalie it
is as return to happy childhood. Natalie walks around the house
choosing bed for love. Her childhood bed is too small, parent’s bed
is sort of taboo. She stops at brother’s room. Two of them
together, as a well-coordinated team, are preparing to spend night of
love. Camera sees intercut of short episodes of tender love Blumkin
and Natalie and loving time in between when they playfully feeding
each other; working together cleaning floors of the mansion, making
love again, walking around the mansion Natalie gesticulates and
laughing on happy moments of her childhood.
CUT TO THREE DAYS LATER
Natalie and Blumkin are exhausted from non-stop love encounters for
several days. All food that was bought upon arrival is over. They are
sitting behind the table staring at the
last cake. They share it.
NATALIE PALEY
Are you saying that you need Count Ignatiev?
BLUMKIN
Yes. I have no idea how to search.
NATALIE PALEY
Let’s start with the phone book, I guess. And, if it doesn’t work
out, then we’ll go to the railroad station and ask Russian taxi
drivers.
BLUMKIN
Let's look at the book. This is a thought.
CUT TO
191 EXT.
PHONE
BOOTР
NEAR OF ARC
DE TRIUMPH 191
Natalie and Blumkin standing behind and looking after
her shoulder search phone book for name of
Ignatiev. Natalie finds the name amid Russian embassy military
department. Natalie
makes a call. Intercut of the phone conversation.
NATALIE PALEY
Princess Natalia Paley. I have business with General Alexei Ignatiev.
UNNAMED SECRETARY
Wait at the apparatus.
Natalie waits.
BLUMKIN
(whispering to Natalie)
Tell him that I have a mother letter for him.
IGNATIEV
General Ignatiev is at the apparatus. I'm listening, princess.
NATALIE PALEY
Dear General. I'm recently from Russia. Few people here know me from
my childhood. I need advice and patronage. I am now in our house in
Boulogne–Billancourt, next to the Princess Park. I would be happy
to invite you for a cup of tea or coffee if you prefer. By the way, I
have a person who promised to convey a letter from your mother. Oh! I
should have started with this. Generously forgive my
absent-mindedness. But he must tell everything by himself.
IGNATIEV
(after short thinking)
With pleasure. I will be happy to take up your generous offer, Your
Grace. Will tomorrow noon be convenient?
NATALIE PALEY
Of course. I hope you will forgive me for the fact that the house is
not yet completely habitable. I just arrived. As I said, I have
problems with access to the family fortune. I'm eagerly awaiting to
see you.
Natalie with beaming hangs phone handle. She is happy to help
Blumkin. The conversation was on French so Blumkin needs explanation.
NATALIE PALEY
He will come for tea tomorrow. We have a lot to do. Tidy up the
living room. Order lunch. Buy wine. Move on. First thing is cleaning.
CUT TO
192 EXT.
IN FRONT OF PALEY’S MANSION 192
The taxi car approaches the entrance of the mansion where Natalie
Paley is greeting count Ignatiev (h.f.), who is very tall man,
military in general of Russian Army, former cavalry guard officer.
IGNATIEV
(kissing hand of Natalie)
General Ignatiev.
Natalie invites the general into the house and introduces Blumkin who
is waiting them in the hallway.
NATALIE PALEY
Here is my friend from Petrograd. He… Let’s say, he has an
assignment related to you. From the government of Russia. I call him
Maxim. That's how he asked me to call him. That's probably not his
real name, but I don't care.
IGNATIEV
(shaking hand of Blumkin)
General Ignatiev.
BLUMKIN
It is a pleasure. Maxim.
NATALIE PALEY
(inviting Ignatiev to the dining room to sit at the table)
You probably can’t wait to read your mother’s letter. Here it is.
Sit down at the table and read quietly. Take your time. We'll wait as
long as need to. Please let us know when we can join you for lunch. I
know how difficult it is to wait for news from relatives. Believe me,
I know it very well, although prefer not to.
In five minutes Ignatiev come to hallway. Looking disturbed as can
be.
BLUMKIN
Don't ask me about the letter. I received it from Felix Dzerzhinsky's
wife in Switzerland. In Bern. She also knew nothing except what the
Chairman of the Cheka asked me to hand it to you. I don’t even know
what you’re doing here, what your position is. Here I'm just a
courier. I complete the task and that’s it. Have empathy for me and
get into the situation, please.
All of three of them sit down for the dinner table. After proper
pause to eat count Ignatiev finds his senses back. He decides to be
polite.
IGNATIEV
How is your mother? Where is she now?
NATALIE PALEY
In a hospital in Finland. After my father's death, she fell ill. The
escape from Petrograd under the bitter cold undermined her health. My
sister Ira is taking care of her there, but we are running out of
cash. Mom does not want to sell the jewelry, which for her is a
memory of the Grand Duke. There are bank accounts and deposits here.
Nobody knows me by sight here. I understand that if I go myself to
the bank of France they will laugh at me in my face. The police will
be called, they will say it’s an impostor. It's humiliating.
IGNATIEV
You know, I can really help. You and I will go
to the bank. I will vouch for you. I have an account there, they will
easily accept my letter of guarantee.
(to Blumkin)
Do you think I can put Russian funds as a guarantee of the identity
of the Princess?
Blumkin hesitates a moment.
BLUMKIN
Yes. Of course. The help of you will greatly oblige the government of
the Soviet Russia.
CUT TO
193 INT.
BANK OF FRANCE 193
Count Innatiev and Natalie Paley enter big hall of Bank of France.
They are greeted by senior officer who lead them to the luxury office
offering tea or coffee there. There is relaxing but business like
atmosphere.
CUT TO
194 INT.
ENTRANCE HALL PALEY’S MANSION 194
Natalie Paley enters the mansion with driver who brings several bags
in and goes away after tips. Blumkin hearing taxi sound approaches
her.
BLUMKIN
How things go?
NATALIE PALEY
Perfect. Everybody were so polite. I would say like a family members.
They open credit for me and mom in Finland. So I am in good shape for
now.
BLUMKIN
Shall we go to the Moulin Rouge and celebrate?
NATALIE PALEY
Tonight? Let’s go. I bought an evening dress. And a suit for you.
And also complete warm underwear fancy jumpsuit style. Try it on.
BLUMKIN
After. Good.
NATALIE PALEY
(in a capricious tone)
No, right now. I want to see.
BLUMKIN
Yes. Sure. If you want. I will with
pleasure.
Blumkin is trying
on purchases. During the fitting, she puts
a gold cross on him. He accepts the cross
as a talisman from his lover in spite to be atheist. Then
Natalie shows how her new dress fits her. Blumkin approves her style.
He kisses her. She loves him back.
CUT TO
195 EXT.
IN
FRONT OF MOULIN ROUGE CABARET 195
Taxi with Natalie Paley and Blumkin, both of them dressed up, are
approaching the cabaret entrance. The doorman is extremely polite
manner permits them in.
CUT TO
196 INT.
MAIN
HALL OF
MOULIN ROUGE CABARET 196
Natalie Paley and Blumkin are sit down by headwaiter at the best
table. Blumkin orders champagne bottle. They are looking at the show:
the presenter with flat jokes colored with obscene topics; a singer
emerged and murmured something love about; the magician manipulated
the cards and pulled out a rabbit from his toll hat, again a
presenter with jokes and a couple more singers.
CUT TO HOURS AHEAD
The hall is almost fills up with joyful crowd. The young attractive
man, Antoiane (h.f.), who looks as a student, he is future writer
Antoine de Saint-Exupéry, in sight searching a free place to sit.
Blumkin waves him inviting to sit for their table (he has a plan for
him).
BLUMKIN
Maxim.
Antoiane
Antoine.
NATALIE PALEY
(instinctively flirting)
Natalie.
BLUMKIN
Champagne?
Antoiane
Thanks? Please.
Natalie has social small talk with Antoiane. Blumkin, who don’t
speak french, mostly looking at the show on the main stage and makes
sure that Antoiane has his glass full of Champagne. At the main scene
there is finally the main hit of the evening, the scandalous cancan
dance. After dance is over there is the time for public to dance at
the floor. Natalie invites Blumkin but he is redirect the turn for
Antoiane. They dance and return to the table.
CUT TO
196 EXT. IN FRONT OF MOULIN
ROUGE CABARET 196
Blumkin, Natalie and Antoiane
are exiting from cabaret. Antoiane
is visible drunk.
NATALIE PALEY
It’s a long way for Antoiane to get to his place. And he's drunk.
Let's take him to us. In the morning, he will leave.
BLUMKIN
Of course, my smarty princess. Let's put him on the sofa in a dining
room, it's big enough. He will be quite comfortable.
They takes a taxi and all three of them go the Paley’s home.
CUT TO
197 INT.
BEDROOM
OF PALEY’S MANSION 197
Natalie is sleeping in the bed. Blumkin enters with the tray served
with coffee and croissants. He waits looking at her with tender love.
Natalie wakes up, stretches herself like a kitten, looks with love to
Blumkin back. He puts the tray to her to eat and waits until she
finishes to.
BLUMKIN
(standing near the door)
I'm leaving. Right now. I need to go back. I must. I am releasing you
from all obligations and promises. You don't owe me anything. There
will be no requests from me and Russia. The password is void. You are
free. And forgive me if you can. Don't harbor any grievance. It is
the time to blame, but I love you and always will.
Blumkin turns around and walks out. Natalie at first freeze in
disbelieve, then cry quietly, then she threw away the tray with
done breakfast. She walks around mansion to see Antoiane
in dining room.
CUT TO DINING ROOM
Natalie sees Antoiane sleeping. She takes several pillows, places
them at the floor in front of him and curls up on the pillows. She
waits staring at him impatiently waiting, demanding he notices her
presence. Antoine opens eyes looking at her at first happily, then,
realizing that she is in distress, with compassion.
Antoine
What happened, little fox? Did I offend you?
NATALIE PALEY
Not you.
She moves fast, almost jump to him sobbing silently, shaking with her
whole body at him.
NATALIE PALEY
We are responsible for those we have domestic.
Antoine kisses her gently without any idea what to do. Natalie kisses
him back desperately and passionately.
CUT TO
198 INT. EXT.
PORT OF ODESSA – UKRAINE 198
Blumkin
walks out from the cargo ship in the port of Odessa. The
city is
occupied with French Fleet. Blumkin
walks along the streets of the city that he knows well from younger
years. There are all around french military behaving civilized.
Blumkin approaches thrift store and enters in.
CUT TO inside A thrift STORE
We see store clerk
behind the desk in thrift store.
The store is filled
up with low level goods. Blumkin enters the store
space. The door rings attracting attention of the clerk.
STORE CLERK
(trying to speak French)
Looking for something?
BLUMKIN
Tell Yaponchik that his friend Yakov is
here and wants to chat around.
Clerk changes face impression from sweet servile into serious
business like. He nods and disappeared inside inner space of the
store.
CUT TO
199 INT.
STORAGE
SPACE THEFTS
STORE 199
WE SEE Blumkin and Mishka Yaponchik (h.f.), his friend by illegal
pre-revolutionary activity and now leader of criminal Odessa, sit
together at the table served with vintage wine inside closed space
where robbed goods are kept to be sold in the store.
Yaponchik
Let’s remember Kolya Andreev. Died of typhus. He said that you had
differences with him over the assassination attempt on the Нetman.
BLUMKIN
There were no disagreements. And I wasn't here. I carried out special
assignments. Misha, I can’t tell you. Sorry. I really can't. Maybe
when in old age, in fifty years. They will come and say: you can tell
everything now. Then we’ll sit, and I’ll describe everything to
you in all details. I can't now. Honestly.
Yaponchik
At least give me a hint.
BLUMKIN
I sailed today from France. I was in Paris. I was happy in awesome
crazy love. But I have an obligation with important papers. Bank
accounts, passports, addresses. They must be given to Dzerzhinsky.
There are all in this briefcase.
Please keep it in safe place. If anybody ask for them saying that
“Yakov needs ‘iron’”, it means that I have agreed with Felix
to be in a legal position again. Give them everything and cooperate
with the Cheka. If it suits you, of course. But give them the
briefcase anyway.
Yaponchik
Sure. Everything for you my friend.
I see, you are dressed up like a dandy. A suit from Paris?
BLUMKIN
Yes, my love had chosen it. I left her. I don't understand why,
really. There were force I ought to obey. Weird feeling. One needs to
experience for himself to understand what it is. That's how it should
be.
Yaponchik looks at Blumkin with surprise that he could be so
romantic. They sit both in silence deep into their thoughts.
BLUMKIN
By the way, I brought a batch of goods from Marseilles. All sorts of
little things to sell. As a cover for my legend. Wine, tobacco,
jewelry, playing cards. Will you sell around?
Yaponchik
Sure thing. What to do with your share?
BLUMKIN
Doesn't matter. Make the arrangements yourself. There should be an
opportunity, I’ll ask you out of friendship. Do one more favor for
me. I need rumors to spread about me that I was here this winter.
That I was involved in every revolution mess. Nothing specific is
needed. Just that somebody saw me here and there. If you do it, we'll
be even. And I also in
need documents for a trip to Moscow.
Yaponchik takes out from his dresser drawer a stack of passports and
other identification papers that he had collected during restaurant
and street ‘Gop–stop’ robberies.
Yaponchik
Choose any. Deal.
CUT TO
200 INT.
TRAIN CARRIAGE – KREMENCHUG, UKRAINE 200
Camera is inside the train carriage filled with variety of
passengers. Blumkin sits near obviously orthodox Jew. There are shots
and loud voices outside and then soon inside.
UNNAMED MILITANT
Everyone out.
orthodox Jew
(in mortal, hopeless despair)
The Petliurites...
All passengers are moving out.
CUT TO
201 EXT.
NEAR
TRAIN
CARRIAGE 201
Militants are separated all passengers permitting most of them to
move back into the train. Few of them are directed toward the waiting
hall of the train station.
CUT TO
202 INT.
HALL
OF TRAIN STATION
202
There are a crowd of Jew looking people, arbitrary selected by
militants guarded inside the train station hall. The young militant
with leader like behavior, Batka, enters the hall from town leading
door.
Batka
Jews out. Fast.
Most of gathered people are moving outside the hall in direction of
the train tracks. In proper moments when few are left.
Batka
Get up. Line up in one row!
About half of dozen people lines up. Batka moves along the line
staring in eyes. His left hand holds a whip lightly hitting, touching
the riding breeches of his red wide trousers, which were inflating
widely over narrow shiny cavalry boots with gilded spurs on the
heels. Without swinging, leader hits Blumkin directly in the mouth
with a knuckle-duster. Blumkin is not prepared. He remains standing.
Leader is hitting him knuckle-duster directly in the celeriac plexus.
Another blow to the back of the head dropped him to the floor. There
are also kicks to the torso, legs, and head.
Batka
(commands two militants)
Kill that Jew, but bring me the suit. And no holes.
Two militants grab Yakov by the armpits and drags him to the exit on
the platform in front of the railway tracks.
MILITANT 1
Take off your clothes.
Blumkin with great pain obeys taking off the coat and suit.
He is sitting in underwear at stones leaning to the wall of the
station.
MILITANT 2
Petro, marvel at his underwear! Woolen! Warm long johns! We'll ruin
it with bullets. It's a pity!
MILITANT 1
Really!
Take off everything! Move! I'll take off your skin. Come on faster!
Yakov obeys. He pulls off the top of his underwear, and then his
tight trousers. He is naked now.
MILITANT 2
Listen, he’s uncircumcised! He is not a Jew!
MILITANT 1
You're kidding down fool.
MILITANT 2
See for yourself if you don’t believe me!
MILITANT 1
And then! Here is also the cross! Gold... Batka said to kill the Jew.
And this is not a Jew.
MILITANT 2
He didn’t say about the suit that it had to be taken from a Jew! We
need to bring a suit.
MILITANT 1
He didn’t talk about underwear, either.
MILITANT 2
So, we’ll decide for ourselves. I’ll take the underpants and you
take the top. Democratically. Let's vote. I am for.
MILITANT 1
Unanimously. But I will take cross too. I saw it first.
MILITANT 2
Choke on.
Two militants leaves Blumkin naked and at bitter spring cold.
CUT TO IN FIFTEEN MINUTES AHEAD
There is a hectic movement in and around the station.
In few minutes the
armed cargo train of Red Army
arrives and stops at the station. Well trained by repetition of the
same sequence red Army soldiers drops out the train and secure the
station at first then spreading all around.
From passenger carriage of
the arrived train Sergei Sakharov steps
down. He wants to stretch legs before routine action for requisition
of the storage grains from all around peasant farms. Sergei Sakharov
noticed naked Blumkin but considered him as ordinary victim of
the Civil War where everybody
is against all.
Blumkin recognized Sergei Sakharov.
BLUMKIN
Sakharov!
Sergei Sakharov thinks
that he is misheard but starts to check it out.
BLUMKIN
Sergei Illarionovich. Help…
Sergei Sakharov understands
that voice is from naked body of Blumkin. He closes to Blumkin to
hear.
BLUMKIN
I'm Maxim. I visited you and Lyubov Grigorievna in August last
summer.
Sergei Sakharov
Be patient. We'll help you now.
Sergei Sakharov recognizes his savior. He rushes into the train for
blanket, soon goes out and wraps Blumkin into the blanket, takes him
into his cabin.
CUT TO
203 EXT.
THE BUILDING OF THE CHEKA – KIEV
203
Blumkin, looking damaged and sick, walks along street. He approaches
the guard at the front door of building with the cartoon signboard
“Cheka”.
BLUMKIN
My name is Yakov Blumkin. I know that I am wanted, I have come to
testify in the case in which I am accused.
CUT TO
204 INT.
INTERROGATION ROOM IN CHEKA - MOSCOW
204
About month after Blumkin surrender Dzerzhinsky sits at the table
looking at the folder with the case of the Blumkin. Blumkin sits on
the stool in front of table. He is a little better but still in a
deplorable state of health. Dzerzhinsky looks at Blumkin examining
his value for future assignments.
Dzerzhinsky
Everything is clear in your testimony. About the uprising of the
Socialist Revolutionaries, you wrote that it was not a plot but just
misunderstanding. Mirbach was killed to change attitude of public
toward the Brest–Litovsk Peace Treaty, it was a some kind of
propaganda action. It is reasonable. There is a statement that you
cannot ‘legally’ talk about working in Ukraine.
(Felix grinned.)
I am amused by the word ‘legally’, good for you. We are better to
involve you in preparing all sorts of speeches and statements. You
know how to say anything and give out nothing, but the impression is
that behind the words there is something material, factual. Can you
handle this?
Blumkin nods affirmatively looking from
under the brows.
Dzerzhinsky
There’s one point that is standing aside, I can’t understand.
(looking directly in eyes of Blumkin)
Why did you mention that you lived in Gatchina? It's a game?
Blackmail?
BLUMKIN
This is a mistake. A blunder. I also make mistakes. I'm only human.
Dzerzhinsky
Sure you are. Just an ordinary human. Aha! Judging by your condition,
you are likely not made of iron. Like me, for example.
So. Relax. We will replace the execution sentence with an amnesty on
the occasion of International Workers' Day. Instead of execution, you
will have to commit ‘heroic deeds in the fight against the enemies
of the revolution’.
Lev Davydovich wants you to join him. As
the head of security, but this is for display. Just as a friend and
interlocutor, he is terribly interested in your adventures. There is
a comfort and doctors on his train. You can get medical treatment and
gain from the experience of old-time specialists, then we will assign
you to command something, and then assign again for special missions.
‘There are more things in heaven and earth, Horatio, than are
dreamt of in your philosophy’, but you must investigate, report and
take actions.
BLUMKIN
Thank you, Felix. For all. And a special for Natalia. I saw her in
Paris. I wouldn’t have believed it myself, but it was she who
introduced me to Count Ignatiev. I couldn't do anything without her.
Dzerzhinsky
Are you going to use her in a future?
BLUMKIN
No. I let her go. The girl suffered too much. We can leave her alone
and free. I love her. Let her go, will we?
Dzerzhinsky
Good. Let's make an exception. It's good that you reminded. What's
the deal with Ignatiev?
BLUMKIN
He read the letter. His face showed understanding. I think he
calculated everything. He appreciated that we didn’t directly
demand anything nor threaten him. I am sure that if nothing
unexpected happens, the money will be transferred to the legitimate
government, which France will recognize. It is on us to be that
government.
Dzerzhinsky
What about the money raised?
BLUMKIN
Most of them in bank accounts. Mishka Yaponchik has all the papers.
Dzerzhinsky
(screaming)
...are you crazy?!?!
BLUMKIN
Mishka is no fool. He is ready to work with us. The fact that he is
the bandit, so remember who we are. Stalin, a nun, or what? And I? I
know Yaponchik from the anti-pogrom squads. He promised me to keep
everything. I told him that he will be accepted into the Cheka. He
has a serious squad. It will come in handy.
Dzerzhinsky
Let's see. Good, maybe. Go to the cell. There must be a bureaucratic
procedure, the decision of the All-Russian Central Executive
Committee. Trotsky must call the All–Russian headman, Kalinin. He
is now instead of Sverdlov, who was less fortunate in Ukraine than
you are. He could not recover from the beating.
I come to the decision right now. If you had lied about Gatchina, if
you had started spinning it…
Well done. Good luck.
CUT TO
204 INT.
MINISTER WAGON
OF TROTSKY HEADQUARTERS TRAIN
204
Trotsky and Blumkin sit behind the table served with vintage vine
inside headquarters train.
TROTSKY
Ignatiev never transferred the money to any of the White Guard
groups. He fears for his mother. Or there is something else?
BLUMKIN
I think he appreciates our delicacy. If we let his mother out, he
won’t act anything against us. This will not look noble in his own
eyes. He hasn't been in Russia for a long time. He has nostalgia, he
remembers the country before all this bloody mess. Clean. Fields,
groves, parks. I think his mother should be released. She, of course,
will spread horrors about us, but he will believe his eyes, rely on
the facts. She is released, free. No conditions. Thus we are worth of
handshake.
TROTSKY
Yes. They believe in honor. This must be used while they still
believe. Soon they will learn. Those of them who will be happy to
survive.
What are your plans for the future? How's your love?
BLUMKIN
Love has been released. There is no need to ruin her life. She is a
special creature. Let her be happy for both of us. Something is
guiding me. I’m a materialist, I don’t believe in fate, but I
can’t resist it. Must complete an important duty. I don't know what
it will be. It will find me on its own.
TROTSKY
Damn! I feel the same way about myself. It's kind of foolish
nonsense.
CUT TO
205 INT.
JEWELRY
STORE
– TALLINN
– ONE
YEAR AFTER 205
Blumkin shows to sell big gem stone.
CUT TO
206 INT.
PHOTO
STUDIO
OF FASHION MAGAZINE – PARIS
206
Natalia Paley at the podium models in long dress. She is the star of
photo-session.
CUT TO
206 EXT.
SEASHORE
OF CASPIAN SEA – NIGHT 206
Blumkin shakes hand with beard man in turban. There are a fleet of
small naval boats behind them ready to move out.
CUT TO
207 INT.
RESTAURANT – PARIS 207
Dressed up man gifts to Natalia Paley a bottle of perfume pointing
out at the big letter N at the label.
CUT TO
208 EXT.
HIMALAYAN MOUNTAINS – DAY
208
Group of travelers including Blumkin walks out
of the Palace
with mountains at background. There are crowв
of monks obviously chasing them away.
CUT TO
209 INT.
THE HOTEL ANGLITER ROOM –
LENINGRAD
209
Blumkin enters the room and looking at the Yesenin corpse hanged up
low the heating battery. Blumkin tears.
CUT TO
210 INT.
NIGHT
CLUB
–
NEW
YORK - 1942 210
Antoine seeks his girlfriend all around nightclub.
He sees Natalie in company of several men. He recognizes in her from
most romantic adventure of his life in Paris long time ago. She is
the prototype of the character
“little fox” of his book written by him
at this time. He approaches her. She
recognizes him back. They kiss.
CUT TO
211 INT.
INTERROGATION
ROOM, JAPAN
211
Camera is in interrogation room in Sugamo prison in Japan. It is
November of 1944.
Japan prosecutor Yoshikawa and Blumkin at the opposite sides of the
table.
Yoshikawa
I have bad news, dear friend. You will be executed at anniversary of
your revolution. Nobody from Russia admits that you are their agent.
They don’t know you. Sorry. Any last wishes?
Blumkin
Yes. I want to see movie with Natalia Paley.
Yoshikawa
(surprised)
Who?
Blumkin
My favorite actress.
Yoshikawa
Well. I will try to get the copy. I cannot promise. You can
understand I know.
Blumkin
Perl-Harbor… War with America instead of Russia and then Germany
and Japan are victorious. Only myself to blame that you choose attack
USA.
Yes. I know now what I did and why my life is ended this way.
CUT TO
212 INT.
MOVIE
THEATER – WASHINGTON – 1951 212
WE SEE Yoshikawa and his wife, good looking lady, are sitting as
spectators of the movie where Natalia Paley is a star.
Yoshikawa
(whispering to ear)
It is she who wanted to see this Soviet Spy before death.
Yoshikawa’s Wife
I am better.
THE END
FADE OUT